On view in the Israel Museum’s Billy Rose Art Garden through September 5, the 720° installation, designed by internationally renowned Israeli artist, architect, and designer Ron Arad, is of monumental proportions. Composed of 5,600 silicon rods suspended from a height of eight meters to form a perfect circle 25 meters in diameter, the silicon cords serve as an empty digital canvas on which works by prominent video artists from Israel and around the world – among them Mat Collishaw, Ori Gersht, Christian Marclay, and David Shrigley – are being screened each evening. Above is a time lapse video of the installation courtesy of Ram Matz, Jerusalem Season of Culture. For more information, please visit here.
The 13th Venice Architecture Biennale is about to start, opening to the public on August 29th. ArchDaily is already in Venice preparing our intensive coverage during the press preview starting Sunday. On this video by the Biennale you can see a small part of the team’s efforts preparing this fascinating event.
More photos of the upcoming exhibits at the Giardini below:
Architectural firm Populous specialises in monumental sporting and entertainment structures and was responsible for the Olympic Stadium at the London 2012 Games. The structure has changed the face of East London and is the focal point of the world’s biggest sporting activity until 13 August. We meet Rod Sheard, the architect behind the build at Populous’ studio to discuss how they approached the project with legacy and sustainability in mind, and why sport is one of the few tools left that still brings people together.
Secret Garden Party is known as one of the more playful of English summer festivals. Speckled with coquettish nooks and crannies to party the night away in and plenty of installation art, this year delivered plenty for the discerning festival-goer. Rope House, an idea conceived by artist Rosie Jackson, Rhys Jones of the Bartlett School of Architecture and fellow architect Matt Shaw, is a performance space constructed entirely out of 3 kilometres of rope. Crane.tv documents the building stages in an old MOD torpedo shed in Canterbury and the structure in situ at this year’s Secret Garden Party festival.
Representing Brazil at the 2012 Venice Biennale will be StudioMK27 and Lúcio Costa‘s 1964 installation “Riposatevi”. The exhibit takes an intimate look at the lives of multi-generational households in modern Brazilian architecture. Curated by Lauro Cavalcanti, the Brazilian pavilion will investigate the intersections between traditional and contemporary artistic tendencies and will feature the movie installation, “Peep”, by Lea Van Steen and Marcio Kogan, with photography by Cleisson Vidal. The event will take place between August 29th and November 25th in the Giardini and Arsenale buildings in Venice.
More after the break. (more…)
In January of 1975, Buckminster Fuller sat down to deliver twelve lectures that made up the 42-hour series Everything I Know. The entire event was captured on video, with the most advanced, bluescreen technology of the time. Fuller discusses an array of topics, from “architecture, design, philosophy, education, mathematics, geometry, cartography, economics, history, structure, industry, housing and engineering”, to all his major inventions and discoveries, along with “his own personal history in the context of the history of science and industrialization”.
The embedded video above is recompiled and edited version of the series. You may download the entire 42-hours (for free!) from the Internet Archive. The Buckminster Fuller archive has also made transcripts of Everything I Know - “minimally edited and maximally Fuller” – freely available.
Continue after the break for links to the remaining lectures. (more…)
The relationship between social dynamics and architecture has always been intimate. It is a constant dialogue between social norms and politics, stylistic trends and aesthetic choices, individual preferences and the collective good. The Modernist Period was a time when architecture took on the challenge of many social problems. In all the arts – architecture, design, music and film – the period was highly politicized and the choices often gave way to a utilitarian ideal that was a hybrid of efficiency, simplicity and comfort. Jake Gorst’s new film Modern Tide: Midcentury Architecture on Long Island, supported by Design Onscreen, is a message of preservation that takes us through the history of the modernist housing boom that took place on Long Island, NY in the period between the Great Depression and the 1970s.
On August 14th, Cook+Fox Architects hosted a private film screening at their office on 641 Ave of the Americas, presenting the treasures along the island’s shore that have fallen between the cracks of history. The film looks at works from Albert Frey, Wallace Harrison, Frank Lloyd Wright, Marcel Breuer, Philip Johnson, Charles Gwathmey, Barbara and Julian Neski and many others.
Follow us after the break to catch up on the history of the development of these houses on Long Island. (more…)
Keeping the material library organized is a difficult task for many architects, let alone keeping it up-to-date with the latest, most innovative materials. Well, today we stumbled on this video, by The Economist, that highlights Andrew Dent, vice-president of Material ConneXion, and his thoughts on the evolution of material science. Material ConneXion has created the world’s largest resource for advanced, innovative and sustainable materials and processes. Their online archive and material libraries, based in seven cities world-wide, feature over 6,500 of the world’s most cutting-edge materials that are all commercially available for use.
Andrew Dent believes Material ConneXion will help bridge the gap between science and design as we move from the “synthetic century” into a “biological century”, where intelligent, nature-inspired materials consume less resources and less energy. (more…)
Two friends, the photographers of The Seventh Movement, gave themselves one week to photograph as much of Paris as possible. Unsure of where this would lead, the ambitious project turned out to be larger than they could ever imagine. After an intense week in Paris and spending countless hours editing, organizing and re-editing thousands of photographs, they settled on this time-lapse production – a synthesis of their best work. It is a bit long, but well worth the watch.
