Brooklyn Academy of Music is showcasing five murals by the late Michael Graves as part of the institution's permanent visual art collection. All completed in 1974, the paintings were originally commissioned by Charles Gwathmey - one of the New York Five, along with Graves. And, as the New York Times reports, their "heightened use of color and ornamentation" portray a "general shift away from minimalism." Read more about the murals, here.
The Royal Institute of British Architects (RIBA)’s Future Trends Survey for April 2015 shows widespread consistency in comparison to March, the workload index remaining around the same at +35 from +36 last month. The private housing sector remains strong, rising to +38, while the commercial sector forecast dropped slightly to +15. In addition, the public sector forecast saw a drop to +3 while the community sector forecast "experienced a significant decline" to -3 from +9 in March. However, workload forecast balance figures have remained high, and practices in London and the South of England are most confident about medium-term workloads. Small practices continue to be positive about the outlook for future workloads, while medium and large practices "continue to be even more optimistic about future growth."
The Istanbul Foundation for Culture and Arts have announced that internationally renowned architectural historian and theorist Beatriz Colomina and architectural historian, theorist, and critic Mark Wigley will curate the 3rd Istanbul Design Biennial to be held in the summer of 2016. Colomina, a Professor of Architecture at Princeton University and curator of the recent Radical Pedagogies: Architectural Education in a Time of Disciplinary Instability exhibition (Lisbon Triennale, 2013; Venice Biennale 2014) will join Wigley, Professor and Dean Emeritus of Columbia University's GSAPP and renowned writer and curator, in helping to cement the biennial's international reputation.
Monica Ponce de Leon has been named as the next Dean of Princeton's School of Architecture. Ponce de Leon, who co-founded Office dA in 1991, and then founded her own firm MPdL Studio in 2011, is the current Dean of the Taubman College of Architecture and Urban Planning at the University of Michigan-Ann Arbor. She also previously taught at the Harvard Graduate School of Design for 12 years, and is a recipient of the National Design Award in Architecture from the Cooper Hewitt, Smithsonian National Design Museum.
NASA and the National Additive Manufacturing Institute (America Makes) have launched the 3D Printed Habitat Challenge, an inaugural design competition offering $2.25 million in prizes. Part of NASA's Centennial Challenges program, the competition challenges entrants to design and build a 3D printed habitat for deep space exploration. "The future possibilities for 3D printing are inspiring, and the technology is extremely important to deep space exploration," said Sam Ortega, Centennial Challenges program manager. "This challenge definitely raises the bar from what we are currently capable of, and we are excited to see what the maker community does with it."
EAA- Emre Arolat Architects, a leading international architectural practice based in İstanbul and London, presents an exhibition exploring the urban histories of both cities. Through a two way, dual city approach the practice will reveal “situations” that unite and differentiate these two great cities at the east and west ends of Europe in their development. The exhibition covers a timeline beginning with the mid 19th century that shows key events or turning-points in the course of their stories respectively. The exhibition is curated by EAA - Emre Arolat Architects, in collaboration with Prof. Dr. Murat Güvenç from Istanbul City University and London-based Urban Planning & Development Consultant Ömer Çavuşoğlu.
An unconventional man with radical ideas, Buckminster Fuller was an "affable weirdo" and "counterculture icon" who, as Gizmodo reports, often caught the attention of the FBI. For the first time ever, his (heavily redacted) FBI files have been released, revealing some of the reasons why the FBI felt the need to keep tabs on the world famous architect and designer, including speculations regarding Fuller and the Soviet Union. Though it seems nothing ever went beyond speculation, the files are fascinating. You can read them in full, here.
In an article for the RA Magazine, Kieran Long (Senior Curator of Contemporary Architecture, Design and Digital at the V&A) and Stella Duffy (co-director of Fun Palaces, a national campaign for greater access for all to the arts), ask: are we're building too many museums? On the one hand, Duffy argues that "we should focus all of our efforts on opening up existing museums to a much wider public" while on the other, Long suggests that "new museums can bring positive change to the places in which they are built." Ultimately, Long argues that "museums have a sense of authenticity and institutional mission that is rare in public life" yet, for Duffy, this doesn't mean we need more; rather, "we need to utilise what we already have."
