Who will run the world for the next 100 years? Envision Solar President and CEO Desmond Wheatley argues that it will be whoever has abundant sources of power. That is constructive power, rather than destructive power, which is essential to run the information and technology industries that our world is entirely dependent on. Additionally, Wheatley states that energy equals water. And, with less than 1% of the world’s fresh water available for use, desalination is becoming an increasingly plausible solution. The only problem now is that energy is expensive. But, once cities have the will to switch over to renewables, that will no longer be an issue. Could you imagine San Diego as an net exporter of water? Desmond Wheatley can. (more…)
British designer Faye Toogood takes a highly dynamic approach to her work. After eight years at Conde Nast as a stylist, and then editor, at The World of Interiors she went on to open a multi-disiplinary design practice Studio Toogood in 2008 and furniture design company Faye Toogood shortly after. Her client-base is impressive and ranges from Opening Ceremony to Vivienne Westwood, Selfridges, Christie’s and Pernod Ricard. Toogood invites us into her world as we visit her canal-side studio in north London and join her on a tour of her latest work for Opening Ceremony.
The international development and disaster relief charity Article 25, named after the 25th article of the Universal Declaration of Human Rights, asked 100 of London’s artists and architects to take part in ‘10×10 Drawing the City‘. Zaha Hadid, Will Alsop, Eric Parry and Tim Makower have all created artwork inspired by an individually allocated 10×10 squared section of London’s urban landscape. The one-off pieces, which together are an impressive showcase of British architectural heritage, will be exhibited at the newly revamped West Wing of Somerset House on 14 November before all work is auctioned to the public.
Our friends at NOWNESS have shared with us this mesmeric film by Johnnie Shand Kydd that captures the illustrious modernist Richard Meier and multi-disciplinary creator Massimo Vignelli as they reflect on their respective crafts, city life, and enduring friendship. Filmed inside the minimalist offices of Richard Meier & Partners on 10th Avenue and West 36th Street in New York City, the two powerhouses discuss their collaboration on the firm’s forthcoming monograph, Richard Meier, Architect Volume 6, chronicling the stark, white, rationalist buildings that define the firm’s aesthetic. Enjoy!
Continue after the break to browse through iconic works by Richard Meier & Partners. (more…)
Last weekend, in the heart of Beijing, the unveiling of the amorphous globes of Zaha Hadid’s Galaxy SOHO stunned visitors with the office and retail complex’s radical aesthetic. Beijing’s rapid economic growth has thrust the cityscape into a continuous battle between ever-climbing modern high rises, and the traditional, winding alleyways, unique to the capital city. Crane.tv meets Hadid to hear about her newest structural feat, and collect the thoughts of the building’s wide-eyed neighbours.
3LHD Architects shared with us their video for one of their recent projects, Hotel Lone, the first design hotel in Croatia. The hotel’s identity is recognized through the external design of the building, with a facade that is defined by dominant horizontal lines – terrace guards designed to evoke the image of slanted boat decks. The site’s complex terrain with dramatic altitude changes determined the locations of internal facility spaces through a dynamic interweaving of public areas and guest suites at all levels. More information on their project can be viewed here.
Winner of an international competition in 2009 after the rejection of a proposal from brazilian architect Oscar Niemeyer, the Valparaíso Cultural Center designed by HLPS arquitectos was finished last year with an impressive result. Today we have this great video Cristobal Palma just shared with us, shot a couple of months ago.
You can check some more videos by Cristobal Palma at ArchDaily:
Googie Architecture, shared with us by Sunny & Mild Media, is part one of a series that encapsulates the futuristic design found prevalent in the post-war sprawl of Los Angeles during the 1950s. Popular among coffee shops, motels and gas stations, the ultramodern style originated from the Sunset Boulevard coffee shop, designed by John Lautner, named Googies. A Googie building was a symbol that a business was with the times, which in turn brought traffic and attention to its doors. Form followed function, and it’s function was advertisement.
A few days ago we had the chance to attend the Audi Urban Future Awards, where 5 young and innovative practices presented their visions on the future of mobility for five of the world’s most intense urban regions: Boston/Washington Area (USA), Mumbai (India), Sao Paulo (Brasil), Istanbul (Turkey) and the Pearl River Delta region (China).
