Brought to you by Studio-due, Luce/Light explores four contemporary buildings of concrete, iron, water and glass that share a unique and indissoluble relationship with light. The Italian buildings featured are Fabrica by Tadao Ando, Il Cubo Nero (The Black Cube) by Silvia Dainese Studio + dns dsn, the Nardini Grappa Distillery Bolle by Massimiliano Fuksas and Memoria e Luce (9/11 Memorial) by Daniel Libeskind.
Directed and Edited: Francesco Mansutti
Photography: Daniele Gobbin
Music: Paolo Agostini
Executive Production: Studio Due
Art Direction: Venice International University
Supervision: Anna Guolo, Giulio Bodon
Production: Regione Veneto – Direzione Beni Culturali
We’ve been following the progress of Herzog and de Meuron’s recent projects, such as the construction stages of the Elbe Philharmonic and the design of the Museum der Kulturen Basel. Yet, every so often, it is interesting to view some of the firm’s older projects to see the common line of thought running throughout their portfolio and examine how their design process has evolved throughout the years to respond to newer technologies, materials and environmental concerns. Although the Sammlung Goetz Museum in Munich was designed and constructed nearly two decades ago, the project illustrates the firm’s obsession with the building’s outer treatment. Material selection and facade design is an important facet of the firm’s identity, but we noticed another common thread between this project and their future works – the fascination with the floating volume.
More about the museum, including more photos, after the break. (more…)
This June 3, 1956 clip of the Long-running CBS game show What’s My Line? has been making its rounds on the internet for quite sometime now. As it just recently popped up on Dwell’s twitter feed, we knew it must be featured on ArchDaily for our readers who may have not seen it yet, as it is a classic and features the 89-year-old “World Famous Architect” Frank Lloyd Wright. Just as any good architect would do, Wright critiques the poor acoustical qualities of the space as a blindfolded all-star panel (such as Arlene Francis and Peter Lawford) attempts to guess his professional title.
In this interview, between Australian Architect Glenn Murcutt and Peter Thompson for ABC TV’s Talking Heads program, Murcutt reveals his three rules in life: simplicity, simplicity, and “of course, simplicity”. He speaks openly about his upbringing and childhood, about his inspirations and how he has grown and developed his passions as an architect. He has recieved the 2002 Pritzker Prize and 2009 AIA Gold Medal.
Follow us after the break for the rest of the interview. (more…)
Above is a video put together by 24studio on what today we call the National Museum of Science andTechnology – MUNCYT – which was born in 2001 as A Coruña Center for the Arts designed by aceboXalonso studio. The video coincides with the article written about the politically controversial building which was conceived as a single container to house two buildings of diverse nature: the new Dance Conservatory of the provincial Council of A Coruña and a Provincial Museum of ambiguous content. More info can be viewed here.
Brightly colored confetti and sequined samba queens covered the newly renovated Sambadrome in Rio de Janeiro, marking the beginning of the 2012 world-famous annual Carnival. Designed by Brazil’s legendary architect Oscar Niemeyer, the Sambadrome was originally constructed during the first government of Leonel Brizola (1983 – 1987) in an effort to provide Rio with an urban facility that would serve as the permanent location of the traditional spectacle of the samba school’s parade. Inaugurated in 1984, the Sambadrome is also known as the Catwalk Professor Darcy Ribeiro out of respect to the man who moved the parade to its current site. Continue for more.
In reference to Living Steel‘s 3rd International Architecture Competition for Sustainable Housing, Glen Murcutt discusses his ideas surrounding the issue of sustainability. He emphasizes the strategies employed by the top contenders such as the planning of orientation, thermal performance, and human effort in addition to other variables involved in sustainable architecture. One particular method that Murcutt stresses is using materials that can dissolve back into the earth, citing earth walls as an excellent medium to build with and their inherent thermal mass qualities. Each team was invited to present their ideas in person, a variation from previous years which Murcutt believes led to the highest quality of work and diversity of the competition series.
RIBA President Angela Brady discusses design in 2012 with British architect Richard Rogers. Together, they discuss the important issues surrounding housing and cities, both agreeing that “intensification is critical”. Homes built within a compact city are said to be five times more efficient than those built outside the city. This realization is an important fact that should guide government officials, builders and architects to work together towards more intelligent and beneficial growth patterns.
Chicago-based artists Petra Bachmaier and Sean Gallero of Luftwerk have transformed Millennium Park into an interactive, choreographed light show titled Luminous Field. Colorful geometrical images set to music composed by Owen Clayton Condon of Third Coast Percussion illuminate “Cloud Gate”, commonly known as “The Bean”, and transform its surrounding plaza into a digital canvas. This site-specific video and sound installation is the first of its kind for Cloud Gate. Be sure to take part in this “immersive sculptural experience” before it concludes on February 20th. The spectacle begins each night at 6pm. Continue after the break for more images.
Digital technology touches nearly everyone’s life. Be it delivered through cell phones, home entertainment devices, ATMs, storefronts or countless other means, digital design is big business and Robert Miles Kemp is at the forefront of that exploding movement.
