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Diesel Engine Factory / CHIASMUS

19:00 - 7 June, 2015
Diesel Engine Factory / CHIASMUS, © Courtesy of CHIASMUS
© Courtesy of CHIASMUS

© Courtesy of CHIASMUS © Courtesy of CHIASMUS © Courtesy of CHIASMUS © Courtesy of CHIASMUS +8

  • Architects

  • Location

    Changchun, Jilin, China
  • Architect in Charge

    James Wei Ke and Hyunho Lee
  • Project Year

    2015
  • Photographs

Seashore Library / Vector Architects

22:00 - 2 June, 2015
Seashore Library  / Vector Architects, © He Bin
© He Bin

© Su Shengliang © Su Shengliang © Xia Zhi © Su Shengliang +48

  • Architects

  • Location

    Nandaihe Pleasure City, Dai He Da Jie, Funing Xian, Qinhuangdao Shi, Hebei Sheng, China
  • Architect in Charge

    Gong Dong
  • Project Architect

    Chen Liang
  • Area

    450.0 sqm
  • Project Year

    2015
  • Photographs

Xi'an Westin Museum Hotel / Neri & Hu Design and Research Office

02:00 - 30 May, 2015
© Pegenaute
© Pegenaute
  • Architects

  • Location

    Shaanxi, China
  • Principals In Charge

    Lyndon Neri & Rossana Hu
  • Associate

    mariarosa doardo
  • Sr Interior Designer

    Briar Hickling, Candice-Lee Browne
  • Architectural Designer

    Willow Zhang, Amy Hu, Kevin Azanger
  • Interior Designer

    Eva Wieland, Qi xiaofeng, Alena Fabila
  • Project Manager

    Joy Qiao
  • Area

    80000.0 sqm
  • Project Year

    2012
  • Photographs

© Jeremy San Tzer Ning © Pegenaute © Pegenaute © Jeremy San Tzer Ning +22

China Set to Open World’s Longest and Highest Glass-Bottom Bridge

06:00 - 28 May, 2015
China Set to Open World’s Longest and Highest Glass-Bottom Bridge, Courtesy of Haim Dotan Ltd. Architects and Urban Designers
Courtesy of Haim Dotan Ltd. Architects and Urban Designers

China will soon finish construction on what will be the world’s tallest and longest glass pedestrian bridge, floating 300 meters above a canyon in the Zhangjiajie National Park. Designed by Israeli architect, Haim Dotan, the Zhangjiajie Grand Canyon Glass Bridge will be 380 meters long, six meters wide and feature a transparent glass floor.

“The Zhangjiajie Glass Bridge was designed to be invisible as possible--a white bridge disappearing into the clouds,” said Dotan.

Keep It Glassy 2 / Coordination Asia

19:00 - 27 May, 2015
Keep It Glassy 2 / Coordination Asia, Courtesy of Coordination Asia
Courtesy of Coordination Asia

Courtesy of Coordination Asia Courtesy of Coordination Asia Courtesy of Coordination Asia Courtesy of Coordination Asia +17

  • Architects

  • Location

    Wandanu (Changjiang West Road), Baoshan, Shanghai, China, 200431
  • Area

    1000.0 sqm
  • Project Year

    2015
  • Photographs

    Courtesy of Coordination Asia

Images Released of OMA-Designed Chinese Pavilion at 2015 Venice Art Biennale

14:00 - 26 May, 2015
Images Released of OMA-Designed Chinese Pavilion at 2015 Venice Art Biennale, Exterior view, installation by Liu Jiakun. Image © Italo Rondinella courtesy of OMA
Exterior view, installation by Liu Jiakun. Image © Italo Rondinella courtesy of OMA

Completed images of OMA's design for the 2015 Venice Art Biennale's Chinese Pavilion have been released. Juxtaposing artworks "in a field of projections and stages," the exhibition is designed to be an "immersive environment" that brings together work by Tan Dun, Liu Jiakun, Lu Yang, Wu Wenguang / Caochangdi Work Station and Wen Hui / Living Dance Studio under the theme "Other Future."

