ArchDaily has teamed up with Building Pictures, Filipa Figueira and Tiago Vieira to feature weekly episodes of their video series “Arquitectura à Moda do Porto,” which highlights Porto’s most significant buildings over the last two decades.
The series launched in 2013 and is comprised of 10 episodes, each focusing on a different theme: light, stairs, balconies, nature, textures, doors, windows, skylights, pavements and structures.
Last week we featured the series’ first episode about Porto’s shimmering lights, and now we present Episode 2 – Stairs. Read the producers’ description of Episode 2 after the break.
In conjunction with “Contemplating Basics,” the 35th Aedes Architecture Forum’s exhibition of work by Beijing-based ZAO/standardarchitecture, Reframe presents an interview the firm’s founder, Zhang Ke, and Dr Eduard Kögel, an Urban Planner and critic from Berlin.
Since its establishment in 2001, ZAO/standardarchitecture has produced a diverse portfolio of projects responding to the specific nature and local culture of their sites, and mediating between traditional values and contemporary means of production. Keenly engaged with social issues, Ke recognises the importance of designing in a manner that is cognisant of broader context and bridges the gap between tradition and modernity.
“Every generation of course needs to go back to the original questions… ‘Okay, what architecture can grow out of this place in our time, and with our interaction with the local people and local techniques?’” he asks, “The results could be striking but the departure point is basic.”
ZAO/standardarchitecture has been responsible for large urban museums and small scale rural interventions alike, adopting in all cases this democratic approach to design.
“I learnt neither to look up nor to look down,” Ke said, “But to look straight in the eye, which means that you truly respect the culture.”
Following the extensive preservation battle over Bertrand Goldberg’s iconic Prentice Women’s Hospital, the Chicago landmark was demolished a few months ago to pave the way for Perkins+Will’s new Biomedical Research Building for the Feinberg School of Medicine. The four year preservation struggle was marked by repeated appeals to the Commission on Chicago Landmarks and Mayor Rahm Emanuel with attempts to place the building on historic registers, proposals to adapt it for modern use, and design competitions to gain public opinion on the future of the building. Ultimately, the outpouring of global support by architects and preservationists to save Prentice fell short of the political agenda of progress, prioritizing future development over preserving the city’s past.
In the wake of the loss of this icon, the National Trust for Historic Preservation has released a time-lapse video documenting the demolition process of Prentice from start to finish. This incredible footage memorializes the one-of-a-kind building so although the new Biomedical Research Building will soon take its place, a piece of its predecessor will always be remembered.
The first installment takes viewers into Kenzo Tange‘s 1964 Yoyogi National Gymnasium in Shibuya, built to house the swimming and diving events of the 1964 Summer Olympics. Completed in less than two years and seating upwards of 15,000 spectators, the Gymnasium is renowned for its suspension roof, and will host the handball competitions during Tokyo’s 2020 Summer Olympics.
We’ve teamed up with Building Pictures, Filipa Figueira and Tiago Vieira to feature weekly episodes of their video series “Arquitectura à Moda do Porto,” which highlights Porto’s most significant buildings over the last 20 years.
The series is comprised of 10 episodes, each focusing on a different theme: light, stairs, balconies, nature, textures, doors, windows, skylights, pavements and structures.
In light of the recent opening of Mons International Congress Xperience (MICX), Daniel Libeskind hosted a private tour through the conference center, explaining his thinking behind the building’s expressive form. The experience was captured on this short film by Spirit of Space with the intention to open the discussion up to a larger audience.
The building, an important new landmark in the Belgium city of Mons, is described by Libeskind as “an expression of contrasting geometric forms.” Aside form providing function and “lively” spaces for auditoria and conference use, the building aims to be “a hinge between the old city and the new.”
“Your interaction with architecture can either uplift you or depress you.” In this latest Archiculture interview from Arbuckle Industries, Maurice Cox discusses the potential of architecture’s atmospheric qualities to influence our daily lives. The professor, designer, dean, and former politician expresses his opinions on the intersection of politics and design in both the United States and abroad, arguing the importance of public input on creating inspirational architecture. Additionally, Cox reflects on how the process of transitioning from education to professional practice has changed for today’s emerging designers.
The latest episode in NOWNESS‘ In Residence series takes viewers into the Esplugues de Llobregat home of Catalan artist Xavier Corbero. Albert Moya captures Corbero’s life size cabinet of curiosities— brimming with art pieces and eclectic miscellany— as the artist himself wanders through a Piranesi-esque series of seemingly impossible cantilevered staircases and arches.
“What I try to do does not stem from reason,” says Corbero, “What I always attempt to do is poetry.”
“Suburbia has… several destinies.” Author and social critic James Kunstler is one of several contributing speakers in Arbuckle Industries‘ groundbreaking documentary Archiculture. In the latest extra from the film, Kunstler provides his perspective on the modern housing sector and the shift from city life to suburbia, specifically examining the decline of the city as a result of political upheaval. Additionally, he postulates how architecture will evolve in the future and offers his ideas for overcoming America’s suburbia-centric ways by drawing inspiration from the past, advocating that young designers focus on tectonics to shift back to a smarter built environment.
