The Berlage Archive: Luis Fernández Galiano Theory Master Class (1994)

ArchDaily has teamed up with the The Berlage to provide exclusive access to their newly digitized archive of lectures. is a postgraduate international institute where some of the world’s most renowned architects, thinkers, designers, photographers and other professionals come to share, exchange and critically reflect upon their ideas. Over the last 23 years, has built up an extensive archive of seminal lectures. Thanks to this partnership we can now share them with you. ArchDaily is committed to providing inspiration and knowledge to architects all over the world, so please look forward to monthly publications of these lectures during the coming year.

In this 1994 theory master class, Spanish architect Luis Fernández Galiano expresses discomfort with the hegemony of vision and the image in architecture. Moving towards the argument that reconstruction should start by changing the prevailing dominance of vision in society, Galiano gives an overview of Spanish housing projects from the 1950s – 1980s in an attempt to reconcile the object with the process of building. Finally, he brings up culture and civilization as issues that he feels must be addressed in the future, concluding that “architecture, if it is to recover, must dream again.”

Don’t miss the other lectures in The Berlage Archive series

VIDEO: Yale School of Management / Foster + Partners

Our friends at Arbuckle Industries has shared this short clip that takes you inside Foster + Partners’ Yale School of ManagementCompleted earlier this year, the new school unites Yale’s faculty departments at the Edward P. Evans Hall with world-class teaching facilities and collaborative social spaces. This, as the architects described, brings a new level of transparency to education, abandoning traditionally closed-off courtyard buildings for an open design that embraces the campus community. More stunning images and information on the project can be found here

TED Talk: How Architectural Innovations Migrate Across Borders / Teddy Cruz

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In this talk, architect and urbanist Teddy Cruz urges us to rethink urban growth. Sharing lessons from the slums of Tijuana, Cruz denounces the “stupid” and consumption-driven ways in which our have been expanding and declares that the future depends on the reorganization of social economic relations.

VIDEO: Wes Anderson // Centered

American film director shares something in common with architects: a love for symmetry. Serving as proof, this kogonada produced reveals Anderson’s masterful use of symmetry by compiling perfectly centered scenes from his many works.

Did you know Stanley Kubrick is a master of the one-point perspective? See why, here

VIDEO: Fernando Romero, In Residence

In Residence: Fernando Romero on Nowness.com

NOWNESS has released the latest in their “In Residence” series, a collection of short videos that interview designers in their homes. This time, internationally renowned Mexican Architect Fernando Romero presents his Mexico City villa, designed by Francisco Artias in 1955, which he describes as “the ultimate modernity dream come true.”

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VIDEO: I LIKE Purple

ArchDaily has teamed up with Portugal’s Canal 180 to bring you their series I LIKE. Check out episode 3, I LIKE Purple. The video features SO-IL‘s Flockr Pavilion, raumlabor‘s SOFT SOLUTION and two other purple-hued spatial interventions.

I LIKE is an original series on architecture and spatial intervention, developed in a collaboration between Canal 180 and LIKEarchitects atelier. Diogo Aguiar and Teresa Otto have created a chromatic experiment and spatial exercise—organized by color—that reveals some of the most amazing architectural interventions in the world. 

Next week ArchDaily will premier the fourth installment of I LIKE. Stay tuned!

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VIDEO: Steven Holl on the Sifang Art Museum

Steven Holl has, again, teamed up with Spirit of Space to produce two short films on the recently completed Sifang Art Museum. In the first video (above) Holl explains the project’s inspiration – the mysteries of parallel perspective seen in early Chinese paintings – and how the design subtly distorts any concept of a vanishing point at the ground level yet contrasts this notion in the upper galleries by framing the distant view of . In the second video (after the break), Spirit of Space allows you to experience this space by revealing it from all perspectives and scales.  

See the second video, after the break…

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VIDEO: I LIKE Pink

ArchDaily has teamed up with ’s Canal 180 to bring you their series I LIKE. Check out episode 2, I LIKE Pink. The features UNStudio‘s Holiday Home, Périphériques architectes‘ Pink Ghost and two other pink-hued installations.