Exterior window detail. Image © Italo Rondinella courtesy of OMA Exhibition interior. Image © Italo Rondinella courtesy of OMA Exhibition interior, video by Wen Hui. Image © Italo Rondinella courtesy of OMA Exhibition interior, performance area for Tan Dun. Image © Italo Rondinella courtesy of OMA +14

An Interview With Zhang Bin, Atelier Z+

09:30 - 26 May, 2015
An Interview With Zhang Bin, Atelier Z+, Sino-French Centre of Tongji University. Image © Zhang Siye
Sino-French Centre of Tongji University. Image © Zhang Siye

"It’s really easy to build a building. From the very beginning to the realization; it’s very easy! You just give it an interesting form and you get approved. But the real issues are how to make it user-friendly and to enhance the quality of the life of the people trying to escape the influence of the “system”. That’s the challenge. In my experience […] I’ve learned that for architects, both Chinese and foreign, the use of form to create an object is easy but how to do the right thing is very challenging."
- Zhang Bin, Shanghai, Sept 2013

Anting culture and sports activity centre. Image Courtesy of Atelier Z+ Library of Tongji Zhejiang college. Image © Su Shengliang Building C, College of Architecture and Urban Planning, Tongji University. Image © Zhang Siye Anting culture and sports activity centre. Image Courtesy of Atelier Z+ +18

From “Silk Road” to “Gas Road”: Students to Document the Turkmenistan-China Gas Pipeline

06:00 - 22 May, 2015
From “Silk Road” to “Gas Road”: Students to Document the Turkmenistan-China Gas Pipeline, © Xiaoxuan Lu
© Xiaoxuan Lu

Three Harvard students have launched a Kickstarter Project to fund a short film and digital exhibition on the Turkmenistan-China gas pipeline, which runs along the historic Silk Road. "From 'Silk Road' to 'Gas Road'" will explore the "cultural, ecological and urban implications" of the 21st century intervention, following the summertime journey of Lu Xiaoxuan, Benny Shaffer, and Justin D. Stern along the pipeline. The project is being carried out through Harvard's Fairbank Center for Chinese studies, and the trio intends to finish filming and photographing for the project this summer. 

Learn more about the project and how to support it after the break.

LYCS to Break Ground on Zhejiang Printing Group Headquarters in China

07:00 - 20 May, 2015
LYCS to Break Ground on Zhejiang Printing Group Headquarters in China, Aerial view. Image Courtesy of LYCS Architecture
Aerial view. Image Courtesy of LYCS Architecture

LYCS Architecture has won a competition to design urban headquarters for the Zhejiang Printing Group. Dubbed "The Corner of Hangzhou," their proposal is informed by the surrounding cultural context, and the distinctive highrise creates both a habitable thoroughfare and a landmark for the city.

Night view. Image Courtesy of LYCS Architecture Landscape plaza view. Image Courtesy of LYCS Architecture Southeast view. Image Courtesy of LYCS Architecture Northwest view. Image Courtesy of LYCS Architecture +10

The World’s Longest (and Scariest) Glass Skywalk Opens in China

15:00 - 14 May, 2015

The world’s longest glass skywalk has been inaugurated in China, jutting off the edge of a 718-meter tall cliff in the Longgang National Geological Park in Chongqing, reports CCTV. Aptly named Yuanduan, which means “at the end of the clouds,” the horseshoe-shaped walkway offers visitors stunning (and a bit terrifying) views of the surrounding mountains and canyon below. Extending for more than 26 meters off the cliff’s edge, the bridge is five meters longer than the Grand Canyon Skywalk. Only 30 tourists will be allowed on the bridge at a time. View a gallery of photos at The Daily Mail

An Interview with Lu Wenyu, Amateur Architecture Studio

09:30 - 13 May, 2015
Hangzhou Xiangshan Campus Phase 2. Image © Evan Chakroff
Hangzhou Xiangshan Campus Phase 2. Image © Evan Chakroff

“Every couple of years a new manifesto appears, but how long can it last? We need more people doing instead of talking. [At Amateur Architecture Studio] we spend an enormous amount of time experimenting, trying to resurrect the craftsmanship that is almost lost. We use a method that is passed on, hand-to-hand, to re-establish tradition instead of talking about abstract but empty concepts.”
- Lu Wenyu, Hangzhou, 2013

Pier Alessio Rizzardi: “A house instead of a building” is a really famous phrase of Amateur Architecture Studio. What is the meaning behind this concept?

Lu Wenyu: Once, Wang Shu said: “we only make houses, we don’t make architecture.” The house and architecture here have their own meanings. Making a house means making it for the people, making it more tranquil, or closer to nature, more humanized. Instead, architecture is an abstract concept, so many designs nowadays are actually architecture. So this sentence, from almost 20 years ago, “making houses, not architecture”, is about not making that abstract concept, but to make something really concrete and tangible, something that you can touch or that is made with your own hands… so when you see this house, you feel differently.

