In honor of World Photo Day (August 19th) ArchDaily wanted to thank the photographers who bring to life the projects that we publish every day. So we asked architects to weigh in on the work of some of our most-appreciated architecture photographers. Here, WMR Arquitectos writes on behalf of Sergio Pirrone.
In honor of World Photo Day (August 19th) ArchDaily wanted to thank the photographers who bring to life the projects that we publish every day. So we asked 15 architects to weigh in on the work of some of our most-appreciated architecture photographers. Here, Steven Holl writes on behalf of Iwan Baan.
The role that photography plays in disseminating and even shaping architecture has long been under scrutiny, perhaps now more than ever as the effort required for anybody to snap a photo and share it worldwide has decreased to almost nothing.
With that in mind, we hoped to find out what it takes to create photos that really do justice to the architecture they depict. We asked architects to write a few words about the photographers they trust most to document their projects, and the response we got revealed not only architects’ incredible gratitude toward their favorite photographers, but in many cases deep friendships and even collaborative relationships which drive both architect and photographer to greater heights.
Some of the photographers featured may be familiar to readers, such as Iwan Baan, Thomas Mayer or Roland Halbe; others may not. But what’s certain is that without all of these talented photographers, architecture as we know it today – and this website – just wouldn’t be the same.
Sefaira, one of the leading software designers for high-performance building design, have recently announced a new real-time daylight analysis and visualisation tool which runs within Autodesk Revit, one of the most commonly used Building Information Modelling (BIM) enabled (Windows native) design packages. Sefaira for Revit allows for early stage analysis, leading to “more informed design decisions based on multiple daylighting metrics.”
From August 23-24, Italian architecture firm Spacelab’s State of Exception curatorial project will be featured at the Monditalia section of the 2014 Venice Biennale. State of Exception will involve 12 intellectuals, designers and bloggers in a two-day round table discussion on the themes of the project: conservation and the state of exception, looking both within and outside Italy. The innovative event also seeks to generate involvement and discussion beyond the walls of the Arsenale, and will feature an open call for images representing the event’s core themes via Instagram and Twitter.
As one of the countries with the most significant historic and natural heritage in the world, Italy implemented bodies and strict regulations for its preservation over a century ago. “But conservation for conservation spawned two paradoxes: on the one hand the unruly entropic drift for anything that is not covered by the rules of preservation. On the other hand, autistic immobility within the enclaves of conservation, which don’t allow the freshness and openness to the differences that have always marked the history of Italian architecture,” Spacelab writes in a project description. Through State of Exception, Spacelab seeks “to promote ‘ad absurdum’ arguments regarding Italy’s problematic relationship with its context and its historical legacy,” bringing attention to these issues both inside and outside Italy.
For more details on State of Exception and to find out how you can contribute images, read on after the break…
The city of St. Petersburg, Florida is once more seeking candidates for the design of its new pier. The call comes two years after a pier design by Michael Maltzan Architecture was selected over rival schemes by BIG and West 8, but was eventually turned down after significant public criticism. To avoid a repeat of that incident, the current selection process for candidates and their subsequent proposals will incorporate more community input.
More on the competition after the break
New levels of competitiveness have arisen in the labor market in the field of Architecture, Engineering and Construction (AEC), where the development of soft-skills and formal business training is essential. Traditionally, education models in the field of architecture focus on developing technical and artistic skills, leaving a gap in business skills that prove to be key amid challenging economic times. Since 2011, IE School of Architecture & Design’s Master in Architectural Management & Design has trained professionals that wish to develop their business skills and apply them to the AEC field. The program’s alumni work around the globe from Azerbaijan to Switzerland, in diverse companies such as Arup, Foster & Partners, OMA and Gensler. To learn more about their professional outlook, click here to access the Career Report from IE’s Master in Architectural Management & Design.
Meet this year’s graduates in the video above.
Professor Andy MacMillan, one of Scotland‘s most important post-war architects, died suddenly this weekend during this year’s Royal Incorporation of Architects in Scotland (RIAS) Andrew Doolan Awards visits. Macmillan was a professor at the Glasgow School of Art from 1973 to 1994, and a partner at Gillespie, Kidd & Coia in 1966. More on MacMillan’s legacy after the break.
Consistently ranked as among some of the best digital tools available for architects and designers, the team behind the Morpholio Project today release Board 2.0., the second version of their moodboard and layout app for iOS. The app has been made possible by a number of collaborations with high profile interior designers in order to develop a ‘gallery’ of “significant design objects”, with contributions from the likes of Dyson, Herman Miller, and Knoll. For the past year Morpholio have ”assembled research groups and canvased design leaders worldwide” in order to better understand the power and potential of the ‘board’. The general consensus was that getting style, products, and sketching onto a single platform could “change the way designers access, build, and share ideas.”
