Wood, an age-old building material, has left its mark on the history of architecture. Structures like townhouses and ancient cathedrals have seen usage and innovation with wood as a primary material. As technology evolves and urban landscapes grow skyward, wood has emerged as a strong contender to steel and concrete in the area of skyscraper design. Recent advances in engineering, materials science, and construction techniques have welcomed a new era of experimentation, enabling the construction of timber skyscrapers across the world. Timber skyscrapers signify a departure from traditional construction methods, seamlessly blending aesthetics, functionality, and ecological consciousness. Wood as a material, with its inherent strength and impressive fire resistance, presents hope to an industry in pursuit of a more sustainable future.

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Protest has always been a powerful tool for creating change, and public spaces provide a platform for social engagement in societies. As part of the International Day of Democracy, we examine Africa, its series of emerging protests in the past year, and how citizens in various countries question political justice, demand better living standards from their government, and interrogate their nation’s sovereignty. With demonstrations ranging from organized large-scale marches to smaller spontaneous outbursts, residents of these countries have explored public spaces in symbolic and significant ways to amplify their voices. These spaces include public squares with cultural and historical meaning, sites of political buildings, or makeshift protest areas such as roads and open areas. Through this, African cities show how people make these spaces their own and how the power of their conglomeration cannot be ignored in unwrapping the democratic essence of public spaces.

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Timber has been a popular source of construction material for thousands of years. Through sawing, milling, and other engineered wood conversion processes, various wood forms have been created and applied in products, furniture, and architecture. However, these processes can sometimes alter the basic lines of wood structure. The stems can be split, grain patterns changed, and some woods, such as oak and cedar, are easily reduced while others can become intractable. This led to the exploration of whole timber forms in ancient structures, such as log cabins, which layered timber in different cross-sections to form home profiles. Through design, the use of trunks or branches of trees in their entirety can accentuate their innate mechanical properties for structural sustainability. Although these practices are fairly absent in contemporary building techniques, new technological innovations expand the prospects of timber construction in architecture.

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When Kisho Kurokawa designed his now iconic Nakagin Capsule Tower in 1972, the structure was meant to represent the core principles of Metabolism, experimenting with ideas of growth and change borrowed from biological processes. The emerging style in postwar Japan aimed to create buildings and megastructures that emulate living organisms that can evolve, expand, contract, and adapt to their changing conditions. Following this concept, the Nakagin tower was composed of 140 identical cell-like capsule units, each individually bolted to the two central shafts. The capsules were intended to be replaced and upgraded every 25 years, allowing for flexibility and mutation. The innovation proved to be impractical, however. Almost 50 years after its construction, the tower was demolished, but not in its entirety. A total of 23 capsules were saved and removed from the building to be given a new life. Now, the capsules are scattered around the world, continuing to represent Metabolist ideals in unexpected ways.

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The concept of a city can be viewed as a constantly evolving system where both architects and users contribute to its design and redesign. While its framework may start with planners or designers, the character of the urban fabric is ultimately shaped by the societies and generations that inhabit it. The question of "city authorship" often arises in the context of masterplan design. Can architects and urban planners determine the extent to which a city will evolve through its initial design? The answer is no. User authorship then acknowledges that city planning should not be approached like building design, where designers attempt to predict every aspect of shape, pattern, behavior, and culture. Instead, it recognizes the role that people play in shaping the urban fabric through their personal taste in architecture, the development of neighborhood personality, and ongoing redesign that contributes to the story and spirit of a place. These factors should be considered in the initial design by engaging ideas related to future expansion, adaptable infrastructure, and empowering citizens to contribute to the city's architecture, thus making the city design democratic. This article explores conceptual radical cities where designers embrace the ideas of user authorship and the constant evolution of ephemeral architecture.

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Amidst the current wave of architectural globalization, the art of crafting designs attuned to specific contexts is fading. This concern is especially significant in countries in crisis, such as Ukraine, where the built environment's history is being eroded by war. In these conditions, the contribution of local architects with an innate grasp of the country's cultural nuances becomes imperative. Leading the charge in the rebuilding of Ukraine is prototype, a pioneering practice that challenges architectural conventions to push the country towards a promising future.

Recognizing their forward-looking vision, ArchDaily has featured prototype as part of the 2023 New Practices, a global annual survey. prototype's outlook on the future of architecture aligns with responsible design that addresses the environmental impact of construction and marries contextual and specific considerations for each project. Their recent accomplishments include the bookstore Readellion, and Ukrainian-Danish Youth House, epitomizing prototype's recurring design principles of mobility, adaptability, dynamic levels, and change of scenarios.

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From the pre-Columbian period of the Americas –during which cultures such as the Olmec, Maya, Purepecha, and Mexica (Aztec) thrived– to the modern era where architecture has been influenced by social movements and even natural disasters, Mexican architecture showcases a valuable architectural expression, with its own unique voice and distinctive characteristics. Nobel Literature Laureate Octavio Paz argued that architecture is an incorruptible witness to history. Likewise, the materials used to shape it have acted as protagonists of that history, enduring in many cases over time and evolving thanks to the generations of architects who have contributed to it, from different perspectives.

