This amazing South Korean film tries to express captivity and its consequences for an escaped hostage. A range of spaces, from underground rooms where the crime operates to luxury apartments owned by the leaders, reveal a mix of carefully prepared colours and compositions, with patterns on the walls, strong contrasts and several kinds of lighting atmospheres. Enjoy and let us know your ideas about architecture and captivity in the comments!
Sou Fujimoto’s lecture, “Evolving Ideas: Primitive Future”, served as a forum for students to participate in open discussions between scholars, critics, independent professionals, entrepreneurs, curators and cultural activists.
What is the meaning of Architecture? How does it relate to nature? These are the two questions that Sou Fujimoto continues to ponder on. His projects are a pure reflection of his continuous research of the relationship between: City and architecture, architecture and landscape, inside and outside, and nature and architecture.
Enjoy the interview with Sou Fujimoto and summary of the event.
Since June, we’ve been reporting on the Design Corps and SEED (Social Economic Environmental Design)‘s, SEEDocs, a series of mini-documentaries that highlight the stories of award-winning public interest design projects. As each mini-doc has been an excellent, inspiring exploration of the challenges and benefits of community-oriented design, we are pleased (and not a little sad!) to announce that the final seed-doc has just been released.
This month’s mini-doc, probably the series’ best, focuses on the Nyanza Maternity Hospital, designed by MASS Design Group. MASS of course garnered much attention for their Butaro Hospital, also in Rwanda (for an interesting inside-look at the construction of Butaro, read this excellent article by MASS co-founder Marika Shiori-Clark). Should this hospital be funded and realized, it will no doubt make more headlines for the innovative public-interest design firm.
Read more about MASS Design Group’s lastest project in Rwanda, after the break…
Firenze Che Sarà (A Florence That Will Be) are a series of screening and conversations involving changes in cities, attempting to stimulate the Florentine administration, which has repeatedly show interest in promoting change. The first two screening already took place, but the sessions will continue on the following dates:
- April 18 (A Gavinana. Architecture in Wait)
- May 16 (At the Uffizi. The cityless museum)
- June 13 (At the Cascine. On the search for landscapes)
Located on a long and very narrow site, on the edge of Parc La Vilette in Paris’s 19th district, the major objective of the Basket Apartments was to provide students with a healthy environment for studying, learning and meeting. Designed by OFIS architects, their video gives viewers a look at the surrounding urban context, including the new Paris tram route passing along the site. The open corridor, gallery, and studio spaces are all illustrated here as the film takes you through a typical experience by its users.
With just a Rotring Isograph pen on arches paper, artist Mark Lascelles Thornton completed this scrupulously detailed architectural drawing project titled “The Happiness Machine”. Each sheet represents a city – such as Chicago, Shanghai, London and New York – and is stylized in red and gray ink.
In addition to the meticulous detail of the buildings, the work is even more amazing considering the scale: the final piece will spread across eight panels measuring 8 by 5 feet.
Continue for more images…
CAPACITY, the Gensler Los Angeles led academic studio at Cal Poly San Luis Obispo, was created with the intent to survey, understand and visualize the dynamic set of infrastructure constraints impacting and contributing to Downtown Los Angeles’ capacity to evolve. The video above highlights the documentation and synthesizing done by the SLO_GenLA ’13 Professional studio which shows the capacity of Los Angeles’ infrastructure and demonstrates how the limits of each system may physically impact the future built form of the city. Once these variables, which include building information and zoning, energy, waste management, and water were universally known and their units of measure understood, scenarios for the future were generated.
It’s a rarity that the architecture community is presented a chance to indulge in a Peter Zumthor lecture. Often referred to a architecture’s reclusive “man of mystery”, the Swiss legend has produced a handful of projects so eloquently designed that they have captured the attention of the world. In honor of his mastery, RIBA awarded Zumthor with the institute’s prestigious Royal Gold Medal in February. In this video, he gives the 2013 Royal Gold Medal Lecture at the RIBA, focused on the theme of Presence in Architecture. (more…)
Peter Rice has been described as both one of the best engineers and architects of the twentieth century. Unhappy with the role that engineers play in designing buildings, Rice dedicated his life to championing brave innovation and poetry through structure in a way that helped bridge the gap between engineering and architecture. His desire to work in tandem with architects, towards a shared vision, made him one of the most in-demand engineers of the twentieth century.
