In the midst of the American Institute of Architects’ (AIA) 2015 National Convention in Atlanta, Georgia, we had the chance to sit down with Elizabeth Chu Richter, CEO of Richter Architects and the AIA President for 2015 to discuss some of the important issues facing the architecture profession today.
The Architectural League of New York has announced the winners of its 2015 Prize for Young Architects + Designers. Launched in 1981 and organized by a committee comprising League Programs Director Anne Rieselbach and a selection of winners from last year, the Architectural League Prize is one of the United States’ most prestigious awards for young architects, recognizing provocative work and offering a platform for the winners to disseminate their ideas. This year’s theme, “Authenticity,” asked designers how technological changes in computation, visualization, material intelligence, and fabrication technologies are altering our perception of design and the role of the architect.
The jury for the prize consisted of Keller Easterling, Sanford Kwinter, Michael Meredith, Lyn Rice, and Billie Tsien, as well as previous winners Carrie Norman, John Rhett Russo, and Jenny Sabin. As part of their prize, in June the six winning practices will present a series of lectures, and their work will be on display in an exhibition during the summer.
Read on for the complete list of winners.
The world’s longest glass skywalk has been inaugurated in China, jutting off the edge of a 718-meter tall cliff in the Longgang National Geological Park in Chongqing, reports CCTV. Aptly named Yuanduan, which means “at the end of the clouds,” the horseshoe-shaped walkway offers visitors stunning (and a bit terrifying) views of the surrounding mountains and canyon below. Extending for more than 26 meters off the cliff’s edge, the bridge is five meters longer than the Grand Canyon Skywalk. Only 30 tourists will be allowed on the bridge at a time. View a gallery of photos at The Daily Mail.
Zaha Hadid Architects have unveiled their first project in Mexico, a residential development in Monterrey. The country’s third-largest city, Monterrey is a rapidly growing and increasingly important manufacturing and technology center. The project, named “Esfera City Center,” is located to the southwest of Monterrey in the Huajuco Canyon, where it will provide crucial homes in a rapidly expanding part of the city.
Consisting of 981 units from single-person lofts to four-bedroom apartments totaling 137,000 square meters, the design rejects the original brief from the client which called for 12 residential towers, instead opting for a series of long, low-rise blocks which surround a public park, bringing a community focus to the design.
More images and information about the Esfera City Center project after the break.
Until recently, renderings were the architect’s primary tool for understanding daylight in their designs—renderings, and a healthy dose of intuition. But a new generation of daylighting analysis tools, which is emerging alongside a new generation of daylighting metrics, are enabling architects to look at daylight in new ways—with important implications for design.
Business as usual, when it comes to daylight, is to use rules of thumb to design, then use renderings to check the design and communicate the intent. Rendering has fast become an art form: the creation of exquisite, evocative, often atmospheric imagery that communicates the mood, the experience, the visceral feel of the design. This is no accident: daylighting is a magic ingredient in architecture, bringing dynamism to static structure, imbuing buildings with a sense of time, and renderings are a powerful way to capture and communicate these ideas—a necessary complement to the hard line plans and sections that comprise much of the architect’s lexicon. Renderings have expanded our ability to communicate designs. They have also expanded our ability to conceptualize designs—and especially to conceptualize the daylight in our designs.
But there’s something missing: there are important daylight-related questions that renderings simply can’t answer. Even if they can be made reasonably accurate, they’re still incomplete: depicting a moment in time, but not providing an indication of whether that moment is unique or typical.
Gottlieb Paludan Architects have been selected as the winners of an anonymous two-stage competition to design a new biomass unit at the Amagerværket power plant in Denmark. The combined heat and power unit (CHP), dubbed BIO4, will power the facility with biofuel, upholding local efforts to make Copenhagen the world’s first CO2-neutral capital by 2025.
Location: Via Giorgio Stephenson, 107, 20157 Milano, Italy
Architect In Charge: Alessandro Belilli, Claudio Cortese, Kai Felix Dorl, Daniele Durante, Enrico Falchetti, Alessandro Franceschini, Davide Giambelli, Alessandra, Giannone, Paolo Greco, Sebastiano Maccarrone, Paolo Maselli, Matteo Pavese, Mariarosaria Meloni, Fabio Rebolini, Giuseppe Zaccaria
Design Team: Nemesi & Partners Srl, Arch. Michele Molè and Arch. Susanna Tradati
Design Partners: PROGER /BMS Progetti, Engineering and Cost Management, Livio De Santoli, sustainability energy
Area: 27000.0 sqm
Photographs: Courtesy of Nemesi
David Chipperfield Architects have revealed plans to connect the two Grade II*-listed London bases of London’s Royal Academy of Arts – the 17th century Burlington House and the 19th century 6 Burlington Gardens – as part of a £50million ($80million) masterplan of “subtle interventions.” According to the Architects’ Journal, the two structures will be linked by a concrete bridge which will span fifteen metres across a service area and courtyard, and will see the creation of a number of new exhibition spaces, a lecture theatre, and a new space for the Royal Academy’s world-renowned schools of art and architecture. A series of roof extensions and terraces will allow for new views over central London.