To trace a timeline, it is possible to take as a starting point pre-Hispanic architecture, which exhibited a diversity of nuances due to Mexico's vast territorial extension. This allowed diverse cultures to find their niche and develop their characteristic architectural styles. Subsequently, the era of Spanish colonization, which itself drew influence from Islamic architecture, represented a noteworthy turning point in architectural development. This phase endured until the advent of Mexican Independence in the 19th century. In turn, this marked the initiation of social and cultural movements, both during and after the Mexican Revolution in the early 20th century.

From the grid plans of ancient Greek cities to the Renaissance's idealized urban layouts, the history of urban planning is a reflection of evolving power structures and societal priorities. Across the world, many African and Asian cities simultaneously existed without clear visual manifestation. the organizational structure being deeply embedded in cultural needs and social relations. Urban development is marked by a dichotomy - the contrast between top-down planning strategies led by influential entities and governing bodies, and the bottom-up initiatives driven by local communities. This interplay shapes cities, influencing aspects from infrastructure and public spaces to housing models and urban character. Delving into the differences between these strategies is essential to crafting a harmonious urban landscape that caters to the needs of its residents.

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Art has always been a means for people to connect with space, and art movements have served as a platform for exploring new relationships with architecture. By incorporating art into buildings and interior spaces, they have been transformed, resulting in a fusion that creates beautiful, inspiring, and spiritually uplifting environments. Throughout history, various art movements, such as the Renaissance in the 17th century, Baroque in the 18th century, and Art Nouveau, Art Déco, and Bauhaus in the early 20th century, have had a significant impact on architecture. Architects drew inspiration from the ideals, concepts, stylistic approaches, and techniques of these movements, using them to create large-scale habitable structures. As the home is a fundamental expression of an architectural movement and the simplest canvas to exhibit the artistic ethos of any particular era, studying the interior spaces of houses provides a detailed picture of art's influence on spatial organization, furniture design, product patterns, and user interaction.

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In the world of retail, competition is fierce. Brands find themselves in pursuit of distinguishing their presence and developing intimate connections with their customers. Amidst the array of products they offer, thoughtful brands recognize the value of curating immersive retail environments that empathize with the core of consumers' sentiments and desires. In retail design, color stands as a powerful instrument that affords brands the means to articulate their values, evoke emotions, and carve memorable shopping experiences into the minds of their patrons. Color transforms retail centers into more than spaces for transactions - it positions strategic interior design as a marketing tool to attract and retain customers.

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African societies' cultures are intrinsically linked to color. From fabrics to clothing, products, sculptures, and architecture, various societies explore rich and vibrant colors that are vivid, expressive, and joyful. Through different shades, hues, contrasts, motifs, and ornamentations, colors are embraced as an unspoken language, a palette for storytelling, and a sense of cultural identity. Although the use of color in African societies may seem decorative on the surface, it is extremely symbolic, with a deep sense of history behind it. Traditional African architecture is a prime example. Ethnic societies have endowed their homes with color through ornaments and motifs, expressed it with religious and cultural patterns, employed it on facades to tell familial stories, and created labyrinths of communal architecture that not only celebrate color but explore its ethnic meaning.

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Given that the architects of modernity were in search of purity of form, it stands to reason that the image of this modern architecture is almost inevitably rendered in white in the collective imagination. Relieved of superfluous decorations, modern architecture became associated with the predominant use of white surfaces to highlight the volumetric composition. Combined with the concept of “material truth” first articulated by Victorian critic John Ruskin, white-colored architecture is often understood as straightforward, clear, and sincere.

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Willow Technologies is a material research and building technology practice that has been selected as part of ArchDaily's 2023 Best New Practices. Founded by Ghanaian-Filipino designer and architectural scientist Mae-Ling Lokko, it operates in the gap between research, development, and diffusion of bio-based building materials. Working with agro-waste and bio-based materials usually incurs technical questions regarding scalability, industrial production, standardization, fireproofing, and mechanical strength. Exploring this data is where Willow Technologies situates itself, but peculiarly through the lens of developing regions in West Africa. Through comprehensive works with coconuts, moringa, rice, and other indigenous crops, Lokko’s practice has been able to investigate and catalog the material character of various crops, their possible by-products, local transformation techniques, and the prospect and challenges of scalability as building materials.

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The 20^th century saw a period of experimentation and innovation at an unprecedented pace, a direction that also marked the architectural expressions of the time. Paris, as one of Europe’s leading centers for artistic and cultural expression, was also the epicenter for the formation of new architectural styles, from Le Corbusier’s modern architecture revolution to expressions of the High-Tech style as seen in the design of Renzo Piano and Richard Rogers’ Centre Pompidou. The social transformation found its expression through Brutalist public institutions or residential ensembles, like the ones designed by Renée Gailhoustet and Jean Renaudie at Irvy-Sur-Seine, while political movements attracted architects from across the ocean, including Oscar Niemeyer, who created his first European building in the French capital.

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