An exhibition celebrating one of North America's foremost postmodern architects will open this October, marking 50 years of Michael Graves' practice. Past as Prologue maps the evolution of Graves' work in architecture and product design through an array of media including sculpture, painting, furniture, drawings and models. The comprehensive exhibition will begin with Graves' work from 1964 and conclude with works currently in progress. The exhibition will be hosted by Grounds for Sculpture with a mission to provide insight into the five-decade progression of Graves' unique design process. More on the exhibition after the break.
”Mouthful of meetings” is a moderated conversation taking place at the 2014 Venice Biennale with a focus on socioeconomic sustainability and current projects in developing countries around the world. The event is organized by South of North, a collaboration between Nordic architects working in the non-profit sector in developing environments. Contributors will include contemporary Nordic and African practices with an emphasis on recent works of socially committed architecture. Read on after the break for more details of the event.
Are Brutalist buildings, once deemed cruel and ugly, making a comeback? Reyner Banham's witty play on the French term for raw concrete, beton brut, was popularized by a movement of hip, young architects counteracting what they perceived as the bourgeois and fanciful Modernism of the 1930s. Though the use of raw concrete in the hands of such artist-architects as Le Corbusier seems beautiful beneath the lush Mediterranean sun, under the overcast skies of northern Europe Brutalist architecture earned a much less flattering reputation. Since the 1990s, however, architects, designers, and artists have celebrated formerly denounced buildings, developing a fashionably artistic following around buildings like Erno Goldfinger's Trellick Tower, "even if long-term residents held far more ambivalent views of this forceful high-rise housing block." To learn more about this controversial history and to read Jonathan Glancey's speculation for its future, read the full article on BBC, here.
In an article for the New York Times, Alexandra Lange discusses a number of US projects which are "transforming, but not disrupting," their respective communities. In this vein, she cites Mecanoo and Sasaki Associates' new Bruce C. Bolling Municipal Building in Roxbury, Boston, as a prime example of a new kind of architecture which "comes from understanding of past civic hopes, redesigning them to meet the future." Examining some of the key concepts that make for successfully integrated community buildings, such as the creation of spaces that actively forge personal connections, Lange concludes that perhaps it is now "time for strategic architecture."
Frank Gehry’s design for the performing arts center at ground zero in New York has been shelved and the planning board will instead select a design from three other finalist architects, the New York Times has reported. This follows on reports from February that Frank Gehry’s original design was being revised and his plans for an initial 1,000 seat center were being abandoned. “We’re in the process of selecting a new architect,” said John E. Zuccotti, the real estate developer who is the chairman of the arts center’s board. “Three architectural firms are being considered.” Gehry, however, has said that he’s heard “zero at ground zero” and hasn’t been informed of the board’s decision. To learn more about the plans for the performing arts center see the full article from the New York Times.
The International Architecture Biennale Rotterdam (IABR) has announced Maarte Hajer as the Chief Curator of IABR-2016-. Hajer, a professor of Public Policy at the University of Amsterdam and Director General of the PBL Netherlands Environmental Assessment Agency, was selected for his proposed theme, "The Next Economy." More on Hajer's appointment after the break.
The results of the Royal Institute of British Architects (RIBA) Future Trends Survey for July 2014 show that the Workload Index among UK practices fell back to +28 (from +34 in June) with confidence levels among RIBA practices about the level of future workloads remaining "very strong in practices of all sizes across the whole of the UK." Whereas last month’s survey saw Scotland top the index with a balance figure of +50, London showed the greatest strength in July with a balance figure of +38. Practices located in Wales and the West were the most cautious about prospects for future workloads, returning a balance figure of just +12. The survey shows that actual workloads have been growing for four consecutive quarters and the overall value of work in progress last month was 10% higher than this time last year.
With the International Union of Architects (UIA)'s World Congress taking place last month, the eyes of the architecture world were on South Africa where - according to Phineas Harper of the Architectural Review - the conference was full of architects of all backgrounds with "irrepressible energy," sharing ideas on how architecture can be used for social good with an urgency that is somewhat unfamiliar in the Western world. "Whoever said architecture was stale, male and pale should have been in Durban," says Harper. You can read the full review of the event here.
