In the second installment of their new three-part micro documentary series on architecture and water (see the first part here), Ellis Woodman and a team at the Architectural Review (AR) have collaborated with architects, developers, urbanists and thinkers to examine the latent connections between water infrastructure and our built environment. Taking a journey by narrowboat through London, the film explores the radical ideas which may offer the keys to unlocking the potential of the urban waterway. When London has an ever-increasing overwhelming need for growth, how does the densification and gentrification of the city relate to the rivers and canals?
As part of NOWNESS’ latest In Residence series, American architect Ray Kappe takes you on a tour through his glass and redwood “treehouse” on Los Angeles’ Rustic Canyon hillside. Built some 50 years ago, the house is considered to be one of the greatest modern residences in Southern California.
“The house works so well you don’t even notice its age,” says director Matthew Donaldson. “It’s the real deal; not a piece of furniture has changed, and the house is used every day and has brought up a family. It’s like they got it right and didn’t need to change a thing—surely that’s a sign of great architecture?”
In the first part of their new micro documentary series on architecture and water, Ellis Woodman and a team at the Architectural Review (AR) have collaborated with architects, developers, urbanists and thinkers to examine the latent connections between water infrastructure and our built environment. Taking a journey by narrowboat through London, discussing a raft of radical ideas which may offer the keys to unlocking the potential of the river along the way, the films discuss how we might begin to shape the contemporary city’s relationship with its urban waterways. Can ”floating parks, amphibious houses, floodable public squares, new wetlands or brand new canals foster a more meaningful relationship between the citizen and the city’s waters?”
Earlier this year, Emre Arolat Architects completed their Sancaklar Mosque, “a simple cave like space” in Istanbul which through its humble exterior forms and emphasis on connection to nature, offers a “dramatic and awe inspiring place to pray and be alone with God.” Over a period of 24 months, SGMStudio (Sarraf | Galeyan | Mekanik) documented this work, as the elements of the mosque gradually emerged from its steel rebar framework. “While recording the progress of the construction throughout passing seasons, the film aims to portray the building’s existence within nature and its percept of space with the sensibility of the structure it purposes to narrate,” say SGMStudio. Set to dramatic backing music, “the film dwells on the tension between the technical and engineering-centric implementation and humble and tranquil art of building with its pacing.”
In December of last year, we brought you news of Tomas Koolhaas‘ kickstarter campaign to fund a documentary about his father, Rem Koolhaas. Well, not only was Koolhaas’ REM documentary fully funded, three generous backers offered up $500 each in return for one question to be answered directly by Rem Koolhaas himself. The video above is the result of those questions, in which Koolhaas responds to questions on urbanism in the developed country of the Netherlands compared to still-developing India, as well as a question about how his early work in film-making and scriptwriting influenced his architectural career.
Watch the video above and read on after the break for a synopsis of Koolhaas’ answers
Last March, Caroline James and Arielle Assouline-Lichten spearheaded a campaign that called on Pritzker to retroactively recognize Denise Scott Brown for her role in the 1991 Pritzker Prize, won by Robert Venturi. Continuing their quest to bring the issue of gender equality into a positive and progressive light, James has conducted a series of interviews with five women architects at the 2014 Venice Biennale to share their rich and complex experiences and offer diverse perspectives. Conversations ranging from the controversial role of Modernism to the journey towards inclusion and the challenges of opening offices abroad, include insight from Caroline Bos of UNStudio, Louise Braverman, Odile Decq, Yasmine Shariff of Dennis Sharp Architects, and Benedetta Tagliabue of Miralles Tagliabue EMBT. Watch the video above to view the discussions in-depth.
How does contemporary architecture differ around the world and what causes these differences? In this video of a discussion between Rem Koolhaas and Nest C.E.O Tony Fadell at Vanity Fair’s New Establishment Summit, Koolhaas gives some interesting insights into his experience with decision-makers around the world. Watch the video above and read Vanity Fair’s full article here to learn more about this seldom-considered factor in building design.
In this video, Raul Pantaleo, co-founder of Italian practice Studio Tamassociati, discusses the award-winning Port Sudan Paediatric Centre, which recently won first prize in the Zumtobel Group Award’s Buildings category. The remote clinic was commissioned by the NGO “Emergency” and is one of the few facilities to provide free care for children in the region.
Santiago-based architect Alejandro Aravena of Elemental discusses the sustainable reconstruction of Constitución in Chile following a devastating earthquake in 2010. Given just 100 days to design a resilient masterplan, capable of protecting the city against future natural disasters, Elemental implemented a natural solution: planting a forest that would protect the city from future floods. The design has since receive international recognition, most recently being awarded first prize in the Zumtobel Group Award’s Urban Development & Initiatives category.
In this video from the Louisiana Museum of Modern Art‘s Lousiana Channel, three acclaimed writers – Sjón, James McBride and Daniel Kehlmann – talk about their experience of Olafur Eliasson’s Indoor Riverbed at the Danish museum. Sjón describes how he felt when he saw 180 tons of rock from his home country of Iceland filling the room, saying “It was like a moment in a dream, when you enter a room and something is not right, but familiar.”
