Berlin Art Link recently sat down with Russian-born, German architect Sergei Tchoban. In the interview above, he discusses his career, including working on the design for the Vostok Tower, Europe’s tallest skyscraper, and the recent opening of the Tchoban Foundation Museum for Architectural Drawing. This building houses his extensive personal works, as well as exhibitions by other artists. “What is very important for me is the quality of all details, so you create a building from outline, from the silhouette, to the door lever. This building brings out a lot of our and my personal ideas about architecture and about details in architecture,” Tchoban said regarding his design for the Museum for Architectural Drawing. The exterior of the building expresses Tchoban’s devotion to draftsmanship– the facade of the building is etched with a graphic pattern based on sketches from artists Angelo Toseli and Pietro di Gottardo Gonzaga. “I’m very active in drawings, as a draftsman myself. Drawing is a result of our thinking process and our thinking process is not only a thinking process with the head, with the mind, but also the process where you think with the whole body.”
After more than two decades of planning and development, the design for London’s Tottenham Court Road tube station by Hawkins\Brown has been revealed. Part of the Crossrail project and described as a “dream project” for the firm, the £375m upgrade will see a complete overhaul of the station’s interior and accessibility points.
In this video from Crane.tv, Roger Hawkins explains Hawkins\Brown’s collaborative design approach, identifying the project as an “opportunity to rework the space…as a plaza, as a public space, but fundamentally [as] an access site.” Hawkins\Brown has since been commissioned to upgrade the Liverpool Street and Bond Street tube stations.
“Architecture affects how we see ourselves fitting into a city, and how we relate to one another.” In this latest video from Arbuckle Industries following its release of Archiculture, David Byrne, known for his music, writing, and art, provides his perspective on some of the issues facing architecture today. In the interview, he addresses the need to rethink design practice as an all-encompassing approach, and advocates the tailoring of designs for their specific purposes. Byrne also discusses the problem of the “starchitect” phenomenon, the relationship of people with the built environment, and the resulting atmospheric effects that spatial and acoustic qualities can impart.
To mark the 10th anniversary of the topping out of New York City’s Hearst Tower, Lord Foster returned in order to narrate a short film shedding new light on the building with the aid of camera drones. The 46 storey building – which is integrated into a 6 storey base brick structure designed by Joseph Urban in 1928 - was “one of the most sustainable buildings of its time.” Now, ten years later, this footage captures spectacular new views of the main atrium.
Cornell University professor and historian Mary Woods is one of over 30 influential practitioners that was interviewed during the filming of Arbuckle Industries’ Archiculture documentary. Beyond her explanation of “Roarkism,” a term inspired by Ayn Rand’s protagonist Howard Roark in The Fountainhead that is used to describe the architect as an “uncompromising individualist,” Woods explains the market-driven nature of the profession and how the US government has historically been reluctant to embrace the arts and architecture.
How will technology that began in Silicon Valley change global urbanism and the elements of architecture? In this video from the 2014 Venice Biennale, inventor, designer and entrepreneur Tony Fadell discusses technology and its emerging impact on architecture with Rem Koolhaas. As a co-founder of Nest Labs, Fadell played a major role in developing the first Apple iPod and has taken his knowledge of interactive user interface with him to change one of the most basic interface elements in our homes – the thermostat. With adaptive technologies becoming increasingly prevalent in our daily lives, Koolhaas discusses the potential ramifications of technological architecture with concerns ranging from privacy to individual freedoms and more.
What is a city? To technologist Dave Troy, a “city is the sum of the relationships of the people that live there.” By mapping the interests of dwellers in some of the world’s most populated cities by looking at what they share online, Troy has generated a new and incredibly detailed way to view a city’s diversity beyond race. This rich data, as Troy believes, provides a real opportunity to design cities that are truly desired.
Cool Spaces! The Best New Architecture has released their first full episode online. The PBS television series, hosted by Boston-based architect and professor Stephen Chung, AIA, profiles the most provocative and innovative public space architecture in North America. With the general public as its targeted audience, each hour-long episode is organized around a central theme – such as Art Spaces – and profiles three buildings. In this episode, Chung discusses what makes Tod Williams Billie Tsien’s Barnes Foundation, Steven Holl’s Nelson-Atkins Museum of Art and Phil Freelon’s Harvey B. Gantt Center so cool.
