Designed for the artwork of artist Rei Naito, the Teshima Art Museum is a seamless, earthen form of white concrete in which responds to the rolling landscape of an island located in the Inland Sea of Japan. Architect Ryue Nishizawa created the museum to be an open gallery, exposed to the elements, that is shaped by a 25cm thick concrete shell in which spans up to 60 meters.
In this talk at TED 2013, WikiHouse co-founder Alastair Parvin elaborates on some of the ideas which he presented in 2012. WikiHouse is his project to create an open-source library of houses which can be downloaded, manufactured with a CNC machine and assembled in a day – an idea which he hopes will democratize the production of housing and the city as a whole – as he puts it, “In a way it should be kind of obvious that in the 21st century maybe cities could be developed by citizens”.
Felix Burrichter is a New York-based architect turned editor who prefers building magazines.
DS+R (Diller Scofidio + Renfro) is one of the most acclaimed architecture practices of these days. The firm was started by Elizabeth Diller and Ricardo Scofidio back in 1979, and they were later joined by Charles Renfro as a partner in 2004.
In the past years the firm has been involved in several cultural projects, including the Blur Building at the Swiss Expo 2002, the Institute of Contemporary Art in Boston, the Julliard School, the Alice Tully Hall and the Hypar Pavilion at Lincoln Center in New York and the Center for the Creative Arts at Brown University. They are also currently working on the Art Museum and Pacific Film Archive in Berkeley, the Broad Museum in Los Angeles, the Museum of Image & Audio in Rio de Janeiro, the Columbia Medical Building and Business School in New York… and the list just keeps growing.
But for sure one of their most important projects has been The Highline, together with James Corner / Field Operations. This urban regeneration project has not only changed Manhattan, but also inspired cities around the world to understand their hidden value. This project is currently on its third stage, which includes a multi-use venue designed by DS+R, the Culture Shed.
In all these projects, there is a common denominator between private/public space relationships, as discussed with Charles Renfro in this interview. In this conversation you will also learn about a very important aspect of the firm’s work, one that is very hard to transmit in traditional architecture media or even on the web: the experience. The art and performance projects that the firm has been doing since its beginning has added a particular layer to their built work. After you see their installations (and the effect they create in people), and then go back to their built projects, you start to see them as a series of situations where users are not static, but part of this performance.
Take for example the sunken auditorium at the Highline, a place that is meant to be seen by the cars driving below, who get a glimpse of the active urban life above. Or the hanging media center at the ICA, that uses the sea as a facade. Or The Art of Scent exhibit at the MAD Museum, where they exhibit the intangible. Or at the Blur Building, where you enter into a cloud.
DS+R’s work is very clear and bold at first glance, but with many underlaying moments and situations that reflect the careful design of each project.
Thanks to UNIACC Architecture School for making this interview possible. Projects by DS+R at ArchDaily:
We poll some of the best and brightest in the design world about one hot topic…
With special thanks to BE OPEN.
In this video, Cathleen McGuigan, editor-in-chief of Architectural Record, discusses gender within the professional setting, specifically within the world of architecture at the Harvard GSD. As she begins, she addresses the question that most people have when such a topic is approached. ”Why are we still talking about this?” McGuigan lays out the position of women in architecture and the rational that still supports inequality, however subconscious, within the profession. Referencing Sheryl Sandberg’s new book Lean In, McGuigan shows how this topic is still unresolved and still needs to be discussed in the public forum.
“The Community” might be the most frequently used term over the last 50 years of Architectural and Urban discourse. For decades, “the community” has served as a legitimization for anything from Team X to New Urbanism, from Celebration to “vancouverism”. But what is “the community”? Where should we look for the proper definition? How did communities appear in the past and how do they form today? Can ‘the community” influence the design of its own space, territory or context? If yes, what could be the relationship between the community and architecture in the future?
In his Strelka talk Reinier de Graaf is trying to answer these and other, even more complex questions.
Via the Strelka Institute.
After generously donating an archive of over 6000 drawings and 150 projects, architect Charles Correa sat down with RIBA President Angela Brady to discuss his life and work as one of “India’s greatest architects.” The short interview touches on a wide range of topics, from the inspiration behind some of his greatest projects to advice for future architecture students.
“The thing about architecture is that you cannot teach it. You can learn it, but you cannot teach it. And a good school is a school which makes you passionate about architecture and that teaches you how to ask questions. [...] If you know how to ask the right questions, you will develop your own philosophy and your own visual vocabulary.”
For this architect, there is an indiscernible line between art installation and building. Alexander Brodsky studied architecture in Moscow, while working on art installations and drawings both independently and in collaborations with other artists. Brodsky admits that his career path was unconventional, that he felt unready to take on the responsibility of building. Instead, Brodsky’s approach to architecture is through the lens of art: occupiable, room-sized installations that test spatial and sensory boundaries.
