UCLA Architecture and Urban Design, led by Greg Lynn, recently announced SUPRASTUDIO 2012-2013, a new model for architectural education that elevates the academic experience of future leaders in architectural design to a level unique amongst post-professional M.Arch. II programs. The M.Arch. II degree promotes critical practice by emphasizing applied research. The application deadline is Dec. 15, 2011. For more information, please visit their official website here.
“OMA Show & Tell” features all the of the firm’s partners: Rem Koolhaas, Victor van der Chijs, Reinier de Graaf, Ellen van Loon, Shohei Shigematsu (watch our interview with Shohei), Iyad Alsaka and David Gianotten.
The discussion was chaired by Chris Dercon, director of the Tate Modern, who makes a very good intro to this “historic evening“, in which the partners for the first time will discuss together how the creative practice has worked in the past and how it will work in the future. It includes questions from the 300 members of OMA.
It is interesting to see how the partnership works, and Dercon encourages the young architects in the audience to learn from it and speak to their CEOs to run their firms according to their views after this lecture.
On October 20, The Museo de Arte Contemporáneo de Monterrey (MARCO) and Richard Meier & Partners Architects launched Latin America’s first retrospective exhibition celebrating the forty-eight years of Richard Meier’s career. The show reveals an in-depth overview of many significant projects, showcasing a large collection of models, original sketches, photographs, renderings and an exclusive gallery dedicated to Meier’s product design.
SCI-Arc‘s introduction of the Robot House (spring 2011) – a multifunctional robotics lab that enables the exploration of advanced fabrication techniques, manipulation of high tech materials, and numerous methods for simulation – has brought about a new and intriguing component to the school. Designed by faculty members Peter Testa and Devyn Weiser, its primary goal is the advancement of next generation platforms for the experimentation and future speculation of architecture.
The state-of-the-art Staübli robotic systems are housed within a 1,000 sqf double height research room between studio spaces and the shop. Given the nature of work that is being produced at SCI-Arc, it will be interesting to see the new projects that take full advantage of the Robot House and the adjacent Robotics & Simulation Lab.
Jenn Kennedy, author of Success by Design and AD collaborator, shared with us this interesting video in which she asked an influential group of architects about their business direction. These testimonials by Dan Meis, Art Gensler, Lauren Rottet and Steven Ehrlich give us valuable insights on running a successful firm.
Earlier this week Marion Weiss and Michael Manfredi, founding principals of Weiss/Manfredi Architecture/Landscape/Urbanism, lectured at Harvard GSD about Evolutionary Infrastructures. The multidisciplinary firm has distinguished themselves with their holistic design approach, successfully integrating the disciplines of architecture, art, infrastructure, and landscape design.
Their projects have been received internationally attention; the Olympic Sculpture Park for the Seattle Art Museum, which was the winning design of an international competition and has been recognized at Barcelona’s World Architecture Festival (Nature Category Winner), by ID Magazine Environments Design Awards (Best in Category), and was awarded the Veronica Rudge Green Prize in urban Design from harvard University. The Diana Center at Barnard College was chosen as the winning design of a national design competition and received a Progressive Architecture Award and an ArchDaily 2010 Building of the Year winner.
Weiss/Manfredi has received the Academy Award in Architecture and the Gold Medal of Honor by AIA New york City chapter. ArchDaily had the chance to interview Weiss/Manfredi earlier this year. Be sure to check it out.
This video features an exclusive interview with Rem Koolhaas by BD online discussing the launch on October 6th of ‘OMA/Progress Exhibition’ at the Barbican Art Gallery. Curated and designed by Rotor, a Belguim-based collective, member Maarten Gielen and OMA founding partner Rem Koolhaas discuss the importance of this major retrospective, the stories being told, and the discoveries Rotor made after having a unique and unheard of ‘behind the scenes access’ to OMA – asking candid questions and reviewing materials from the archives of OMA offices.
The launch of the exhibit coincides with last weeks opening of Maggie’s Centre in Gartnavel, Glasgow and the Rothschild Bank Headquarters in London later this year. The OMA/Progress Exhibition will run through February 19, 2012.
