In this video, Raul Pantaleo, co-founder of Italian practice Studio Tamassociati, discusses the award-winning Port Sudan Paediatric Centre, which recently won first prize in the Zumtobel Group Award’s Buildings category. The remote clinic was commissioned by the NGO “Emergency” and is one of the few facilities to provide free care for children in the region.
Santiago-based architect Alejandro Aravena of Elemental discusses the sustainable reconstruction of Constitución in Chile following a devastating earthquake in 2010. Given just 100 days to design a resilient masterplan, capable of protecting the city against future natural disasters, Elemental implemented a natural solution: planting a forest that would protect the city from future floods. The design has since receive international recognition, most recently being awarded first prize in the Zumtobel Group Award’s Urban Development & Initiatives category.
In this video from the Louisiana Museum of Modern Art‘s Lousiana Channel, three acclaimed writers – Sjón, James McBride and Daniel Kehlmann – talk about their experience of Olafur Eliasson’s Indoor Riverbed at the Danish museum. Sjón describes how he felt when he saw 180 tons of rock from his home country of Iceland filling the room, saying “It was like a moment in a dream, when you enter a room and something is not right, but familiar.”
The writers reflect on the role of art itself, as Sjón states ”If art is to give answers at all, it should be confusing answers.” Watch the full video to learn more about how the installation impacts its viewers and successfully blurs the lines between art and nature.
When we evaluate the work of architects and other designers, we often treat it as if the design was created in a vacuum. It’s easy to forget that the vast majority of designs emerge from a collaboration between the designer and their client, and when it comes to the design’s success the input of the client can often be as important as the work of the designer. This creative relationship can be a difficult one to navigate, yet it is usually held together by a single document: the brief.
Released today, this half-hour documentary by director Tom Bassett entitled Briefly takes a long hard look at the brief, with architects Frank Gehry and David Rockwell, industrial designer Yves Béhar, illustrator and author Maira Kalman, marketing executive John C Jay and creative executive John Boiler all pitching in their experience with creative briefs, and recounting stories where, for better or for worse, the brief had a major effect on their work.
More on the documentary after the break
In their sixth Beyond the Building video, “Design That Heals,” MASS Design Group explores how architects can improve the lives and health of people everywhere. The video reveals how the work of MASS operates on various scales from everything to designing better furniture to influencing national policies. Their approach to humanitarian architecture begins by empowering the local community to take ownership of new projects, and in turn, bring about significant improvements in the quality of life in places that have previously been overlooked.
For example, talking about MASS Design Group‘s Butaro Hospital, Rwanda‘s Minister for Health Dr. Agnes Binagwaho says: “There’s this idea of equity to put a hospital, state of the art, in the middle of nowhere. It was not nowhere for everybody, because there are 300,000 people living there.” Watch the video above and get involved in the conversation on how architecture can go #beyondthebuilding.
In June of this year seven architecture students came together to film the vernissage of the Venice Biennale. Undaunted by the unrelenting Venetian sun and the prospect of being faced by some of the world’s greatest living architects and curators, the team – spanning four nationalities – spent three days feverishly talking to anyone and everyone (in between pasta and espresso breaks). Having built up a comprehensive picture of the opening days of the Biennale in a series of short, uninhibited filmed interviews, Mies. TV proudly presents their alternative, slightly shaky coverage of the 2014 Venice Biennale.
Watch short interviews with the likes of Jacques Herzog (Herzog + de Meuron), Daniel Libeskind, Patrik Schumacher (Zaha Hadid Architects), Sir Peter Cook (CRAB Studio), Wolf D. Prix (Coop Himmelb(l)au), Sam Jacob (FAT), and ArchDaily’s very own Editor-in-Chief – David Basulto - after the break.
The Basilica of the Sagrada Família in Barcelona have laid out their planned milestones for the forthcoming year, visualising it in a short film that begins to piece together Antoni Gaudí’s incredible vision. The Sacristy and Raking Cornice will be constructed between this year and next, while new stained glass windows will be installed flooding the interior spaces with evermore coloured light.
You’ve seen it before, Ricardo Bofill’s captivating transformation of Spain’s oldest cement factory into his own stunning, Brutalist residence. Now, tour through the home’s most unique spaces with the Spanish architect himself as he shares his story about The Factory in the latest of NOWNESS’ In Residence series.
“Architecture is much more than art. And it is by far more than just building buildings” says award winning Burkina Faso architect Diébédo Francis Kéré. In the latest video from Louisiana Channel, Berlin-based Francis Kéré deliberates on the purpose of architecture in a changing society and the influence exerted by his home nation, Burkina Faso. For Kéré, context and medium are key: ”I try to use local material: mostly clay and wood, to create buildings that are modern,” he says. Kéré’s clay modernism represents a new Burkina Faso, using natural and renewable materials as shown in School Library Gando. ”If we build with clay we will have a better future, because we will use the resources we have,” he adds.