More after the break.
Conducted by a group of Canadian design students, archiDUTCH is a 19-minute documentary about how the Dutch build and design the cities we live in, including a collection of interviews of Dutch architects and designers. The footage was shot and edited by first-time student filmmakers from Simon Fraser University’s Interactive Art and Technology program. OMA‘s Reinier de Graaf, Inside Outside‘s Petra Blaisse, and MVRDV‘s Jacob van Rijs (along with dutch model maker Vincent de Rijk) comment on the Dutch point of view of designing for the architectural and urban scale, both in the Netherlands and worldwide in this film. Detailed interviews and more information about the students involved in this field study can be found here. More images can be viewed after the break.
Free of clutter but filled with light, shadow and sculptural forms, filmmaker Matthew Donaldson takes you inside the minimalist masterpiece that Italian architect Claudio Silvestrin calls home. As part of NOWNESS’ In Residence series, this video sheds light Silvestrin’s “reductive, contemplative, near-ecclesiastical spaces” that can be found across the globe – from Moscow to Majorca, and soon-to-be in Miami, where Silvestrin is currently designing a home from Kanye West that will undoubtedly exhibit many of his signature components. (more…)
Jarmund / Vigsnæs Architects was the first Nordic practice we featured on ArchDaily after seeing their impressive Svalvard Center, a sharp copper-cladded volume that slowly ages and blends into the landscape.
Since then we have seen many more strong projects of different scales from the Norwegian firm. The firm was established in 1996 by Einar Jarmund and Håkon Vigsnæs, with Alessandra Kosberg who joined as a partner in 2004.
JVA’s projects range from small cabins in the woods and interiors, to large scale hospitality projects and urban plans. The firm has developed expertise in designing for the Nordic weather as well as creating connections between the buildings and the distinctive Nordic landscape. With the above as their focus, the practice constantly explores how to innovate through the use and experimentation of materials.
JVA projects at ArchDaily:
Caution: This video may induce vertigo.
As the final segment of the One World Trade Center was hoisted into position – topping the structure out at a patriotic 1,776 feet – Curbed NY captured its journey via a small Go-Pro camera to reveal its fascinating, and somewhat nauseating, view of Manhattan.
While the US rejoices this monumental feat, a debate amongst architects, engineers and city officials lingers on whether or not the 408-foot spire will count towards the One WTC’s overall height and allow it to officially claim its title as the tallest building in the Western Hemisphere. Although the Port Authority argues that the spire doubled as a radio antenna is considered as non-essential telecom equipment and therefore should not be considered as part of the “architectural top”, the Council on Tall Buildings and Urban Habitat will make the final call in October. (more…)
In China’s effort to modernize its cities, it has used architectural mimicry – essentially “copy-cat architecture” as journalist and author Bianca Bosker puts it – to rapidly and substantially “adapt to the market” for urban development. Watch this video as Bosker describes the atmosphere of imitation that China has adapted to bring western architectural styles to its housing market. Bianca Bosker is the author of “Original Copies: Architectural Mimicry in Contemporary China”, in which she gives a tour of the various towns within major cities that have seen this rapid development. Cities like Hangzhou has its own imitation of Venice, which includes man-made canals, townhouses, and villas. Shanghai has its own version of Paris, Eiffel Tower included. And Beijing has an imitation of the London Bridge.
More after the break.
Pedro Gadanho is a Portuguese architect, curator, teacher and writer, appointed as the Curator for Contemporary Architecture at the MoMA in January last year.
Pedro is a prolific writer, who uses a blog as a laboratory for his ideas about architecture and urbanism (sharing his views on the current states of cities and how architecture can transform them), and will surely have an impact on what the Department of Architecture of the Museum focuses on in the future.
During this past year Pedro has been involved in the YAP (Young Architects Program), a platform to discover young architects and foster new ideas through installations at the MoMA PS1 (Queens, NY), the MAXXXI Museum (Rome, Italy), the Istanbul Modern Museum (Istanbul, Turkey) and with CONSTRUCTO (Santiago, Chile).
He also curated the exhibit “9 + 1 Ways of Being Political: 50 Years of Political Stances in Architecture and Urban Design” (open until Jun 9th, 2013; Architecture and Design Galleries, third floor), where his views of city and architecture come together in the form of a selection of fresh ideas and examples of architects who actively shaped our cities. The opening of the exhibit included the architectural performance “IKEA Disobedients” by Andres Jaque.
Pedro was also a jury for the 2013 Mies van der Rohe award.
In today’s world, where we have access to everything at the the tip of our fingers, the role of the curator becomes more and more relevant for us to understand our new context.
You can follow Pedro on Twitter @pedrogadanho.