This exclusive photo essay by Laurian Ghinitoiu was originally commissioned for the fifth issue ofLOBBY. Available later this month, the latest issue of the London-based magazine—published in cooperation with the Bartlett School of Architecture—examines the theme of Faith as "a fervent drive, a dangerous doctrine, a beautifully fragile yet enduring construct, an unapologetic excuse, a desperate call for attention and a timely consideration on architectural responsibility."
In 1986 the Pritzker Architecture Prize announced their first German laureate. In a speech at the ceremony in London’s Goldsmiths’ Hall, the Duke of Gloucester suggested that the prize “may not guarantee immorality,” inferring, perhaps, that not even the most prestigious award in architecture could compete with an œuvre so compact, focussed and enduring as that of Gottfried Böhm – a “son, grandson, husband, and father of architects.”
Louisa Hutton and Matthias Sauerbruch, of Berlin-based practice Sauerbruch Hutton, have recently published Archive 2– a second series of monographic volumes dedicated to the work of their practice between 2006 and 2015. In the nine years between two sets of books, the architects have observed that "the expansion of the digital realm has had a profound effect on the way we perceive, discuss and produce architecture." As such, and on the occasion of their second volume, they are inviting people to share their thoughts "on the convergence of architecture in concrete, pixel and print."
http://www.archdaily.com/795612/archive-2-sauerbruch-hutton-reflect-how-we-perceive-discuss-produce-architectureAD Editorial Team
Watch the ten regional winners of the International VELUX Award 2016 for Students of Architecture present their daylight-inspired projects at the World Architecture Festival in a live streamed event before the jury selects the two global winners!
Text via Blain|Southern. For her first exhibition with Blain|Southern, Chiharu Shiota will create a new site-specific monumental installation in the Berlin gallery, eight years after she last exhibited in her home city.
Shiota is primarily known for her immersive installations, such as The Key in the Hand, with which she represented Japan at the Venice Biennale in 2015. Weaving intricate networks of yarn, the artist creates new visual planes as if she were painting in mid-air.
The installation Uncertain Journey fills the gallery’s vast central atrium with dense webs of red yarn – seemingly growing from above, reaching down towards the skeletal hulls of boats which rest on the gallery floor below. The colour of blood, the nexus of yarn is laden with symbolism, for the artist it alludes to the interior of the body and the complex network of neural connections in the brain. Enclosed by the canopy overhead, the boat carcasses raise existential questions of fate and belonging, evoking ideas that can be as complex as the tangled yarn itself.
MVRDV with co-architects morePlatz have won a competition to design the masterplan of the Hamburg Innovation Port, a new 70,000 square meter waterfront development that will add to the high-tech hub of Channel Hamburg in Hanse City, Hamburg. The plan for the mixed-use development uses a fusion of existing port typologies and dynamic architectural interventions to create a network of buildings containing hotels, laboratories, research facilities, offices for start-ups and a conference center.
Earlier this summer, the Vitra Schaudepot on the Vitra Campus was officially opened. The latest in a string of structures designed by emerging and well-known architects, this gallery space is the second building by Swiss-practice Herzog & de Meuron. Conceived as "a visible storage facility" presenting a cross-section of the Vitra Design Museum's extensive collection of furniture and lighting, over 400 objects will provide "a comprehensive introduction to the history of furniture design." Featuring a café, shop and a new entrance for visitors to the museum, the building is also able to host temporary exhibitions. Photographer Laurian Ghinitoiu has turned his lens to this latest addition in Weil am Rhein.
GRAFT has designed a new residential complex, called WAVE, on a former harbor along the Spree River in Berlin, Germany. Drawing inspiration from the waterfront site, the two L-shaped buildings are situated parallel to the river and facing one another, creating an inner courtyard and providing units with views of the river and “The Molecule Men,” the iconic sculpture by artist Jonathan Borofsky.
In this video, presented in collaboration with PLANE—SITE, the curators of the German Pavilion at the 2016 Venice Biennale discuss their theme of “Making Heimat, Arrival Country.” The exhibition explores the current influx of refugee communities occurring in Germany, and how architecture can be used to improve the “arrival cities” where immigrants tend to settle.
This theme of this year’s festival is “Housing For Everyone.” Inspired by a variety of influences, markedly the condition of displaced communities of political and disaster refugees, lectures will focus on “the growing understanding of how demographics and global urbanization are forcing change; and the imperatives to create shelter at one end of the spectrum, and sufficiency for occupation and investment at the other.”
http://www.archdaily.com/793244/peter-cook-patrik-schumacher-lead-list-of-speakers-at-waf-2016AD Editorial Team
HENN Architekten has won a competition to design the new Department of Electrical and Computer Engineering Building for the Technical University of Munich at the Garching research campus, which is Europe’s largest research campus. The design features four rectangular buildings encircling a central glass hall envisioned as a beacon and hub to promote interaction among students and academics.