In an article for the London Evening Standard, Robert Bevan examines one of the many often overlooked consequences of conflict: the destruction of monuments, culture, and heritage. With heightened conflict in the Middle East over the past decade an enormous amount of "cultural genocide" has occurred - something which Bevan notes is "inextricably linked to human genocide and ethnic cleansing." Arguing that "saving historic treasures and saving lives are not mutually exclusive activities," case studies from across the world are employed to make the point that with the loss of cultural heritage, most commonly architectural, the long term ramifications will resonate throughout this century.
On Thursday, the Aedes Network Campus Berlin (ANCB) Metropolitan Laboratory hosted a symposium to mark the opening of the exhibition "Seoul: Towards a New City," in collaboration with the City of Seoul. The city has identified three key objectives to help them strike a balance between restoration and change when moving forward with future development: revival of history, restoration of nature, and renewal of people's lives. Seven projects that reflect these goals are on display at the exhibition. For more details, continue reading after the break.
Articles on China’s building boom often highlight the property bubble, megalomaniac planners, governmental corruption and private graft, substandard building practices and the destruction of the nation’s cultural heritage.
The US Patent and Trademark Office have awarded a patent to Apple for the design of their flagship store on Fifth Avenue in New York, reports MacRumors. The patent, applied for by Apple in 2012, applies to the above-ground glass cube, which was originally designed by Bohlin Cywinski Jackson and - after a renovation in 2011 - is made of just 15 glass panels with minimal steel fixings. More on the patent after the break.
Thomas Heatherwick is set to expand his international reputation in the coming year, thanks to two exhibitions that will tour the United States and East Asia, reports the Architects' Journal. The US exhibition, titled "Provocations: The Architecture and Design of Heatherwick Studio" will tour Dallas, LA and New York from September 2014 to October 2015. The Asia exhibit is yet to be formally announced, although it is believed it will begin in Singapore in Spring 2015. Read on after the break for more details of the exhibitions.
New models are emerging, redefining how we work, shop and learn in different environments that impact our everyday lives. IE SPACES FOR INNOVATION Prize is a challenge for young architects and designers worldwide that are able to foresee how work, retail and learning environments will evolve in the next decade.
Last week Zaha Hadid filed a libel lawsuit against critic Martin Filler, after Filler’s review of Rowan Moore’s book “Why We Build: Power and Desire in Architecture" for the New York Review of Books included a scathing section on Hadid. In the article Filler said she had shown “no concern” for the death of construction workers in Qatar, where she designed a stadium for the 2022 World Cup. Now, Filler has admitted to a significant error in the article he wrote, The New York Times has reported. In an amendment to his article Filler acknowledges that the quotes he used from Hadid were taken out of context and had “nothing to do” with the Qatar stadium she designed. Read Filler’s full statement in the New York Times article, here.
Looking for your dream home? Picket fence, driveway (sedan included), basketball net, and terracotta pots complete with flowers in bloom, available now in the quiet neighbourhood of Rancho Santa Fe in Shanghai, China. According to this article in The Guardian, "The Chinese Dream" is currently sweeping the People's Republic, with Western planning models replicated with identical ineffective results. The article offers an intimate insight into the role of American architectural fetishism in modern China, and how the government is now fighting to curb the trend. Read the complete article here.
A major competition for reuse has just been announced for the Malagrotta Landfill, one of the European Union's biggest landfill sites. After Malagrotta was closed in August 2013 due to its controversial size and negative impact on the surrounding community, the Municipality of Rome began a process of redevelopment through community engagement. Multi-displinary teams are tasked with a creating a proposal to reinvent the sprawling 240-hectare property while considering its original purpose. The competition is designed to begin a conversation on the long-term vision for the property.
Is it possible to build low cost homes in the city that are both sustainable and easy on the eyes? Self Build on a Shoestring in the City, organized by the National Custom & Self Build Association and Grand Designs Live, is an ideas competition in its second year that seeks to answer this question by showcasing innovative designs for a group self build project in an urban location. More details after the break.