For those of you who may not know who Simon & Garfunkel are (don’t worry I wouldn’t admit to it either), they were an American duo consisting of singer-songwriter Paul Simon and singer Art Garfunkel. Most notably known for their hit single “The Sound of Silence” and also for their music being featured in the film The Graduate which featured another one of their hits “Mrs. Robinson”.
Simon & Garfunkel rose to critical and commercial success between 1960 and 1970 when they recorded their final studio album Bridge Over Troubled Water which included the song “So Long, Frank Lloyd Wright”. The origins and meaning of this song have long been debated, one argument is that the song is a dedication to Frank Lloyd Wright from Art Garfunkel who was himself a former architecture student, and the other argument is that the song served as a hidden farewell between Simon & Garfunkel since this would be their final album together. Evidence can be found within the lyrics of the song that says, “I remember the nights we’d harmonize till dawn, I never laughed so long, so long, so long…” The repeated use of the “so long” can be interpreted as a goodbye between the two.
What do you think were the intentions behind this song…?
So long, Frank Lloyd Wright.
I can’t believe your song is gone so soon.
I barely learned the tune
I’ll remember Frank Lloyd Wright.
All of the nights we’d harmonize till dawn.
I never laughed so long
Architects may come and
Architects may go and
Never change your point of view.
When I run dry
I stop awhile and think of you
So long, Frank Lloyd Wright
All of the nights we’d harmonize till dawn.
I never laughed so long
Our friends from Studio Banana TV shared with us their interview with MVRDV‘s Winy Maas. Founded in 1993 by Maas along with Jacob van Rijs and Nathalie de Vries the firm has produced impressive works among them the well known Balancing Barn and WoZoCo. In recent news (featured just this week on ArchDaily) MVRDV along with COBE were chosen as the winners of an international competition for their design scheme to transform a former concrete factory into a multifunctional creative hub.
In the video Maas discusses a number of MVRDV’s projects including their Market Hall project in Rotterdam and The Why Factory (T?F) which was established at Delft University of Technology in 2008 as a thinktank for future cities. Earlier this year Maas was recognized for his design contributions in France by receiving the French Legion of Honor.
A few months ago I had the chance to meet Steven Holl, whose work I admire. I think that he has been able to innovate and challenge programs as we used to know them, and experiment with materials and structures, while sticking to what really matters in architecture: space, context and light.
When I attended his “Disobedience” lecture in Columbia (during Kenneth Frampton’s 80th birthday) I understood how this disobedience is tied to his constant investigations, and then reflected on his buildings (like the competition for the Nelson Atkins museum as he tells on the video). I also really liked the fact that he’s very down to earth, and how he started his career and moved to the east coast. If you ever had the chance to attend one of his lectures, don’t miss it!
Steven Holl along with partner Chris McVoy lead Steven Holl Architects, one of the more innovative architecture and urban design offices in the world. A graduate of the University of Washington, Holl also studied in Rome and London before heading to New York to establish an architecture practice.
Holl has also contributed to the profession as an educator; the architect and watercolorist has taught at Columbia University since 1981, where he is a tenured faculty member. He is an Honorary Fellow of the Royal Institute of British Architects, and the recipient of the New York American Institute of Architects Medal of Honor and the prestigious Alvar Aalto Medal.
Steven Holl Architects’ has been recognized internationally by some of architecture’s most prestigious awards. Recent recognition for SHA work includes 2010 P/A Award for LM Harbor Gateway and the 2009 CTBUH Best Tall Building Overall for Linked Hybrid. Their numerous AIA awards include the AIA 2008 Institute Honor Award as well as a Leaf New Built Award 2007 for the Nelson-Atkins Museum of Art in Kansas City; the AIA 2007 Institute Honor Award, AIA New York Chapter 2007 Merit Architecture Award, and a RIBA International Award for the School of Art & Art History at the University of Iowa. And the New Residence at the Swiss Embassy in Washington, D.C was awarded an AIA New York Chapter 2007 Honor Architecture Award and the RIBA International Award.
