Browsing: Theory and History

The model #1: Napoli, quartieri Spagnoli (image: flickr)

If the mainstream view on the slums describes them as places to escape from and as to destroy as soon as possible, more and more people look at slums in a different way.

The first glances at slums were from some of the architects involved in urban renewal projects, who started to integrate in their projects some elements of the slums. Some of the recurrent features are:

• narrow courtyards and alleys
• division of the building into small blocks
• use of different colors and materials within the same building.

(part 1/2)

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“Slumdog Millionaire” is the movie of the year. Its story of a young guy from Mumbai’s slum of Dharavi, who manages to change its destiny through the “Who wants to be a Millionaire” game has charmed many people, including the Oscars’ jury, who awarded the movie with 8 prizes.

At the same time, the movie has created a debate around slums and how the movie portrays them. “Slumdog Millionaire” follows the mainstream vision of slums, described in the XIX century by writers like Daniel Defoe or Charles Dickens: dark, dirty places, with people packed in small rooms with no water facilities. In slums, riots are frequents, and police can hardly enter: the perfect place for criminals to hide and plan their threats to the society, and the perfect incubator for all sort of diseases.

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The city within a building – Mario Fiorentino

In the last 50 years, we have built a massive amount of buildings, experimenting techniques and philosophies as never before. Reinforced concrete, cheap energy and cars allowed us a freedom to build that we never experienced before.

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Architects:  Francis Isoz
Location: Rue du Grand Chêne 8, Lausanne, Switzerland
Project Year: 1898-1900
Client: Jean-Jacques Mercier

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Another fire on a remarkable building. Today, the Berlin Philharmonic Hall by Hans Schauron caught fire. Firemen were able to control it, but its outer metal skin collapsed. Structural damage is unknown at the time, but it was seriously damaged by fire and water.

This building, finished in 1963, was an icon for the Expressionist movement, with a great acoustic work achieved trough it´s inner spaciality which conditioned its external appearance.

Pictures before and during the fire after the break.

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