I LIKE is an original series on architecture and spatial intervention, developed in a collaboration between Canal 180 and LIKEarchitects atelier. Diogo Aguiar and Teresa Otto have created a chromatic experiment and spatial exercise—organized by color—that reveals some of the most amazing architectural interventions in the world.

Next week ArchDaily will premier the third installment of I LIKE. Stay tuned!

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The Eileen Gray Movie: E1027, Insidious Chauvinism, and “The Price of Desire”

In a public interview, director Mary McGuckian speaks with Shane O’Toole of DoCoMoMo Ireland about her soon-to-be-released film, “The Price of Desire,” a biopic about the influential Irish modernist Eileen Gray – narrated from the perspective of Le Corbusier, no less. McGuckian explains how the film and the extensive research behind it went far beyond the usual remit of a biopic. Indeed, not only did it spawn an accompanying documentary (“Gray Matters“, directed by Marco Orsini) and book, it even played a pivotal role in the restoration of E1027, Gray’s seminal house design, to a point where it was possible to film on location.

McGuckian explains how the film deals with “the universal female experience, particularly for creative women… the lifetime experience of was a combination of the time she lived in, the personality she was, and for want of a better expression, insidious chauvinism.” The film casts Le Corbusier as Gray’s rival, who defaced E1027 with his infamous murals, but also uses a little cinematic license to present him as the admirer who tells “the story, from his point of view, of how came to be the most important, inspirational and innovative architect of their generation, and gives her back the right to be recognized for that work.”

VIDEO: The Story of Kankwazi, MASS’s First Female Master Mason

In honor of International Women’s Day, MASS Design Group has released the latest in their series “Beyond the Building,” a visual exploration of the ways architecture impacts lives around the world (see the first in the series here). This episode tells the story ofMASS master mason Anne Marie Nyiranshimiyimana, better known as Kankwazi, one of the first and only female masons in her region of Rwanda, who learned her trade while working on the Butaro Hospital project. Her story is a perfect example of how architecture can empower and inspire women in communities across the world. In Kankwazi’s words: “it dignified me [..and] no amount of value can be assigned to dignity.” Enjoy the video above (the first of the series) and join the conversation on Twitter by using the hashtags #womensday and #beyondthebuilding.

TED Talk: 10 Reasons that Future Cities Will Float

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In his talk at TEDx Vilnius, Koen Olthuis compares the of today with those at the turn of the 20th century: ” are not full, we just have to search for new space… they made elevators and built a vertical city. We have to do exactly the same, but our generation has to look at water.” With that in mind he looks at the top 10 reasons that floating cities are becoming a more popular idea, including: they provide solutions for topical issues such as flooding and sustainability; they can be used as ‘plug in’ travelling global amenities, useful for things like Olympic Stadiums; or could even allow us to rearrange urban areas.

VIDEO: Henning Larsen Architects on Building Ambitions for Society

From . “Architecture is the opposite of the coca-cola-principle,” says Louis Becker, director of Henning Larsen Architects, in this interview with Louisiana Channel. He continues by explaining that architecture is, first and foremost, about seeing things grow. With architecture your dreams become physical: “We are building our ambitions for society.” If architecture was separate from life and society, it would be an uninteresting form and space. The inside of a building must have a relation to the outside; there has to be a dialogue between the life and hope inside, and the city as a whole.

Architecture is also a merger of cultures and ideas. Scandinavian ideas of transparency, democracy and equal access affect the way Henning Larsen Architects approaches architecture. But, at the same time, it is very important to think of what is necessary in the nature, culture and climate that you are working with. “When two different ways of seeing the world meet, that’s when something interesting happens.”

In this , Becker explains these ideas in relation to two very different projects, one in Saudia Arabia and The Harpa Concert Hall in Reyjavik, Iceland (which was made in collaboration with artist Olafur Eliasson and won the prestigious Mies van der Rohe award in 2013).

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VIDEO: I LIKE Black

ArchDaily has teamed up with Portugal’s Canal 180 to bring you their series I LIKE. Check out episode 1, I LIKE Black. The video features RCR ArquitectesTeatro la Lira, Kumiko Inui‘s Shin-Yatsushiro Monument, and NL ArchitectsWos 8.