On Friday, May 9, jurors Philip Casey; Tom Kundig, FAIA; Nancy Ludwig; Michael Maltzan; and Michael Sorkin convened at the Center for Architecture to select the winners of the 2015 AIANY Housing Design Awards. The jury selected five projects, listed below, to be honored.
A new pool has just opened in the heart of London's King's Cross. In the centre of one of the city's largest mixed-use development projects Ooze Architects, in collaboration with artist Marjetica Potrc, have developed and realised "the UK's first man-made fresh water public bathing pond" as a piece of and art. The oblong pool is forty metres long, built two metres above ground level, and is surrounded by "pioneer plants, wild flowers grasses, and bushes so that the environment evolves as the seasons change." It will be purified through "a natural closed-loop process, using wetland and submerged water plants to filter and sustain clean and clear water."
With the opening of their Fondazione Prada building in Milan at the start of this month, OMA got the chance to show off a skill that they don't get the chance to use very often: preservation. In this interview with Kultur Spiegel, Rem Koolhaas talks at length on the topic, explaining that he believes "we have to preserve history," not just architecture, and arguing that the rise in popularity of reusing old buildings comes from a shift toward comfort, security and sustainability over the ideals of liberty, equality and fraternity. "The dimensions and repertoire of what is worthy of preserving have expanded dramatically," he says, meaning that "we shouldn't tear down buildings that are still usable." Still, he says, that doesn't mean we shouldn't tear down and start again in some cases - an entire Parisian district beyond La Défense, for example. Read the full interview here.
Sketch to Structure unfolds the architectural design process to show how buildings take shape. With sketches, plans, blueprints, renderings, and models from the Heinz Architectural Center collection, this exhibition reveals that architectural design, from initial concept to client presentation, isn’t straightforward.
Belfast-based Hall McKnight are set to open a pop-up pavilion in London's King's Cross as part of the 2015 London Festival of Architecture. Located in Cubitt Square, the project forms part of the New Horizon’s initiative, supported by the Irish Architecture Foundation and ID15 (the year of Irish Design 2015). The structure, built from a collection of cut boards, "explores how the phenomenon of the city is assembled from individual pieces." The interior spaces will feature an installation of bricks reclaimed from a street of row houses in Belfast.
The US World War I Centennial Commission has launched a design competition for the National World War I Memorial in Washington DC. The competition will be a two-stage design competition, and is open internationally to any professionals, university-level students, and all other interested participants. "The objective is to transform Pershing Park from a park that happens to contain a memorial to a site that is primarily a national World War I memorial, within a revitalized urban park setting with a distinct sense of place that complements the memorial purpose while attracting visitors, workers, and residents of the District of Columbia," says the Commission.
In an article for The Observer, Rowan Moore dives into a set of newly recreated rooms in London's Soane's Museum, a gallery dedicated to Sir John Soane's collection of architectural curiosities set within his eccentric former home. The experience, according to Moore, "of an internal world of unknown boundaries" has just become more extensive. Visitors will now be afforded the opportunity to visit a series of private spaces that give "a view into Soane’s bizarre mind," following extensive restoration work led by Julian Harrap.
As competition in the UK becomes tighter, architects are keen to find work overseas, often in such places where the prevailing human rights record has been a growing cause of concern and debate for some time.
This August, Building Trust will host a Design + Build Workshop in Umbria, Italy, in collaboration with local artisan collective Terraepaglia. Combining innovative building design with natural construction methods, the workshop will focus on the creation of functional spaces through sustainable means and materials. Over the course of 12 days, participants will work closely with Building Trust and Terraepaglia to learn hands-on construction methods including adobe brick making, straw bale and rammed earth construction, natural plastering, and wood flooring. Learn more about the project and how to get involved here. Our previous coverage of Building Trust's workshops can be found here.
Space Packing Architecture: The Life and Work of Alfred Neumann, the first-ever exhibition on the Czech architect Alfred Neumann, is on display at Cabinet of Architecture (Kabinet architektury) in Ostrava, Czech Republic. Accompanied by architectural models and life-size spatial units constructed especially for the show, this exhibition focuses on Neumann’s major design projects in Israel from the 1960s, undertaken with his collaborators Zvi Hecker and Eldar Sharon, and explores his vision for a new kind of modern architecture.