The Audi Urban Future Award went to Höweler + Yoon and their proposal for BosWash, a new mega region that connects commuters and center through a new intelligent infrastructure, a project that Audi has committed to push forward.
These regions deal with the most important issues that cities are facing in the urban era: the dilemma between density and sprawl, opportunities, transportation, long term versus fast growth, energy, infrastructure, and as we have seen in the last days, the natural environment.
In the following videos we will see the thorough diagnostics of the cities presented by the architects, along with a short description of their projects. Their proposals will be featured in a following article.
Istanbul, Mumbai, Perl River Delta and Sao Paulo after the break:
Marc Newson is one of the most accomplished industrial designers of our time. A self-confessed control freak, Newson’s innovative perspective has been applied to everything from cutlery to spaceships. He regularly lends his skills to brands such as Nike, Ford and Qantas. His numerous international accolades include receiving a CBE for services to design and being appointed “Royal Designer for Industry” in the UK. Examples of his work are housed in most major permanent museum collections, including the Museum of Modern Art in New York and one of his earliest pieces, The Lockheed Lounge, holds the record for the world’s highest price paid for a piece of furniture. A complete catalogue of his works to date has also recently been released by Taschen books. Married to the prominent fashion editor and stylist, Charlotte Stockdale, Newson’s family life has had a profound influence on his attitude to design. Though he compares our current design climate to the industrial revolution he also seems nostalgic, lamenting both his daughter’s affinity for the iPad and the fact that the future is simply not as optimistic as he imagined.
Amidst the post-Sandy recovery efforts, we would like to share with you New York: Night and Day by Philip Stockton. The New York-based animator and director created the film in attempt to explore the city’s relationships between night and day from a series of fifteen preconceived locations. Using an interesting mix of non-traditional video time-lapse and animation, Stockton combined four to eight hours of footage from each location into single sequences using rotoscoping techniques.
Review each location after the break… (more…)
Ellen Van Loon is an architect at the forefront of her field. Alongside six partners, including Rem Koolhaas and Reinier de Graaf, her work at the Dutch architecture practice, OMA, has encompassed some of the most iconic modern buildings in the world, including the award-winning Casa da Musica in Portugal. Two of her projects, The Rothschild Bank headquarters and Maggie’s Centre near Glasgow, were recently nominated for the RIBA Stirling Prize. She joined the practice in 1998 to lead the design for the headquarters of Universal Studios in Los Angeles. Her specific expertise lie in the balance of business acumen and an in-depth understanding of all technical and operational aspects. Here we profile Ellen, with The Rothschild Bank as a backdrop, learning about the strong bond that forms between architect and building.
With industrialization came unchecked suburbia and car-centric lifestyles. But now, in the rapidly approaching age of the super city, our current standards of living will not suffice. According to MIT Research Scientist Kent Larson, 21st century cities will account for 90% of global population growth, 80% of all global CO2, and 75% of all global energy use.
Understanding that the global population faces serious issues of overcrowding, affordability and overall quality of life, Larson presents new technologies that intend to make future cities function like the small village of the past. Folding cars and quick-change apartments with robotic walls are just a some of the fascinating innovations he and his colleagues are currently developing.
Grant Associates shared with us their just released short film of a walk round Gardens by the Bay in Singapore, which recently received the World Building of the Year Award at the World Architecture Festival. One of the largest garden projects of its kind in the world, Andrew Grant, director of UK landscape architects Grant Associates, walks around Gardens by the Bay in Singapore, reflecting on the ideas and inspirations behind the the design of the spectacular Supertrees, Cooled Conservatories and Themed Gardens. The project is an integral part of Singapore’s “City in a Garden” vision, designed to raise the profile of the city globally whilst showcasing the best of horticulture and garden artistry.
Breadtruck Films shared with us their seven minute documentary on architect Jonathan Segal‘s ‘the charmer’. The project consists of a 19 unit residential complex in San Diego’s Little Italy neighborhood and recently won a 2012 project of the year award. By building on the tradition of the California courtyard apartments, he shows how architecture can create community and add a little charm to the neighborhood. The outdoor spaces at complex carry just as much importance with Segal as the buildings themselves. He believes that beauty and livability are crucial, and often overlooked, components of environmental design.