We know that Tokyo won the race and that is why today we invite you to take a virtual tour of the Olympic Stadium project designed by Zaha Hadid, which involves the refurbishment of the former Japan National Stadium, originally built for the 1964 Games. Once complete, the expanded sports complex will be able to accommodate 80,000 spectators.
In the latest video from Nowness, director Thomas Rhazi documents the complicated architectural scene in China – focusing on how the country holds onto its identity despite the “frenetic” pace of its expansion and globalization. Shaway Yeh sums up the situation nicely: “what does China really look like, what does China represent? No one knows, because it’s a place that’s still in flux, it’s constantly reshaping.” Lyndon Neri, however, points to Pritzker Prize winner Wang Shu as a possible answer, saying that he “created something quite amazing in Ningbo, it had a new way of looking at a building in a Chinese way… what he actually did was a modern interpretation of Chinese architecture.” No matter where you stand on China’s modernization, the video is a beautiful depiction of the historical meeting the modern. (more…)
Rio de Janeiro has become one of the most popular destinations right now, hosting some games of the 2014 FIFA World Cup and the 2016 Olympics. Joe Capra shared with us this timelapse video he made on the Brazilian city. Besides the fantastic natural settings that surround the city, you can also see the contrast with a few shots of the popular favelas.
The students of the MSArch in Landscape and Urbanism program at Woodbury University in San Diego have shared this video on Proyecto Experimental de Vivienda (PREVI): a late 1960s social housing experiment in Lima, Peru, which, backed by the Peruvian government and the UN, involved the best social housing architects of the day.
The designs, part of the later, more humanist strain of modernism, were intended to allow families – who were used to holding complete control over the construction of their own homes – to appropriate the houses. However, they were also designed to imply how future construction might prevent the proliferation of chaos present in previous slums. The video asks how residents feel about their experimental homes today, questioning the success of this design strategy, 40 years after the project’s completion.
Find out more about the outcome of the PREVI experiment, after the break…
Responding to rising sea level predictions and elevated threats of coasting flooding, Perkins + Will design principle Brian Healy has proposed a replicable, floating residential community for Boston’s harbor: Floatyard. In this TEDx, Healy argues that not only would this radical proposal protect coastal housing investments, it could reengage Charlestown’s industrial harbor. In addition to this, Floatyard’s architecture would incorporate solar energy and rainwater harvesting on its roof, as well as capitalize tidal energy from the mooring columns which anchor it.
What was once a symbol of Caracas’ bright financial future is now the world’s tallest slum: Venezuela’s Tower of David. Squatters took over this unfinished 45-story skyscraper in the early 1990s, after its construction was stopped due to a banking crisis and the sudden death of the tower’s namesake, David Brillembourg.
Now, as the government is grappling with a citywide housing shortage, many residents have spent most of their life within the walls of David. And despite the tower’s reputation as being a hotbed of crime, residents have managed to build a self-sustaining community complete with a communal electrical grid and aqueduct water system.
Few cameras have been allowed into the depths of the tower, so watch as Vocativ captures a rare in-depth access to residents’ daily lives.
An inspiring little video from the folks at Virginia Tech that will make you want to get your designer hands dirty – today. The video follows the third-years of 2013 as they build their final project: a bridge. As the co-founder of the lab, Kieth Zawistowski, eloquently says at the video’s end, “It doesn’t really matter if you ever want to actually build something yourself again, what’s important, in this case, is that you’ve seen the entirety of the process, from conception to realization.” If you want to see more from design/buildLAB, check out the project completed by last year’s students (which features in the last few minutes of the video): Masonic Ampitheatre.
A couple of months ago we told you about reSITE Conference 2013, the largest event of its kind in Central and Eastern Europe. During the conference, the reSITE dPAV Competition Workshop also took place. Led by Cecil Balmond, formerly of Arup Engineers and currently leading Balmond Studio in London, and Tyson Hosmer, Lead Designer, Balmond Studio, dPAV: 2.5 Days in Prague competition workshop was a 2.5 days intensive and collaborative investigation to compete to design the future reSITE pavilion to be used in urban design festivals around Central and Eastern Europe.
At the end of the workshop (whose results we will feature in the near future), Cecil Balmond gave a special lecture that we share with you entirely today. And don’t forget to check our own interview with Balmond during the workshop. Enjoy!
