The project encompasses a new public center, the transformation of an existing park and a new 101 meter (331 foot) tall tower that will contain 18,170 square meters (195,580 square feet) of highly-flexible space for offices, restaurants, conferences and exhibitions. Both the ground and top floors of the high-rise will be publicly accessible, ensuring the building will remain an asset for the entire community.
SPOL Architects’First Hotel OSL, a hotel near the newly extended Oslo Airport, has received planning approval after a unanimous vote in the Jessheim City Council. Designed to be a destination in itself, the hotel will be an environmentally friendly oval shape, featuring 300 rooms and a large atrium for sports activities.
Acting as a “meeting place for globe trotters,” the hotel aims to become a shared space for shared experiences for travelers.
“Belonging,” the curatorial quintet of the 2016 Oslo Architecture Triennale, After Belonging, argue, “is no longer something bound to one’s own space of residence, or to the territory of a nation.” For this group of Spanish-born architects, academics and theorists—Lluís Alexandre Casanovas Blanco, Ignacio Galán, Carlos Minguez Carrasco, Alejandra Navarrese Llopis and Marina Otero Verzier—the very notion of our belongings and what it means to belong is becoming increasingly unstable.
After Belonging is the sixth incarnation of the Triennale and the first one in which a single curatorial thread has woven all of the festival’s activities together, including the international conference. The goal of the two primary exhibitions—On Residence and In Residence, including a series of Intervention Strategies—is to develop platforms with the aim of “rehearsing research strategies,” providing new ways for architects to engage with “contemporary changing realities."
http://www.archdaily.com/795067/atelier-bow-wow-oma-amale-andraos-live-from-the-2016-oslo-architecture-triennale-after-belongingAD Editorial Team
PANDA, an exhibition by OMA & Bengler, opens today at the 2016 Oslo Architecture Triennale – After Belonging.
From the architect. PANDA investigates the accelerating influence of digital sharing platforms, their social and political implications, and pervasive impact on the built environment. In the early 2000s, the democratic spaces of the web were greeted as an alternative to centralized commercial and social structure; in 2007, after the financial landslide, the sharing gospel gave hope to those struggling to make a living.
Oslo-based Transborder Studio have won a competition for the development of new “Agricultural District” surrounding a former dairy factory in East Oslo. Selected from 5 proposals from invited architect teams, the winning design, entitled “Follow the Milk,” strives to develop the district into a place where “ agriculture has a new relevance related to urban food culture, bioproducts and the agricultural sector’s role in a sustainable future.”
In May 2016, the After Belonging Agency discussed the theme of the forthcoming Oslo Architecture Triennale—entitled After Belonging: a Triennale In-Residence, On Residence, and the Ways We Stay In-Transit—as part of In Therapy, the exhibition of the Nordic Pavilion at the 2016 Venice Biennale. The hour-long discussion, which also includes presentations by Shumi Bose and Füsun Türetken, begins with an in-depth description of how the Triennale intends to focus on the future challenges of migration by investigating how cities and architecture can react to large groups of people moving and resettling.
http://www.archdaily.com/791923/three-nordic-refractions-the-after-belonging-agency-discuss-the-theme-of-the-2016-oslo-triennialeAD Editorial Team
Norway’s Public Roads Administration have begun conducting feasibility studies on the installation of what would be the world’s first floating underwater tunnel system. Norway is famous for its fjords, whose incredible depths make traditional bridge building a costly headache. Instead, the most common way to traverse them is through the use of ferries, a system that is both slow and subject to harsh weather conditions. As a result, engineers began looking for a new solution.
In this film, Jesús Granada visits the Nordic Pavilion, “In Therapy”, at the 2016 Venice Biennale. The video presents a series of measured stills in 4K resolution which introduce the central installation of the exhibition—a stepped pyramid, or ziggurat—and its series of reflective "rooms without walls." The pavilion itself, which was completed in 1969, was designed by Sverre Fehn to partially reflect and concretize certain ideas about Nordic society and its architecture – including a sense of openness. This year, therefore, the pavilion has been orchestrated as an extension of the public space of the Giardini.
http://www.archdaily.com/790249/ascend-the-ziggurat-in-the-nordic-pavilion-in-therapy-at-the-2016-venice-biennaleAD Editorial Team
“We believe that architecture makes sense when it’s anchored in the locales where it’s built, and the people who are going to use it. That’s why I’m not so occupied with the zeitgeist of architecture.”
In this interview from Louisiana Channel, Oslo-based architect Reiulf Ramstad discusses how the Scandinavian landscape is at the core of his design concepts. In a context of globalization, increased mobility, and communication medias, Ramstad believes “the depth of the locale becomes shallow.” His architecture contrasts this mainstream approach by offering designs specifically tailored to Norwegian cultural heritage and the landscape of its remote areas.