Japan

The exhibition's journey, in itself, is a traversal between languages and serves as a metaphor for the ideological translation of its contents. Throughout the exhibit, imperfect interpretations of the work occur through a series of translucent yet opaque textiles that divide the gallery interior. These textiles separate the viewer from the exhibited material and concurrently serve as corridors through the space. The fabric's optical quality forms ethereal, wispy projections that lie just beyond the grasp of perception. By selectively concealing architectural models, allusions are made to the discovery and realization of an idea during the design process. Ideas with hazy, undefined edges that reside within the realm of consciousness until they are translated into reality. Shadows cast by the concealed models lurk and sway in the exhibition room, like scattered concepts, observed by the visitor as they enter the designer's mind. These ideas float in space as a collection of imagined architecture. Through our installation, the intention is to tear away the boundaries of the built environment, represented physically by Tadao Ando's architecture. How the building and the exhibition interact will serve as an investigation into a situational approach to architecture that revels in distortion and ambiguity.