Sociologist Saskia Sassen‘s researches and writes about the social, economic and political dimensions of globalization, immigration, and networked technologies in cities around the globe. Her books and writings—published in over sixteen languages—have sustained the interests of architects and planners who seek to better understand the city via the systemic conditions that find expression in the reality of urban space.
Now actively involved in teaching Columbia University, we caught up with Sassen at the Arquine Congress in Mexico City, where she shared some interesting views on the role of architects, her contemplations on the future of the city, and her thoughts on the impact of the internet on the city.
Check out a full transcript of our interview with Sassen after the break.
Kyoto-based architects Kentaro Takeguchi and Asako Yamamoto of Alphaville Architects have completed a small guest house for tourists visiting the sacred Koyasan (Mt. Koya) in Wakayama Prefecture, Japan. The 96 m2 (1,033 ft2) building contains bedrooms, capsule-style dormitory rooms, a bar, and lounge. Between the bar, hallway, and lounge, 2 x 4 and 2 x 6 timber frames are exposed inside at varying intervals to act as partitions
This video was provided by JA+U.
NASA, in cooperation with TIME and Google, has unveiled startling timelapse images of Earth from orbit collected by NASA’s Landsat program since 1984. This program, created not for spycraft but for monitoring the way in which humans are rapidly altering the surface of the planet, consists of eight satellites that have collected millions of pictures in the course of two generations. When sifted through, cleaned up and stitched together, these pictures come together to create a high-definition slideshow that reveals some of the drastic changes our planet is undergoing – most notably through widespread urbanization.
Spirit of Space has shared with us their most recent collaboration with Phil Enquist of Skidmore, Owings & Merrill: Art in the City. Pairing powerful quotes with imagery from the Chicago’s most prominent works, the film “expresses the vitality and vibrance that public art can bring to the urban environment by experientially including the viewer in the making of place.” As Spirit of Space describes, “The art is a reflection of the City, the art becomes a part of the City, the art is instrumental in making the City.”
Featured works include Picasso’s sculpture for Daley Plaza, along with Anish Kapoor’s Cloud Gate and Jaume Plensa’s Crown Fountain in Millennium Park.
Disappointed that most architecture is built for the privileged, rather than society, Shigeru Ban has dedicated much of his career to building affordable, livable and safe emergency shelters for post-disaster areas. As described by TED:
Long before sustainability became a buzzword, architect Shigeru Ban had begun his experiments with ecologically-sound building materials such as cardboard tubes and paper. His remarkable structures are often intended as temporary housing, designed to help the dispossessed in disaster-struck nations such as Haiti, Rwanda, or Japan. Yet equally often the buildings remain a beloved part of the landscape long after they have served their intended purpose.
This Parisian ghost town in Tianducheng, China has become the archetype of China’s architectural copycat culture. Brought to light by the folks at The Atlantic Cities, this short video by German filmmaker Caspar Stracke accounts for an average day in this faux-Parisian development where less than 10,000 residents call home.
For more about China’s copycat culture, read Why China’s Copy-Cats Are Good For Architecture.
You asked, an expert Arup engineer has answered!
In the first of our video series with Arup, structural engineer Matt Clark addresses ArchDaily reader Hannah Worthington’s inquiry, submitted via our facebook page: “How do you work out the structural capacity of a tree branch to build a tree house?”
Dying to get your question answered in the next “Ask Arup” video? Ask away in the comments below.
Want to learn more from the experts at Arup? Check out Arup’s must-read site: Arup Connect.
With the help of crowdfunding, Luke Shepard journeyed with a friend through 36 cities in 21 countries over the course of three months to capture over 20,000 images of some of Europe’s greatest structures. The end product resulted in a four-minute film entitled Nightvision, which aims to inspire appreciation for the “brilliance and diversity of architecture found across Europe”.
The list of buildings featured in this film can be found on Shepard’s site here.
Since its opening in 2001, the ever inspiring Jewish Museum in Berlin has experienced the addition of the Studio Daniel Libeskind designed Glass Courtyard in 2007, and The Academy which was recently completed and opened in 2013. With the museum as the focus and inspiration driving these two recent additions, Spirit of Space took this opportunity to provide us with another look at this emotionally moving masterpiece. From the very beginning, Libeskind believed the extension to the museum was about establishing and securing an identity within Berlin, which was lost during WWII. In cinematic form, their film attempts to express the uneasy sequential essence of Libeskind’s work.