The flurry of criticism that erupted when MoMA announced its plans to demolish the American Folk Art Museum (in its new plans for expansion, designed by Diller Scofidio + Renfro) has yet to settle. After the break, we offer a more complete round-up of the critics’ reactions – including Paul Goldberger’s of Vanity Fair, Michael Kimmelman’s for The New York Times, and more…
Barcelona-based architect and graphic artist Federico Babina is at it again, this time creating an imaginary “Archibet City” guided by the language of architecture. From Alvar Aalto’s Riolo Parish Church to Zaha Hadid’s Library and Learning Centre in Vienna, the collection reimagines 26 famous works of architecture into a set of letters that, as Babina describes, expresses the “heterogeneity of forms and styles” that make up our profession. Each letter is drawn according to the interpretation of an architect’s style, forming part of the cityscape that Babina refers to as “Archibet”.
See the whole set, after the break…
Architectural photographer Yohan Zerdoun has sent us this lovely video that explores the Peres Center for Peace, by architects Massimiliano & Doriana Fuksas, in Tel Aviv. With a keen eye for detail and an understanding of the building’s human scale, Zerdoun sets up each shot so that the architecture – and its gorgeous context – can be truly appreciated. Enjoy!
Gautam Bhatia is an architect based in New Delhi and one of the most well-known architectural writers in India, having written for The New York Times, Outlook magazine and Indian Express.
We live today the way we do because we know no other. Our lives fit the defined patterns of homes, streets, neighborhoods, cities. As an architect I try to understand and explore – through drawing – different possibilities of building and landscape. More and more, drawing has taken me away from the conventions of architecture, into more abstract realms. Drawing has helped define space as it doesn’t exist, and perhaps as it should. Not in a utopian way, but one that tries merely to describe a different way we may live.
The following 20 articles are what we at ArchDaily consider the Best of 2013. They may not have received the most traffic, but they posed fascinating theories about the state of architecture and urbanism today, they gave us insight into the creative processes of innovative architects (from Bjarke Ingels to Peter Zumthor) and, most of all, they provoked us to question: What does architecture mean? For us architects, and for the world?
See all our editors’ picks for the best articles of 2013, after the break..
It’s that time of year again! The time when we round-up what you, our dear readers, most enjoyed this year. The following ten articles – from fun lists (30 Architecture Docs to Watch in 2013) to thought-provoking looks into the state of the architecture profession (Are Renderings Bad for Architecture?) – caught your attentions and provoked some great comments. See them all – including our record-breaking #1 article – after the break.
ArchDaily is in need of an architecture-obsessed, history buff to delve into the world of ArchDaily Classics for Spring 2013 (January 15th – May 15th)! If you want to spend your days researching/writing about the best architecture around the globe – and work for the world’s most visited architecture website – then read on after the break…
It’s unavoidable. In today’s world, in order to reach out to your target audience and promote your services, you need to have a website. And just any won’t do. Keep in mind that if you are an architect, people expect creativity out of you and from your website. An efficient, well-built, and good-looking website is the most convincing marketing tool you have at your disposal.
So, we’ve come up with five tips that explain (1) why a good website is so important; (2) what you should have in mind when creating your website (including what to avoid!); and (3) how to get started immediately, after the break…
ArchDaily continually strives to be the ultimate source of inspiration, knowledge, and tools for architects around the world. Every potential initiative that we conjure up, we launch only if it aligns with our mission.
Which is why we’re so excited to introduce to you a fantastic new resource: ArchDaily Materials.
We know that many of you already browse our site for inspiration for your work – whether at the very beginnings of a project, when the design is still forming in your mind, or later on, as source references for details, facades, materials, etc.
However, once you’ve found the material that inspired you, you’re left to your own devices to procure it (maybe you even settle for something else along the way).
We’re still in the early stages and so will be fleshing out ArchDaily Materials with even more products and materials over the next few months; however, we invite you to explore this inspirational new resource and start integrating it into your everyday practice today. Enjoy!
The ArchDaily Team
When I was student in New York City, I would often spend hours thumbing through the titles of books at the Strand Bookstore. One day I came across Latin American Architecture Since 1945. The black and white book, written by Henry-Russell Hitchcock in 1955, showed a world of precise modernism. The buildings, situated in a tropical climate, set atop pilotis with gardens flowing in and under them, with brise soleils filtering the strong equatorial light, were perfect. I often would stare into the pages and attempt to create similar projects on my drafting board.
Fifteen years later, on a journey to Brazil, I sought out the projects that were indelibly written into my memory. I expected, or hoped, to find them as they were on the pages. But what I found instead are buildings that are used and worn, showing age like the yellowing pages of the book itself. Despite this, the buildings were very much alive. Children were kicking a ball around in the housing bar and patients were still healing in Neimeyer’s hospital. These projects were not the crisp sun drenched modernism of my imagination, but they exceeded my expectation with an unexpected vibrance.
“Bricktopia”, by the architects of the international collective Map13, is the winning project in the “Build-it” Eme3 International Architecture Festival,held on June 27-30 in Barcelona. The pavilion can be visited throughout the summer at the square of the former spinning mill Fabra i Coats in the Sant Andreu district.
This intervention sets a new square which can house different activities, both under the pavilion and around it. Public spaces for bathrooms, sun, bar and stage for enjoying the summer 2013. It is a brick domed structure that employs the traditional construction system of a partitioned vault (or “Catalan vault”) computed with new digital tools for the structural optimization of the geometry.
More information and images below.
GRAPHISOFT’s latest iPhone and iPad App, a companion to ArchiCAD, has just been released. The heart of the technology, designed for easy BIM project viewing, is the “Hyper-model,” which enables the full integration of 2D and 3D plans. This makes navigation not only more intuitive, but a magnitude smoother and faster than most other construction-related model or documentation viewer mobile apps.
Get a more detailed look at the technology in action, after the break…
Each year, Joshua Foer, author of the bestseller Moonwalking with Einstein, would celebrate sukkot (a traditional Jewish holiday) with his family by building a sukkah, a small temporary shelter that acts as a reminder of the Jews’ plight after being expelled from Egypt. Years later, he co-founded a competition to challenge architects to consider the holiday from a designer’s point of view. Sukkah City, a documentary on the competition, follows a couple projects through their inspiration and construction. Read more about it here.
Tourists in India dutifully make the rounds, visiting the spectacular temples, palaces, and forts the country has to offer. But, even when they’re practically under their feet, people often forget about stepwells, the massive subterranean (up to ten stories) structures that dot the Indian landscape.
As this video explains, stepwells, first constructed around 300 CE, were born out of a need to dependably collect and store water. They boast highly complex circulation and ornamentation, and over the years have evolved to function also as community centres and temples. But, as architecture journalist Victoria Lautman has pointed out, with the spread of industrialisation and drought (not to mention widespread demolition), stepwells are slowly becoming derelict.