This year’s Goethe Documentary Film Prize winner is Concrete Love: The Böhm Family. The German film, directed by Maurizius Staerkle-Drux, follows the daily routine of 93-year old architect Gottfried Böhm, documenting interactions with his family (and colleagues) and the inspiration for his work. It delves into the lifelong fervor Böhm has developed for design, family, and life. The jury acclaims, “the film tells a multi-layered tale of love, the passion for architecture and four generations of German history. With sensitive observations, intimate interviews and stirring filmic explorations of an extraordinary architectural legacy, the film creates a lasting impression of the buildings and the people.”
Scotland’s Grade-A listed Brutalist St. Peter’s Seminary, abandoned for the past 25 years, is being rediscovered through drone technology. The building, which was originally designed by Gillespie, Kidd & Coia in 1966 and heavily inspired by the work of Le Corbusier (“with Scottish inspirations”), has recently been offered a new lease of life. London-based Avanti Architects, along with Glasgow-based ERZ Landscape Architects and NORD Architects, recently released the first images of their plans to breathe new life into the iconic building. This filmed footage not only gives a sense of how dilapidated the structure is in its current state, but also hints at the exciting possible future it has as an arts venue.
Berlin Art Link recently sat down with Russian-born, German architect Sergei Tchoban. In the interview above, he discusses his career, including working on the design for the Vostok Tower, Europe’s tallest skyscraper, and the recent opening of the Tchoban Foundation Museum for Architectural Drawing. This building houses his extensive personal works, as well as exhibitions by other artists. “What is very important for me is the quality of all details, so you create a building from outline, from the silhouette, to the door lever. This building brings out a lot of our and my personal ideas about architecture and about details in architecture,” Tchoban said regarding his design for the Museum for Architectural Drawing. The exterior of the building expresses Tchoban’s devotion to draftsmanship– the facade of the building is etched with a graphic pattern based on sketches from artists Angelo Toseli and Pietro di Gottardo Gonzaga. “I’m very active in drawings, as a draftsman myself. Drawing is a result of our thinking process and our thinking process is not only a thinking process with the head, with the mind, but also the process where you think with the whole body.”
After more than two decades of planning and development, the design for London’s Tottenham Court Road tube station by Hawkins\Brown has been revealed. Part of the Crossrail project and described as a “dream project” for the firm, the £375m upgrade will see a complete overhaul of the station’s interior and accessibility points.
In this video from Crane.tv, Roger Hawkins explains Hawkins\Brown’s collaborative design approach, identifying the project as an “opportunity to rework the space…as a plaza, as a public space, but fundamentally [as] an access site.” Hawkins\Brown has since been commissioned to upgrade the Liverpool Street and Bond Street tube stations.
“Architecture affects how we see ourselves fitting into a city, and how we relate to one another.” In this latest video from Arbuckle Industries following its release of Archiculture, David Byrne, known for his music, writing, and art, provides his perspective on some of the issues facing architecture today. In the interview, he addresses the need to rethink design practice as an all-encompassing approach, and advocates the tailoring of designs for their specific purposes. Byrne also discusses the problem of the “starchitect” phenomenon, the relationship of people with the built environment, and the resulting atmospheric effects that spatial and acoustic qualities can impart.
To mark the 10th anniversary of the topping out of New York City’s Hearst Tower, Lord Foster returned in order to narrate a short film shedding new light on the building with the aid of camera drones. The 46 storey building – which is integrated into a 6 storey base brick structure designed by Joseph Urban in 1928 - was “one of the most sustainable buildings of its time.” Now, ten years later, this footage captures spectacular new views of the main atrium.
Cornell University professor and historian Mary Woods is one of over 30 influential practitioners that was interviewed during the filming of Arbuckle Industries’ Archiculture documentary. Beyond her explanation of “Roarkism,” a term inspired by Ayn Rand’s protagonist Howard Roark in The Fountainhead that is used to describe the architect as an “uncompromising individualist,” Woods explains the market-driven nature of the profession and how the US government has historically been reluctant to embrace the arts and architecture.
How will technology that began in Silicon Valley change global urbanism and the elements of architecture? In this video from the 2014 Venice Biennale, inventor, designer and entrepreneur Tony Fadell discusses technology and its emerging impact on architecture with Rem Koolhaas. As a co-founder of Nest Labs, Fadell played a major role in developing the first Apple iPod and has taken his knowledge of interactive user interface with him to change one of the most basic interface elements in our homes – the thermostat. With adaptive technologies becoming increasingly prevalent in our daily lives, Koolhaas discusses the potential ramifications of technological architecture with concerns ranging from privacy to individual freedoms and more.