Architects are a romantic bunch. But, we tend to be busy. We know we should stop working on this design for a while and go buy some flowers or chocolate or something. We know that. But, we have a deadline. Maybe we can pick up a card from the internet on the way home.
Here you go.
The New York Times has run a fascinating thought experiment in rendered form: What would it look like if the winter Olympics were held in New York City? From luges through Times Square to ski jumps over Bryant park, the ideas are certainly fantastical – but also fun lessons in scale. See them all here.
An awesome documentary that somehow didn’t fall on our radar in time to be included in our “40 Architecture Docs to Watch in 2014,” MICROTOPIA is an in-depth look at fascinating, provocative micro-dwellings and the people who design/live in them.
MICROTOPIA is usually available to rent for $3.99 from Vimeo, BUT ArchDaily readers are receiving an exclusive offer to stream the documentary – absolutely free – for 24 hours only. So make sure to tune in from 6pm EST on February 14th to 5:59PM EST February 15th for this one-time opportunity.
For more about MICROTOPIA, check out the awesome trailer above, and read more information on the doc, after the break.
“We prepared carefully and picked an appropriate date, the Chinese New Year day. At that time the security was less watchful, workers were on vacations, and cranes did not work. We got to the crane at around midnight. [...] The result you can see in our new video.”
Those are the rather unassuming words of Vitaliy Raskalov, a Ukrainian “roof-hacker, urban-explorer, blogger” who has just pulled off an extraordinary, jaw-dropping stunt (way more incredible than his humble words would suggest).
Raskalov and Russian photographer Vadim Mahora broke into and climbed the Gensler-designed Shanghai Tower, soon to be China’s tallest and the world’s second tallest skyscraper at 632 meters (2,074 feet) high. Although the tower will eventually boast the world’s fastest elevators (reaching 40mph), the pair had to climb the 120 flights of stairs by foot (taking them about two hours); they then spent another 18 hours sleeping and waiting for the weather to clear. The staggering resulting images show not just the dizzying heights, but also fantastic views of the adjacent Jin Mao Tower and Shanghai World Financial Center (together, the trio of buildings that are re-defining the Shanghai skyline).
Check out the incredible images, after the break.
The flurry of criticism that erupted when MoMA announced its plans to demolish the American Folk Art Museum (in its new plans for expansion, designed by Diller Scofidio + Renfro) has yet to settle. After the break, we offer a more complete round-up of the critics’ reactions – including Paul Goldberger’s of Vanity Fair, Michael Kimmelman’s for The New York Times, and more…
Barcelona-based architect and graphic artist Federico Babina is at it again, this time creating an imaginary “Archibet City” guided by the language of architecture. From Alvar Aalto’s Riolo Parish Church to Zaha Hadid’s Library and Learning Centre in Vienna, the collection reimagines 26 famous works of architecture into a set of letters that, as Babina describes, expresses the “heterogeneity of forms and styles” that make up our profession. Each letter is drawn according to the interpretation of an architect’s style, forming part of the cityscape that Babina refers to as “Archibet”.
See the whole set, after the break…
Architectural photographer Yohan Zerdoun has sent us this lovely video that explores the Peres Center for Peace, by architects Massimiliano & Doriana Fuksas, in Tel Aviv. With a keen eye for detail and an understanding of the building’s human scale, Zerdoun sets up each shot so that the architecture – and its gorgeous context – can be truly appreciated. Enjoy!
Gautam Bhatia is an architect based in New Delhi and one of the most well-known architectural writers in India, having written for The New York Times, Outlook magazine and Indian Express.
We live today the way we do because we know no other. Our lives fit the defined patterns of homes, streets, neighborhoods, cities. As an architect I try to understand and explore – through drawing – different possibilities of building and landscape. More and more, drawing has taken me away from the conventions of architecture, into more abstract realms. Drawing has helped define space as it doesn’t exist, and perhaps as it should. Not in a utopian way, but one that tries merely to describe a different way we may live.
The following 20 articles are what we at ArchDaily consider the Best of 2013. They may not have received the most traffic, but they posed fascinating theories about the state of architecture and urbanism today, they gave us insight into the creative processes of innovative architects (from Bjarke Ingels to Peter Zumthor) and, most of all, they provoked us to question: What does architecture mean? For us architects, and for the world?
See all our editors’ picks for the best articles of 2013, after the break..
It’s that time of year again! The time when we round-up what you, our dear readers, most enjoyed this year. The following ten articles – from fun lists (30 Architecture Docs to Watch in 2013) to thought-provoking looks into the state of the architecture profession (Are Renderings Bad for Architecture?) – caught your attentions and provoked some great comments. See them all – including our record-breaking #1 article – after the break.
ArchDaily is in need of an architecture-obsessed, history buff to delve into the world of ArchDaily Classics for Spring 2013 (January 15th – May 15th)! If you want to spend your days researching/writing about the best architecture around the globe – and work for the world’s most visited architecture website – then read on after the break…
It’s unavoidable. In today’s world, in order to reach out to your target audience and promote your services, you need to have a website. And just any won’t do. Keep in mind that if you are an architect, people expect creativity out of you and from your website. An efficient, well-built, and good-looking website is the most convincing marketing tool you have at your disposal.
So, we’ve come up with five tips that explain (1) why a good website is so important; (2) what you should have in mind when creating your website (including what to avoid!); and (3) how to get started immediately, after the break…
ArchDaily continually strives to be the ultimate source of inspiration, knowledge, and tools for architects around the world. Every potential initiative that we conjure up, we launch only if it aligns with our mission.
Which is why we’re so excited to introduce to you a fantastic new resource: ArchDaily Materials.
We know that many of you already browse our site for inspiration for your work – whether at the very beginnings of a project, when the design is still forming in your mind, or later on, as source references for details, facades, materials, etc.
However, once you’ve found the material that inspired you, you’re left to your own devices to procure it (maybe you even settle for something else along the way).
We’re still in the early stages and so will be fleshing out ArchDaily Materials with even more products and materials over the next few months; however, we invite you to explore this inspirational new resource and start integrating it into your everyday practice today. Enjoy!
The ArchDaily Team
When I was student in New York City, I would often spend hours thumbing through the titles of books at the Strand Bookstore. One day I came across Latin American Architecture Since 1945. The black and white book, written by Henry-Russell Hitchcock in 1955, showed a world of precise modernism. The buildings, situated in a tropical climate, set atop pilotis with gardens flowing in and under them, with brise soleils filtering the strong equatorial light, were perfect. I often would stare into the pages and attempt to create similar projects on my drafting board.
Fifteen years later, on a journey to Brazil, I sought out the projects that were indelibly written into my memory. I expected, or hoped, to find them as they were on the pages. But what I found instead are buildings that are used and worn, showing age like the yellowing pages of the book itself. Despite this, the buildings were very much alive. Children were kicking a ball around in the housing bar and patients were still healing in Neimeyer’s hospital. These projects were not the crisp sun drenched modernism of my imagination, but they exceeded my expectation with an unexpected vibrance.