“My people are proud, and that can deliver a lot of energy,” says Kéré, optimistic for the future of architecture in Burkina Faso. Watch the video above to find out more about Kéré’s approach to his European-based African practice, and read on after the break for ArchDaily’s own Interview with Kéré from July.
German photographer Yannick Wegner has shared with us his latest time-lapse exploration through the Museo Soumaya. Designed by FR-EE / Fernando Romero Enterprise, the 150-foot structure has become iconic in Mexico City’s Polanco district due to its sculptural physique and scale-like skin of 16,000 mirrored steel hexagonal tiles.
Stills of the museum, after the break…
In this extended interview between Bernard Tschumi and The Architectural Review’s Paul Finch, the pre-eminent Swiss-born architect discusses his education, writing, design and wider critical position. Speaking candidly, Tschumi explains how a visit to Chicago when he was seventeen years old sparked a life-long passion for architectural design - something that had been somewhat repressed due to his father who was, at that time, one of the world’s most highly respected architects. His friendship with British architect and theorist Cedric Price led to the start of a career that saw his proposals for Paris’s Parc de la Villette foreshadow the age of Deconstructivism. Ending with his take on the future of the profession, Tschumi also offers advice to students and young practices looking to make their mark.
More than 500 years after it was built, Filippo Brunelleschi’s dome of Santa Maria del Fiore in Florence, Italy, remains the largest masonry dome ever built. Leaving no plans or sketches behind, some of the secrets of its construction that Brunelleschi pioneered are still an enigma today. This short animation, presented by National Geographic and created by Fernando Baptista and Matthew Twombly, gives an idea of how the dome of the Duomo might have been built. Demonstrating the complexity of the task, made harder due to poor construction prior to Brunelleschi’s commission, this film serves as a reminder of just how long it can take to create something timeless.
Scandicci City began as a suburb of Florence and was often described as a commuter town with a lack of a clear urban center. Having reached out to Rogers Stirk Harbour + Partners to address this need, this short documentary created by scandiccibyrogers.com offers a look inside Rogers’ studio in London and the creation of a new urban master plan for Scandicci City.
In it, Rogers explains his belief that public places are crucial parts of cities, and discusses how urban areas can begin to develop from a dense core – an urban design strategy that responds to the rising popularity of city living in recent years, and utilizes public transportation rather than relying on cars.
The JS Dorton Arena, originally designed as a livestock judging pavilion for the North Carolina fairgrounds, was a deliberate political statement for the North Carolina State University about the courage of progress and value of taking risks. The architect, Matthew Nowicki, imagined a symphonic spatial experience where design, material and construction are choreographed in a highly challenging and sweeping, ambitious vision. Foregoing interior columns, the building combines intersecting parabolic arches of reinforced concrete with a grid of draped tension cables inspired by the tension system of the Golden Gate Bridge to support the entire span of the roof – the first of its kind.
At the moment it may be little more than a colossal, doughnut-shaped hole in the ground, but this video is in fact the first glimpse of Apple‘s new Norman Foster-designed Campus in Cupertino. The video, shot using a GoPro camera mounted on a drone, shows that construction of the building’s huge underground parking garage has begun, with concrete poured in a section of the trench. And, as we’ve come to expect from Apple, the fact that it’s a construction site is no excuse for messiness, meaning that elements of the design are already starting to be legible, such as a wider trench marking the main entrance close to the drone’s position. Watch the video above to see the huge campus under construction, and read on after the break for more information about the building’s design.
Our friends at Crane.tv have brought you the personal insights of Dan Burr and Lee Bennett of Sheppard Robson on the innumerable merits of hand sketching in the design process. The architects describe the process of designing within a team and communicating ideas to clients through simple and powerful visuals. Explaining their current projects, the two discuss the various roles of computer generated drawings versus hand drawings, and the instrumental value a single drawing could have in shaping a client-designer relationship, or the entire trajectory of a project.
Lee Bennet muses, “When you’re working with a computer, there’s a machine in the way. When you’re drawing, its an instant connection between your brain and the paper, and there’s something kind of instant about it, and magical.”
This video by architecture photographer, Pedro Kok, takes us behind the scenes of the construction of the Cais das Artes (Quay of Arts) building in Brazil. Located in the southeastern coastal city of Vitória, the building was designed by Paulo Mendes da Rocha in collaboration with METRO Arquitetos.
The video was produced for La Triennale di Milano’s exhibition, “Paulo Mendes da Rocha – Technique and Imagination,” and captures – through impeccable shots – the work that went into constructing the enormous cultural complex.