The son of a carpenter and general contractor, Kemp visited job sites from the time he was small. At nine years old, his father gave him the challenge of designing a structure for a neighbor, which was subsequently built. Kemp loved both the process and the end product. Thus began a career in architecture. More after the break.
Together, BIG + Times Square Alliance + Flatcut + Local Projects and Zumtobel celebrates Valentines Day with a BIG red pulsating heart in the middle of Times Square, New York. The 10-foot-tall heart pulsates as the 400 transparent, LED lit, acrylic tubes sway in the wind. Once people touch the heart-shaped sensor, the light grows brighter and the pulse beats faster. Joining hands with more people will increase the intensity of the heart.
“The heart reflects what Times Square is made of: people and light – the more people, the stronger the light,” Bjarke Ingels, Founder & Partner, BIG.
See the love with the video above and more images after the break.
Photographer Cristobal Palma shared with us the extended version of his video of the Xi’an Expo, a project by Plasma Studio + GroundLab that we saw during several stages, from the award winning entry in 2009, to conceptual design and opening, when it was visited by more than 200,000 people on the first weekend.
The Expo embodies the idea of transformation as the site was formerly a sandpit where the water was severely degraded during the 1980s. Efforts over the past two decades have restored the ecosystem and now the Expo is able to demonstrate what can be accomplished through the use of the most advanced technology, ideas, and materials, as seen on the video. As we reported earlier, the 37 ha complex includes three buildings that are interconnected with a dynamic landscape of unfolding paths and networks of water, circulation and foliage.
More videos by Cristobal Palma at ArchDaily:
The Water Cathedral is a large, horizontal urban nave for public use. The structure is made up of numerous slender, vertical components, which hang or rise like stalactites and stalagmites in a cave, varying in height and concentration. The project incorporates water dripping at different pulses and speeds from these hanging elements, fed by a hydraulic irrigation network. When filled with small amounts of water, the stalactite components act as interfaces out of which water droplets gradually flow and cool visitors below. The stalagmites topography provides elements of shade, along with plants and water that collect under the Water Cathedral’s canopy.
Last week, the MoMA and the PS1 announced HWKN as the winner for the 2012 YAP in NY.
More videos by Cristobal Palma at ArchDaily:
A collaborative project by KMKG Studio and OchoResotto, Architecture Export is a video project from CIS [Creative Industries of Styria, based in the city of Graz in Austria] aiming at making Styrian architecture better known on the international level. Styrian architecture has already enjoyed considerable success in an international context in the past and Graz, the Styrian capital and second largest city of Austria, has recently been award the tittle of Unesco City of Design.
Check out this condensed video, provided by the RSA (Royal Society for the encouragement of Arts, Manufactures and Commerce), featuring Michael Pawlyn. As many architects have been inspired by nature, Pawlyn concentrates on biomimicry’s potential to influence the function rather than the form of a building. He believes a functional revolution needs to occur, stating we need to focus on a radical increase in resource efficiency, a shift to closed-looped systems and the transformation from our current fossil fuel economy to a solar economy. With the natural world as our living proof, Pawlyn believes all three of these challenges are crucial and achievable.
Le Corbusier’s Cité Radieuse has been severely damaged fire. The nine-story “vertical village” in Marseille, France became a historic monument in 1995 and serves as one of the most important postwar landmarks of modernist architecture.
The fire began Thursday afternoon in a first floor duplex. Firefighters fought over 12 hours to tame the blaze and were able to bring it under control earlier this morning. Many reports state at least eight to eleven homes were destroyed and twenty to thirty were damaged by smoke. All residents were evacuated late on Thursday. Thankfully, no one was critically injured and only five people were treaded in the hospital for minor injuries.
Le Corbusier built the social housing complex between 1947 and 1951. About 1,600 people live it its 334 famous duplex apartments. Some residents have resided in the complex since its inauguration. Many of the inhabitants include middle-class teachers and architects.
It remains unclear on how the fire was started.
Find more information on Unite d’ Habitation here on ArchDaily.
Check out Great Spaces’ clip on the Brooklyn Bridge, one of New York’s amazing infrastructure feats. The construction of the bridge was a family affair as it was designed by John Roebling in the late 1860s and then completed by his son and daughter-in-law. One must imagine New York’s “skyline” of the 1800s to fully understand the innovation and the magnitude of such a massive project. For more about Roebling’s bridge, be sure to view our AD Classics coverage.
Richard Meier recently discussed his perspective on creating public spaces. He expands on his experiences of designing numerous buildings across the globe and their importance in relation to public spaces. He discourses how the Getty Center in LA fosters a special environment for all activities, whether it be viewing the entire city or participating in cultural activities – the surroundings of the building are just as important as the structure itself. He also comments on the significance of the square that is encompassed on one side by his Barcelona Museum of Contemporary Art, and its destination as a mecca for teenage skateboarders and the seniors that come to watch the youths. Interestingly enough, his talk emphasizes the places that surround the architecture, the idea that the intent is not about making a building or monument, it is about creating a place and making a statement. This in turn makes for a much more exciting architectural experience – because it is the spaces that objects make that we inhabit.