Ningbo Historic Museum. Image © Evan Chakroff Zhongshan Road. Image © Evan Chakroff CIPEA Villa, Nanjing. Image © Evan Chakroff Hangzhou Xiangshan Campus. Image © Evan Chakroff +24

An Interview With Chen Yifeng, Deshaus

10:30 - 6 May, 2015
Long Museum West Bund / Atelier Deshaus. Image © Xia Zhi
Long Museum West Bund / Atelier Deshaus. Image © Xia Zhi

“We use two aspects to express architecture: Qing [emotion], Jing [pattern]. Jing is the architectural pattern that we apply, to certify the living and working style, to consider what our architecture can bring. Another thing is the relationship between architecture and the site, the city and nature. Ancient Chinese dwellings are usually enclosed by walls, creating an introverted space. This is the second aspect Qing, more related to traditional customs, aesthetics, and our attitude towards the environment and nature. The enclosed space originates from our interpretation of Qing. What we have captured about the ancient spirit of aesthetics is a kind of uncertainty, a kind of blurry and ambiguous feeling.”
- Chen Yifeng, Shanghai, 2013

Long Museum West Bund / Atelier Deshaus. Image © Xia Zhi Kindergarten of Jiading New Town / Atelier Deshaus. Image © Shu He Spiral Gallery / Atelier Deshaus. Image © Shu He Youth Center of Qingpu / Atelier Deshaus. Image © Yao Li +20

Open Call: PINGDI 1.1 Alternatives for Low Carbon Architecture

19:00 - 1 May, 2015
Open Call: PINGDI 1.1 Alternatives for Low Carbon Architecture, © PINGDI Pilot Zone
© PINGDI Pilot Zone

In order to effectively guide and improve the development and construction of the low-carbon pilot zone and to strength its international influence, Shenzhen Public Art Center, under the request from the Planning and Construction Management Office of Shenzhen International Low-carbon City and Shenzhen SEZ Construction and Development Co., Ltd., has organized an international competition for the PINGDI Pilot Zone – the urban design for the zone’s one square kilometer and the architectural design for its 0.1 square kilometer. The number in PINGDI 1.1 is the numerical sum of one and 0.1 square kilometers, and also represents the improvement and exploration of the low-carbon development method.

Shanghai Natural History Museum / Perkins+Will

23:00 - 23 April, 2015
Shanghai Natural History Museum / Perkins+Will, © James and Connor Steinkamp
© James and Connor Steinkamp

© James and Connor Steinkamp © James and Connor Steinkamp © James and Connor Steinkamp © James and Connor Steinkamp +22

Santiago Calatrava Commissioned to Design His First Bridge in China

13:00 - 23 April, 2015
Santiago Calatrava Commissioned to Design His First Bridge in China, Rendering of Huashan. Image Courtesy of AECOM
Rendering of Huashan. Image Courtesy of AECOM

The Hubei United Investment Group (HUIG) has commissioned Santiago Calatrava to design three major highway and pedestrian bridges in the AECOM-masterplanned city of Huashan, 12 miles east of downtown Wuhan. The bridges will be Calatrava's first project in China. They will span a new man-made canal that bisects Huashan's urban center and connects two lakes that feed the Yangtze River. 

“It gives me great personal satisfaction and represents a grand challenge that I face with great enthusiasm to help develop this ambitious project that enables me to design my first bridges in the Far East," says Calatrava. 

Poggenpohl Shanghai Studio / OFA

20:00 - 22 April, 2015
Poggenpohl Shanghai Studio / OFA, © Nacasa & Partners
© Nacasa & Partners

© Nacasa & Partners © Nacasa & Partners © Nacasa & Partners © Nacasa & Partners +28

  • Architects

  • Location

    NGS (Wanrong Road), Zhabei, Shanghai, China, 200072
  • Cost

    CNY15,000,000
  • Area

    2200.0 sqm
  • Project Year

    2014
  • Photographs

Liyuan Middle School / Minax Architects

21:00 - 21 April, 2015
Liyuan Middle School  / Minax Architects, © Su Shengliang
© Su Shengliang

© Su Shengliang © Su Shengliang © Su Shengliang © Su Shengliang +48

OMA Designs Chinese Pavilion for 2015 Venice Art Biennale

13:00 - 21 April, 2015
OMA Designs Chinese Pavilion for 2015 Venice Art Biennale, © OMA
© OMA

The Beijing Contemporary Art Foundation has commissioned OMA to design the Chinese Pavilion at the 56th Venice Art Biennale, just a year after Rem Koolhaas served as director of the 14th Venice Architecture Biennale. The exhibition, "Other Future" will feature the work of composer Tan Dun, architect Liu Jiakun, artist Lu Yang, filmmaker Wu Wenguang / Caochangdi Work Station and choreographer Wen Hui / Living Dance Studio in an "immersive environment where artworks are juxtaposed in a field of projections and stages connecting the interior and exterior works."