I LIKE is an original series on architecture and spatial intervention, developed in a collaboration between Canal 180 and LIKEarchitects atelier. Diogo Aguiar and Teresa Otto have created a chromatic experiment and spatial exercise–organized by color–that reveals some of the most amazing architectural interventions in the world. 

Next week ArchDaily will premier the second installment of I LIKE. Stay tuned!

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Sneak Peek: Canal 180 and ArchDaily Present I LIKE Series

‘I Like’ is an original series on architecture and spatial intervention, developed in a collaboration between and LIKEarchitects atelier.

‘I Like’ is a multicolored urban kaleidoscope that reveals some of the most amazing architectural interventions in the world, in a series of 11 episodes organized by color.

‘I Like’ color is a chromatic experiment and spatial exercise curated by Diogo Aguiar and Teresa Otto.

‘I Like’ premiers on March 4th. Stay tuned!

Produced by Canal 180: a TV channel based in focused on culture, art & creativity

“Too Radical to Implement Yet Too Relevant to Ignore”: John Hejduk’s Kreuzberg Tower

Robert Slinger, a founding partner of Berlin based practice Kapok, narrates the story of a building “too radical to implement and too relevant to ignore.” Having lived in John Hejduk’s Kreuzberg Tower for eight years, Slinger “came to understand how Hejduk’s architecture both flexibly accommodates and yet asserts a presence which resists any attempts to co-opt it. Whilst impressed by its powerful exterior presence, its austerity and frontal directness left a strangely cold impression upon me.”

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VIDEO: Renzo Piano Pavilion at Kimbell Art Museum

Arbuckle Industries, the producers behind the highly lauded documentary Archiculture, has shared with us a small teaser revealing Renzo Piano’s recently opened expansion at the Kimbell Art Center. Situated just 65 yards from Louis I. Kahn’s “signature cycloid-vaulted museum of 1972,” the single-story, colonnaded pavilion “stands as an expression of simplicity and lightness.”

The Berlage Archive: Rem Koolhaas + Kenneth Frampton (1998)

ArchDaily has teamed up with the The Berlage to provide exclusive access to their newly digitized archive of lectures. The Berlage is a postgraduate international institute where some of the world’s most renowned architects, thinkers, designers, photographers and other professionals come to share, exchange and critically reflect upon their ideas. Over the last 23 years, The Berlage has built up an extensive lecture archive of seminal lectures. Thanks to this partnership now we can now share them with you. ArchDaily is committed to providing inspiration and knowledge to architects all over the world, so please look forward to monthly publications of these lectures during the coming year, which include talks by , Jacques Herzog, Toyo Ito, and more.

This 1998 lecture reflects Rem Koolhaas’ desire to initiate a direct meeting of the critic and the architect, so it’s no surprise that the he called upon Kenneth Frampton to join him in conversation. (Koolhaas–with his tendency toward polemic, hyperbolic statements–even refers to Frampton as “maybe the only critic left.”) The two spend a significant time debating the role of the critic, often disagreeing and playfully challenging the other’s theories.

Recorded at a time when the Office for Metropolitan Architecture was working on the Educatorium, the Maison à Bordeaux and the recently completed De Rotterdam, the conversation also delves into discussions of China’s emergent urbanization (which was, in 1998, still relatively young) as well as “the star system.”

VIDEO: Solving the Mysteries of Brunelleschi’s Dome

A new hour long documentary for ’ series, Building the Great Cathedrals, explores the mystery of how, in the 15th century, Florentine architect Filippo Brunelleschi constructed one of the largest domes the world had ever seen. Winning what could be considered one of the earliest architectural competitions, Brunelleschi developed a unique system that allowed construction on the dome to occur while services were being conducted in the cathedral 100 metres below. The team in this episode model this freestanding structure in an attempt to understand just how Brunelleschi achieved such a feat of Renaissance engineering.

You can find out more about the film here. Please note that the film is only viewable through PBS within the USA. For those of you outside the USA, you can watch the 30 second preview above; for those in the USA, see the full video after the break…

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