Originally conceived as a feature documentary series, ‘Straight and True’ explores the exciting period of Australian architectural history known as the Modernist era. This is the story of how a generation of young architects and their clients attempted to change the way we live in line with a stronger more defined sense of the Australian environment and lifestyle. It is also a cultural critique examining why Australians on the whole rejected this incredible leap forward. In other words a cultural look at the Australian psyche and it’s general apathy towards design and a fear of change.
Due to the multi-layered nature of this project, both visually and thematically and its immense scope (covering mid-century domestic architecture in every major Australian city) they have decided to change its shape from linear documentary to a multi-platform transmedia project. They are currently in talks with several digital content creators to find the perfect partnership to help realise this new shape.
Producers Monstro Filmes have shared with us a gorgeous animation: an homage to the city of Sao Paulo and its five major architectural icons.
São Paulo: 5 Grandes Construções (Sao Paulo: 5 Great Buildings) highlights the Martinelli Building, Banespa, MASP, COPAN and Unique. Clearly inspired by ”Chicago – Five Great Buildings,” by Al Boardman, the video uses simple, fluid lines to represent and reveal each building’s unique form.
Chris Baribeau of Modus Studio is the exemplar of a “community builder.” With a mantra that moves beyond the building and believes the architect to be responsible for the creation of healthy and thoughtful places, Baribeau and his Fayetteville-based practice have built works that transcends ordinary design. Embodying everything in which drives Modus Studio, the award-winning Eco Modern Flats serves as a prime example of community-based, sustainable design.
A public park in the Nørrebro district of Copenhagen, Denmark, Superkilen was developed by artists’ group Superflex in collaboration with architectural firms Bjarke Ingels Group (BIG) and Topotek1. The park was officially opened in June 2012.
In this interview two members of Superflex, Jakob Fenger and Bjørnstjerne Christiansen, tell us about the ideas behind the project, and how it came about as an extreme example of citizen inclusion and collaboration: “We found it interesting to look at this very diverse group of people in regard to culture, social standing, nationality, etc., and then see it as a rich and significant foundation for impacting the area these people live in.”
More after the break.
In the latest of NOWNESS‘ spectacular videos, Ole Scheeren – a former partner at OMA and now principal of Büro Ole Scheeren in Beijing – reflects on the past decade he has spent in China overseeing construction of the CCTV Headquarters. He muses over the delicate balancing act that Western architects maintain when they work in China, simultaneously bringing change to the city and allowing the city to change who they are and how they see the world. In this context, where change is “something that you are immediately and instantly confronted with” he believes that the CCTV Building is “both confrontational and complicit”.
Think traffic is bad now? One billion cars are already on the road today and another billion is expected to join in the coming decade. Pollution and stressful commuting is at an all time high, empowering many politicians and bicycle activists to declare war on the multi-billion dollar car industry which has profoundly impacted city development worldwide.
Bikes vs. Cars is a feature-length, in-progress film that hopes to be part of the global movement by shedding light on the city’s car-centric past and bike-friendly future. Learn more and join the cause at the Bikes vs Cars Kickstarter Campaign website.
For more, read “Why Cycle Cities Are the Future.”
The list of architects that have collaborated with Zhang Xin’s development company, SOHO China, reads like the roster of an architectural dream team (which includes Zaha Hadid, Yung Ho Chang, Bjarke Ingels, Kengo Kuma, Kazuyo Sejima, Herzog & de Meuron, Thom Mayne, David Adjaye, Toyo Ito and others). So it’s no surprise that the self-made billionaire lectured to a packed house at Harvard University’s Graduate School of Design last Thursday. Xin spoke about her commitment to and love of design, explaining that her company’s mission is to bring a variety of architectural languages to China. And though SOHO’s projects are certainly experimental, Xin contends that her developer mindset actually helps meliorate the architect’s propensity to take the experiment too far—all without sacrificing the impressive and iconic forms of SOHO’s building portfolio.
Doris Sung, from DO|SU Studio Architecture, has done a really interesting work experimenting with software, building mediums and metals, and nature in her designs. Last year, we published ‘Bloom’, which was displayed at the Materials and Application Gallery in Los Angeles.
Iwan Baan’s curiosity for the built environment has led him to be one of the world’s most preeminent photographers whose skills are in constant demand by architectural elites worldwide. Constantly on the move, Baan has found himself documenting fascinating testaments to human ingenuity. From the informal vertical community of Torre David in Caracas to the floating Niagara slum of Makoko, Baan’s encounters with thriving communities in some of the most unexpected places has led him to believe that there is “no such thing as normal” and humans can truly adapt to anything.
Janette Sadik-Khan demonstrates how paint, lawn chairs and a bit of imagination can quickly transform city streets, creating immediate public and commercial vitality. Sadik-Khan, listed as one of Business Insider’s “50 Women Who Are Changing the World,” is responsible for re-purposing 26 acres of dense New York City car lanes into pedestrian-friendly space. “More people on foot is better for business,” she says. Despite commanding a two billion dollar budget, her economical approach as commissioner of NYC’s Department of Transportation are testaments to her design sensitivity, relying on rapid-testing and regular iteration to expand the city’s public domain.
The view was produced by Taller de Casquería; Luis Rodriguez Carnero plays the protagonist.
From the architect. Through travellings, point perspectives, a main character and a plot trick, the film creates a catalogue of experiences that open up a path to describing architectural spaces without conventional cliches, without still photos, and amplifies the importance of the human scale in the communication of architecture.
You can see more of the house here.
32BNY in collaboration with Spirit of Space has released its fifth videopolemic, entitled Firminy: José Oubrerie. In this video José Oubrerie, a French architect and protégé of Le Corbusier, currently teaching at the Knowlton School of Architecture at Ohio State University, remembers his time working for Corbu, working on the Church in Firminy.
32BNY was launched in February 2013 as a website dedicated to the potential of cinematic architectural discourse. Previous videopolemics included Steven Holl and Sanford Kwinter on Lebbeus Woods, Vito Acconci on Art and Architecture, Drawing as Thought, and Existential Sensitivity: Jeffrey Kipnis and Steven Holl. Although 32BNY admit they do not know what the terms ‘cinematic architectural discourse’, or ‘videopolemic’ mean, they are undeterred from their exploration. You can find out more about them and their work on their website.