“People often ask me what Cool Spaces is all about. And I never can answer without giving a bit of background,” says host Stephen Chung. “You see, it really begins over seven years ago, during the recession, which decimated the architecture profession. In a four-year span, approximately 30% of all architecture jobs in the U.S. were lost — including my own. This time away from practice allowed me to reflect on the profession and its problems and to think about what role I might play in bringing about some positive change.”
Following the highly anticipated world premiere of Archiculture (watch here!), Arbuckle Industries is now releasing over 30 never-before-seen full length interviews with some of the industry’s leading influencers, all discussing the profession and how we are or should be training the next generation of designers. The first of the series featured Columbia’s Kenneth Frampton on whether or not architecture should be considered a luxury. Now, this most recent installation delves into just how policy makers can affect the built environment, interviewing politician and former Governor of Massachusetts Michael Dukakis.
In 2011, China had more people living in urban areas than rural areas for the first time in its history, and recent government statistics show that around 300 villages disappear per day in China. Yet in the face of rapid urbanization, a “back to land movement” is now also emerging. A new mini-documentary by Sun Yunfan and Leah Thompson, Down to the Countryside, looks at urban residents who, fed up with city life, are looking to revitalize the countryside, while preserving local tradition. The documentary follows Ou Ning, an artist and curator, who moved from Beijing to the village of Bishan, in Anhui province, in 2013. Ning considers himself part of China’s “new rural reconstruction movement,” and the documentary shows his quest to develop the rural economy and bring arts and culture to the countryside.
Following the highly anticipated world premiere of Archiculture (watch here!), Arbuckle Industries has now shared with us the first of over 30 never-before-seen full length interviews with some of the industry’s leading practitioners, all discussing the profession and how we are or should be training the next generation of designers.
In this first interview, the directors sit down with architect, critic, author, and historian Kenneth Frampton at Columbia University to discuss whether or not architecture is a luxury and how the profession has been influenced by computerization.
What does the practice of architecture mean for professionals in the age of computing? How can architecture move beyond form to demonstrate a building’s inner workings? These are just a couple of the questions answered by two of the UK’s leading architects, Chris Wilkinson and Jim Eyre in this video from Crane.tv. Discussing their work at Wilkinson Eyre, the designers both reveal what initially led them to pursue architecture, as well as how their office has transformed and expanded in recent years to take on a range of international projects and competitions, becoming one of the UK’s largest and most successful practices.
As preparations for the 2020 Tokyo Olympics escalate, so do concerns regarding the preservation of the city’s heritage; and more specifically, according to Tomas Maier, Japan’s modernist architecture. The Bottega Venneta creative director recently embarked on an “urgent visit” to Japan in an effort to evaluate the city’s risk of loosing its modernist icons. With special consideration for the overlooked and threatened Hotel Okura, Maier believes that this Yoshiro Taniguchi-designed landmark is just one of many structures at risk of falling to “progress.”
What do you see when you look up? As part of the American Institute of Architects’ (AIA) #ILookUp campaign, this video seeks to elevate the public’s awareness of the impact and importance of the design profession by asking everyone to “look up.” It is the AIA’s goal to spark a two-way conversation on the value of architects and architecture. Please watch the video above and share your thoughts on social media using the #ILookUp.
The first to use this type of free-form geodesic geometry in the United States, HOK’s Salvador Dali Museum is a Floridian landmark in St. Petersburg known for housing one of the most important collections of a single artist’s work in the world. Referring to it as “The Dali,” architect Yann Weymouth and museum director Dr. Hank Hine discuss their intentions behind the building’s design in this interview with TheCoolist.com.
“Salvador Dalí was a monumental pioneer of twentieth-century art and this is perhaps the best collection of his work in the world,” said Weymouth. “Our challenge was to discover how to resolve the technical requirements of the museum and site in a way that expresses the dynamism of the great art movement that he led. It is important that the building speak to the surreal without being trite.” You can learn more about the building, here.
In this installment from the Berlage Institute, Toyo Ito opens a discussion on his traveling exhibition Blurring Architecture, the first iteration of which took place in Aachen. Explaining that architecture is often thought of as a very solid element, Ito meditates on the concept of distortion and shifts in contemporary ideas of architecture. Rather than considering architecture as static, he argues for an “ambiguous boundary” that is “not about form” but rather about the “conception of architecture.” Considering the effects of the economy and politics on architecture, Ito pushes deep into philosophical notions of what architecture is and does, and how inquiry shapes the physical form of designs.