Established in 2000, the 2016 Triennale will be the sixth of its kind. Following an open call for curators in September of this year, the Triennale invited four teams to interview: Rotterdam based Crimson Architectural Historians, London based Justin McGuirk, Canadian curator Dan Handel, and a team of five Spanish architects hailing from New York known as the After Belonging Agency. Lluis Alexandre Casanovas Blanco, Ignacio González Galán, Carlos Minguez Carrasco, Alejandra Navarrete Llopis, and Marina Otero Verzier’s proposal was chosen unanimously by a jury which included Hege Maria Eriksson, Nina Berre, and Gro Bonesmo (among others).
While you might not recognize him, you know his work; much of today’s most famous buildings are being archived through the lens of Iwan Baan. As the go-to photographer for many of the world’s leading architects, Baan is constantly on the move and exploring new places. And, just as he describes in the NOWNESS video above, he has found that the best way to understand a new city is to “go up” and view it from above.
Architects: Rootstudio, Arquitectos Artesanos
Location: México, SAN FELIPE, 68020 Oaxaca, Oaxaca, Mexico
Project Architects: João Boto Caeiro, Fulvio Capurso, J. J. Santibáñez
Construction: Alicia Andonegni, Alberto Campuzano, Efrain Vazquez, German Peña, Miguel Angel Garcia, Joaquin Pacheco, Edgar Cano, Aram Barrera, Jesus Aguilera, Cecilia Arenas, Silvino Garcia
Project Area: 4600.0 m2
Photographs: Angel Ivan Valdivia Salazar, Fidel Ugarte
Federico Babina is at it again, this time creating a series of 13 Las Vegas-inspired billboards that advertise architectural concepts of the profession’s most prolific contributors. The idea behind ARCHIQUOTE, as Babina describes, was to put words into manifest examples of architectural concepts and aesthetics from Mies van der Rohe to Rem Koolhaas.
“The words can be considered as architecture,” says Babina. “Simple concepts with deep meanings and complex thoughts explained with simplicity…Billboards that evoke a Las vegas of architecture where the phrases guide us to understand a little more the idea hidden behind the work done with volumes and space… In these 13 illustrations are mixed, intersect and integrate aphorisms and shapes in a communicative game.”
The complete series, after the break.
It’s that time of year again and architects continue to top the list as some of the most difficult individuals to buy for. That classic black tee or new coffee cup just isn’t cutting it anymore, so we’ve decided to help you out by putting together a list of items any architect would love. Take a look at ArchDaily’s top 15 gifts for architects, after the break.
Architects: Robert A.M. Stern Architects
Location: La Défense, France
Associate Architect: SRA Architectes (Herve Metge, Partner / Laurence Gorgiard / Pierre-Michel Desgrange)
Client/Owner: Aviva France / Bois-Colombes, France / Joëlle Chauvin, Directeur Immobilier
Area: 45500.0 sqm
Photographs: Peter Aaron / OTTO
A revolution is occurring in street design. New York, arguably the world’s bellwether city, has let everyday citizens cycle for transport. They have done that by designating one lane on most Avenues to bicyclists only, with barriers to protect them from traffic.
Now hundreds of cities are rejigging to be bicycle-friendly, while in New York there is a sense that more change is afoot. Many New Yorkers would prefer if their city were more like Copenhagen where 40% of all trips are by bike. But then Copenhagen wants more as well. Where does this stop?
If you consider that we are talking about a mode of transport that whips our hearts into shape, funnels many more people down streets than can be funneled in cars, has no pollution, and costs governments and individuals an absolute pittance, you wont ask where it stops, but how close to 100% the bike modal share can possibly go and what we must do to achieve that.
CVDB Arquitectos has won a competition for a new student accommodation block at Lisbon University’s Pólo da Ajuda campus. The building consists of three interconnected but structurally separate units arranged around a central courtyard, with the internal layout being determined by the modular unit of the individual bedrooms. On the South side of the building, at street level, the building’s communal spaces and vital services provide a sense of transparency in the otherwise opaque building, connecting the central courtyard and the life of the students to the street outside.