SHA’s completed works featured on ArchDaily:
- Knut Hamsun Center in Hamarøy, Norway
- Herning Museum of Contemporary Art in Herning, Denmark
- Linked Hybrid mixed-use complex in Beijing, China
- Nanjing Sifang Art Museum
- Museum of Ocean and Surf
- Chapel of St. Ignatius
- College of Architecture and Landscape Architecture, UMINN
- T Space
- Nelson-Atkins Museum of Art in Kansas City
- Simmons Hall at MIT
- Horizontal Skyscraper
- New Doctorate’s Building, National University Bogota
- Glasgow School of Art
- Sliced Porosity in China
- Queens Library at Hunters Point
- Hangzhou Normal University Performing Arts Center
- Daeyang Gallery and House
Video credits: J.P. Barrera Faus (Editing), J.C. Labarca (Camera).
The design by Steven Holl Architects in collaboration with Solange Fabiao is the winning scheme from an international competition that included the offices of Enric Miralles/Benedetta Tagliabue, Brochet Lajus Pueyo, Bernard Tschumi and Jean-Michel Willmotte.
Stay tuned for the full interview!
Photos by FG+SG Fernando Guerra and Sergio Guerra.
This exclusive video of OMA’s Maggie’s Centre by BD online features OMA partner Ellen van Loon discussing the design for the cancer care center. Led by OMA Partners Rem Koolhaas and Ellen van Loon with Associate-in-charge Richard Hollington the Maggie Gartnaval center located in Glasgow opened today.
Ellen van Loon shared, “I enjoyed designing such an exceptional environment with this very dedicated and inspired team of designers and contractors. The sequence of spaces is an interplay of openness, retreat and support to underpin the Maggie’s programme.”
This snapshot of a new documentary about mid-century modern architecture in Arkansas illuminates classic post-war designs. Simple, clean lines were often the elements that delineated the aesthetics of these buildings. While many lay in disrepair, they still exude an aura of a time when optimism was reflected in the country’s desire to build a new future. Some of the architectural icons that are featured include the University of Arkansas’s Fine Arts Center by state native Edward Durell Stone, the Tower Building in Little Rock, the Fulbright Library in Fayetteville, and the abandoned Hotel Mountainaire. Check out the short clip of what will air in November on AETN. Also, see the highlights of the current affairs and award winning architecture that is taking place within the state of Arkansas here.
Two young artists Ryan and Trevor Oakes have introduced a unique way for drawing using a 3D drawing machine that assists in re-presenting the view in front of one’s eyes. The machine was developed as an exploration of the nature of vision with a goal to recreate realism in the correct proportions and perspective. The artists explain how the machine works; by limiting vision of the scene to one eye and the other to plot the image on concave paper, an illusion occurs where the paper becomes transparent, rendering an effect that you are simply tracing the scene in front of you. It is an interesting take on creating artwork with amazingly accurate results. Check out the video for their presentation.
Gensler, architects of SanFrancisco International Airport’s Terminal2(SFO T2) and Virgin America, the terminal’s anchor tenant, announce the release of A Day in the Life of SFO T2, a video by filmmakers Spirit of Space. A Day in the Life of SFO T2 is a key element in Virgin America’s fall promotion “VX Deals on the Fly,” launching today via Loopt, the geo-social network. The promotion will offer travelers mobile check-in rewards at various locations throughout SFO T2. More information after the break. (more…)
In this video from Cities of Opportunity 2011, architectural superstar and OMA founder Rem Koolhaas shares his views on the contemporary evolution of the city and his vision for the future of urban centers. Produced by accounting giant PwC (a.k.a PricewaterhouseCoopers before their 2010 re-branding) and the Partnership for New York City, Cities of Opportunity 2011 “analyzes the trajectory of 26 cities, all capitals of finance, commerce, and culture and through their performance, seeks to open a window on what makes cities function best.”
Documenting Richard Meier’s career this video starts at the beginning with Meier’s acceptance to Cornell along with his earliest projects. Included within the documentary is a description by Meier and fellow alumni Peter Eisenman about The New York Five, video footage of Meier’s Getty Center along with a lecture by Meier in ’92 describing his architecture.
This video was created in 2006 in honor of Meier’s 50th reunion (Cornell class of 1956)
The well established and nationally recognized architecture firm Brooks + Scarpa (2010 AIA National Firm of the Year) recently decided to shake things up a bit. “Our office has turned more into a conventional office over the years, and I was just really looking for something that could become a glorified cabinet shop where we could actually work and make things, have the space to do that, and have some outdoor space to build bigger things,” shares Larry Scarpa.