This short video via ja+u takes you on a brief journey through the Tokyo Skytree’s various observation decks that range in altitude from 340m all the way up to the 450m high spiral Tembo Galleria. A quick time lapse of the construction that took place from 2008-2012 illustrates the tower’s growth as it quickly surpassed the Tokyo Tower’s 333m pinnacle. See our previous coverage here.
Start your weekend early with this Zaha Hadid-inspired track by the internationally renowned DJ, Roger Sanchez. The former Pratt architecture student is currently working on a starchitect-themed, tech house series that musically interprets the work of his favorite architects, such as Frank Gehry, Frank Lloyd Wright, IM Pei, Tado Ando and Gaudi.
Sanchez explained to bdonline, “The song [Zaha Hadid] – it’s tech-house, futuristic, minimal but with lots of varying elements that are opposing but work together beautifully. It has an angular high at the end which conforms to the form of her designs and there’s a crescendo in the middle that reminds me of her focal points.”
HOK Chief Executive Officer Patrick MacLeamy, FAIA, explains why the term “BIM” doesn’t convey the real promise of building information modeling over time. In this video, MacLeamy breaks down the mega acronym “BIM-BAM-BOOM!” and addresses the real promise of this new approach across three basic phases of a building’s life.
It all begins with BIM; the architect uses 3-D modeling to investigate options and test building performance early on in order to optimize the building’s design. The design is then handed off to the contractor who streamlines the building process with BAM (Building Assembly Modeling), which allows for a significant decrease in construction costs. Once complete, BAM is turned over the owner and becomes BOOM (building owner operator model). This allows the owner to manage the building over time and ensure optimized building performance throughout its entire life cycle.
The real promise of “BIM-BAM-BOOM!” is “better design, better construction, better operation”. (more…)
The Chemical Brothers composed a song entitled “Velodrome”, for which Crystal has created a three minute animated sequence promotional video to match its heart-pounding rhythms. Played in the Velodrome before every session, the video inspired by Hopkins Architects’ design, shows the venue as never before, literally pulsating with excitement.
“We’ve created sweeping contours and sleek surfaces as the backdrop for an intense, futuristic cycling ‘duel’ as two animated riders power round the track,” said Darren Groucutt, creative director at Crystal. “It truly brings the Velodrome to life.”
“Rem Koolhaas: A Kind of Architect” (2008) filmed by Markus Heidingsfelder and Min Tesch, and produced by Arthouse Films, Rem Koolhaas: A Kind of Architect offers a “thought-provoking portrait of the architect”.
Rooted in theory, Koolhaas, a creative genius, has produced work that completely takes the field of architecture to the next level. At his best, Koolhaas’ projects are so conceptually compelling that his approach, aesthetic and building performance are unmatched. By constantly questioning the norm, Koolhaas can critically analize the existing to create a theoretical model that can be manifested into the physical realm. Although architecture came later in his life, Koolhaas has an innate ability to utilize every componenet of architecture, from circulation to structure, to strengthen his vision.
The documentary, featuring interviews from other architects and friends about Koolhaas, provides a look into his process and his influence on the field.
You can watch the full documentary on the above embed.
As part of the ‘Valtari’ Mystery film experiment of the Icelandic band Sigur Rós, the video for Varúð was released few days ago. Directed by Ryan McGingley, it shows New York in a magnificent way as we architects would like to move around.
In his own words… “this piece is my poem to New York City. I wanted to bring a childhood innocence to the streets, through a character whose own light and wonder effects the world around her. I’m always interested in an atmosphere where dreams and reality mingle on equal terms.”
As a collaborative effort involving urban designers, architects, economists, and developers, the Christchurch Central Recovery Plan was assembled as a video to present to the public. Led by the Christchurch Central Development Unit (CCDU) in New Zealand, which is part of the Canterbury Earthquake Recovery Authority (CERA), the plans for the central city rebuild was released earlier this week as a response to the earthquake sequence in Canterbury which destroyed most of the building stock in the CBD. This distinctive, vibrant, and green 21st century city has been met with overall positive feedback, which demonstrates the importance of shared ideas on rebuilding after natural disasters. On a global scale, all cities ad towns are at risk for natural disasters, and as many of us know, preparation is key to recovery. Like the video above, the power of public opinion can really have a major impact on these types of plans and give us both a feasible and optimistic view of the future.
This short clip via ja+u of the Storage House by Ryuji Fukimura Architects takes you on a quick journey through the relatively compact residence that occupies a thin plot of land in the Kanagawa Prefecture, part of the Greater Tokyo Area. Smartly designed to maximize the interior volumes, a unique aspect of the house is the dry moats that line the basement floor allowing for diffuse daylight to shower the interior that would have otherwise been artificially lighted. An added benefit of the moats is that it encourages air circulation from the bottom of the house to the top creating a stack effect.
As part of our Soho House ‘In Conversation With’ series Crane.tv last night spoke with architects Rod Sheard of Populous, Kathryn Findlay of Ushida Findlay and Asif Khan and Pernilla Ohrstedt. Focused on designing the Olympics, each architect discusses their London 2012 specific project. Sheard tells us of the mammoth task involved in designing an Olympic stadium, Findlay discusses one of the only permanent structures to stay in Stratford, the Orbit, her co-project with Anish Kapoor and Cecil Balmond, while Khan and Ohrstedt fill us in on how, as an emerging architecture duo, they worked with global brand Coca-Cola to amplify their message, creating Beatbox, a structure fusing design and music. While each structure serves a different and specific purpose, the architects all share one mindset: changing the face of London while keeping the spirit of sustainability intact.