In an age where almost every conceivable subject has spawned its own reality series – be it Dancing On Ice or Hillbilly-Hand-Fishing - PBS’s new show, Cool Spaces!, aims to stimulate the public’s curiosity by engaging us in the story behind some of North America’s most interesting public buildings. The AIA sponsored show, which is hosted by Boston-based architect Stephen Chung, departs from usual architecture-related television shows, which tend to focus on makeovers of private homes. Not only will this show look at public buildings, but it will also examine the people whose lives it has affected, the places that have shaped it, and the mind of the architect who brought all of these things together to design it.
Read more about the series and see a sneak preview after the break…
Engineer Nelson Fiedler has gone to great heights to revamp Rio de Janeiro’s famous sports venue.
“The architect has to continue doing what he or she has done for the last 5,000 years, which is to make objects of great beauty, which uplift the spirits of whoever commissions them or occupies them or sees them. But, increasingly, [the architect] has to take on two other things, which is: to make things in such a way that they are part of an environmental whole; but also to be much more conscious of what the social impacts are of the decisions the architect may make. [...] The architect, unless they want to wipe themselves out and become aesthetes, has to deal with these big issues.” – Ricky Burdett
As the world becomes increasingly urbanized, there lies an important question ahead of us. There can be no doubt that cities will grow, but how can we make sure that they grow sustainably and – what’s more – equitably?
To get to the bottom of these important questions, we spoke with Ricky Burdett, a professor of Urban Studies at the London School of Economics (where he directs the program LSE Cities), the author of The Endless City, and one of the world’s leading experts in urban planning. Not only was he the Chief Advisor of Architecture and Urbanism at the London 2012 Olympics, but he is also a founder of the Urban Age Project, an interdisciplinary investigation into the future of cities. We caught up with Burdett while he was in Chile, invited by CREO Antofagasta to advise on the development of Chile’s sprawled-out city of Antofagasta.
Burdett had so much to share about his varied experiences that we’ve decided to split this AD Interview into two. Part I (above) covers Burdett’s conception of what architecture is/should be; the London Olympics; and his strong opinion on the state of architecture in England today.
The second part of this interview, which you can see after the break, explores Burdett’s work studying urban environments – including the Urban Age project; the secrets to sustainable, equitable growth (for more on Burdett’s take on this, read Jared Green’s article “The Rise of the Endless City“); and how architects and policy makers must work together if we are to design cities that serve the greater social and environmental good.
When emigrating from Germany in 1938 to head Chicago’s Armour Institute, Ludwig Mies van der Rohe was challenged with two tasks: first reform the schools curriculum to his “back-to-basics” approach and then develop plans for a newly expanded 120-acre campus for the creation of Illinois Institute of Technology, a product of the Armour Institute and Lewis Institute merger. Mies was able to exceed both challenges and the outcomes have had a lasting influence on Chicago and modernism for the past 75 years. In celebration of this legacy and Mies’ 127th birthday, IIT complied this comprehensive video that features Mies’ contribution to the modern landscape of their campus and city.
The Young Architects Program is an annual collaboration between The Museum of Modern Art and MoMA PS1 that fosters innovative design research and promotes emerging talent. Besides New York, it has now international versions in Istanbul, Rome, and Santiago.
The Garden of the Forking Paths, designed by Beals & Lyon Architects is the latest winner from YAP_Constructo, in Santiago, Chile. Cristobal Palma shot this beautiful video on this pavilion in the park.
You can check some more videos by Cristobal Palma at ArchDaily:
Question: What does Snoop Dogg, John Cleese, Lucy Liu and Jeff ‘The Dude’ Lebowski have in common? Simple, they have all, at some point in time, hung out in the living room of the space-age Sheats Goldstein Residence designed by Frank Lloyd Wright-disciple, John Lautner.
Read more about this amazing house and its unique owner after the break… (more…)
Skyhouse is a house in the sky, a residential penthouse located at the summit of one of the earliest surviving skyscrapers in New York City and situated within the incomparable vertical cityscape of Lower Manhattan. The project involved the construction of a set of unique living spaces inside a decorative penthouse structure which had never before been used as a residence… The spaces of this residence and the vistas channeled through it ascend and descend through all four levels of the penthouse structure and into the three-dimensional cityscape surrounding it in every direction.