The writers reflect on the role of art itself, as Sjón states ”If art is to give answers at all, it should be confusing answers.” Watch the full video to learn more about how the installation impacts its viewers and successfully blurs the lines between art and nature.
When we evaluate the work of architects and other designers, we often treat it as if the design was created in a vacuum. It’s easy to forget that the vast majority of designs emerge from a collaboration between the designer and their client, and when it comes to the design’s success the input of the client can often be as important as the work of the designer. This creative relationship can be a difficult one to navigate, yet it is usually held together by a single document: the brief.
Released today, this half-hour documentary by director Tom Bassett entitled Briefly takes a long hard look at the brief, with architects Frank Gehry and David Rockwell, industrial designer Yves Béhar, illustrator and author Maira Kalman, marketing executive John C Jay and creative executive John Boiler all pitching in their experience with creative briefs, and recounting stories where, for better or for worse, the brief had a major effect on their work.
More on the documentary after the break
In their sixth Beyond the Building video, “Design That Heals,” MASS Design Group explores how architects can improve the lives and health of people everywhere. The video reveals how the work of MASS operates on various scales from everything to designing better furniture to influencing national policies. Their approach to humanitarian architecture begins by empowering the local community to take ownership of new projects, and in turn, bring about significant improvements in the quality of life in places that have previously been overlooked.
For example, talking about MASS Design Group‘s Butaro Hospital, Rwanda‘s Minister for Health Dr. Agnes Binagwaho says: “There’s this idea of equity to put a hospital, state of the art, in the middle of nowhere. It was not nowhere for everybody, because there are 300,000 people living there.” Watch the video above and get involved in the conversation on how architecture can go #beyondthebuilding.
In June of this year seven architecture students came together to film the vernissage of the Venice Biennale. Undaunted by the unrelenting Venetian sun and the prospect of being faced by some of the world’s greatest living architects and curators, the team – spanning four nationalities – spent three days feverishly talking to anyone and everyone (in between pasta and espresso breaks). Having built up a comprehensive picture of the opening days of the Biennale in a series of short, uninhibited filmed interviews, Mies. TV proudly presents their alternative, slightly shaky coverage of the 2014 Venice Biennale.
Watch short interviews with the likes of Jacques Herzog (Herzog + de Meuron), Daniel Libeskind, Patrik Schumacher (Zaha Hadid Architects), Sir Peter Cook (CRAB Studio), Wolf D. Prix (Coop Himmelb(l)au), Sam Jacob (FAT), and ArchDaily’s very own Editor-in-Chief – David Basulto - after the break.
The Basilica of the Sagrada Família in Barcelona have laid out their planned milestones for the forthcoming year, visualising it in a short film that begins to piece together Antoni Gaudí’s incredible vision. The Sacristy and Raking Cornice will be constructed between this year and next, while new stained glass windows will be installed flooding the interior spaces with evermore coloured light.
You’ve seen it before, Ricardo Bofill’s captivating transformation of Spain’s oldest cement factory into his own stunning, Brutalist residence. Now, tour through the home’s most unique spaces with the Spanish architect himself as he shares his story about The Factory in the latest of NOWNESS’ In Residence series.
“Architecture is much more than art. And it is by far more than just building buildings” says award winning Burkina Faso architect Diébédo Francis Kéré. In the latest video from Louisiana Channel, Berlin-based Francis Kéré deliberates on the purpose of architecture in a changing society and the influence exerted by his home nation, Burkina Faso. For Kéré, context and medium are key: ”I try to use local material: mostly clay and wood, to create buildings that are modern,” he says. Kéré’s clay modernism represents a new Burkina Faso, using natural and renewable materials as shown in School Library Gando. ”If we build with clay we will have a better future, because we will use the resources we have,” he adds.
“My people are proud, and that can deliver a lot of energy,” says Kéré, optimistic for the future of architecture in Burkina Faso. Watch the video above to find out more about Kéré’s approach to his European-based African practice, and read on after the break for ArchDaily’s own Interview with Kéré from July.
German photographer Yannick Wegner has shared with us his latest time-lapse exploration through the Museo Soumaya. Designed by FR-EE / Fernando Romero Enterprise, the 150-foot structure has become iconic in Mexico City’s Polanco district due to its sculptural physique and scale-like skin of 16,000 mirrored steel hexagonal tiles.
Stills of the museum, after the break…
In this extended interview between Bernard Tschumi and The Architectural Review’s Paul Finch, the pre-eminent Swiss-born architect discusses his education, writing, design and wider critical position. Speaking candidly, Tschumi explains how a visit to Chicago when he was seventeen years old sparked a life-long passion for architectural design - something that had been somewhat repressed due to his father who was, at that time, one of the world’s most highly respected architects. His friendship with British architect and theorist Cedric Price led to the start of a career that saw his proposals for Paris’s Parc de la Villette foreshadow the age of Deconstructivism. Ending with his take on the future of the profession, Tschumi also offers advice to students and young practices looking to make their mark.