As a student of architecture, the formative years of study are a period of wild experimentation, bizarre use of materials, and most importantly, a time to make mistakes. Work from this period in the life of an architect rarely floats to the surface – unless you’re Zaha Hadid or Frank Gehry, that is. A treasure trove of early architectural drawings from the world’s leading architects has recently been unearthed from the private collection of former Architectural Association Chairman Alvin Boyarsky. The collection is slated to be shown at the Kemper Art Museum, Washington University, St. Louis, as a part of the exhibition Drawing Ambience: Alvin Boyarsky and the Architectural Association from September 12th to January 4th, 2015.
Take a look at the complete set of architects and drawings for the exhibition after the break.
“I feel a misfit in my own time,” says Rem Koolhaas, setting the tone. Seated in soon-to-be renovated Galeries Lafayette in Paris, Koolhaas bares all intellectually through the course of his lecture. As founder of Rotterdam-based OMA with a worldwide practice, candid conversations with Koolhaas are rare. The discussion provides a glimpse into the creative process of one of the world’s leading architects and current Curator of the Venice Biennale of Architecture. Koolhaas confides in the audience from the outset, admitting his discomfort with current architecture. “From the inside of my current condition, I feel profoundly out of step with the contemporary situation,” says Koolhaas, adding ”I’m very annoyed by the contemporary belief in comfort as the ultimate virtue.”
Read on after the break for more summary of the fascinating lecture
Koolhaas stands at the intersection of art and architecture, deliberating on the evolution of museum design. Using the Turbine Hall at Tate Modern by Herzog & de Meuron as an example, Koolhaas states: “In order to fill spaces like this, artists are forced into an apocalyptic mode as only very strong emotions register – this is not a space you can fill with delicacy.” Koolhaas’ solution to the apocalyptic problem can be found in his recent design for the renovation of Galeries Lafayette, a heritage protected building in Paris with zero tolerance for structural modification. The design calls for movable floors installed in a steel-framed courtyard – the only intervention available in the listed building. “The beauty of preservation is that it begins with acknowledging that another architecture is worth keeping,” concludes Koolhaas.
China may be at a turning point in urban design: a recent article in Australian Financial Review points out that over 50 million apartments in Chinese cities (about 22.5 percent) are unoccupied. This problem springs from the ongoing Chinese construction boom, prompted by developers looking to stimulate urban economic growth as quickly as possible. However, Ma Yansong of MAD Architects believes these empty apartments are a sign that buyers find them unsuited to their needs, and that China should begin to enforce good design principles on these rapidly-constructed complexes. Read the full article here.
Ryo Yamada‘s “Air Garden” installation is a passage, but not in the traditional sense of the word. It’s not a passage that connects one point to another, since the walkway does not lead to a tangible destination, but rather a passage that connects an enclosed garden to the vastness of the open sky. The artist believes everyone shares a common desire for the sky, which represents freedom and equality. Read on after the break for more information, images and a video.
Brazilian Firm GPA&A was unanimously chosen by a panel of judges to design the new Administrative Center for Belo Horizonte – the capital of Minas Gerais, Brazil. The judging commission selected the firm’s proposal because of its attention to accessibility, sustainability, and the quality of architectural and landscaping features. The transparent building features a bikeway leading to the top floor and is integrated with the metro and bus rapid transit systems. For more information and images, continue after the break.
Following the controversial decision to scrap plans by OMA earlier this year, Miami Beach officials have selected Arquitectonica for the redesign of the Miami Beach Convention Center. In a significant scaling-down of OMA’s $1 billion masterplan, the new scheme calls for the existing center to be kept and renovated to ‘Class A’ standards, along with the addition of a new ballroom, meeting space and rooftop parking. The center’s existing parking lot will be converted into a 6.5 acre public park, designed by landscape firm West 8.
More on the Convention Center Controversy after the break
London’s Science Museum has announced Wilkinson Eyre as the winner of its competition to design new medical galleries. Winning the project over a shortlist of six other architects – including Caruso St John, Amanda Levete Architects and Haworth Tompkins - Wilkinson Eyre’s £24 million galleries will occupy 3,000 square metres on the museum’s first floor, almost doubling the size of the museum’s existing galleries.
More on the Science Museum’s transformation after the break
Designed for a laneway inside the Little Portugal neighborhood of Toronto, Flipping Properties tests the boundaries between architecture and furniture. The exhibition, created by Jiminez Lai and his team, Bureau Spectacular, unravels the traditional pentagonal shape of a house to create ‘super-furniture.’ Super-furniture is defined by Lai as “too big to be furniture and too small to be architecture.” The large installation pieces are meant to encourage dialogue on unused urban spaces in Toronto, while creating a novel way to interact with those spaces. Despite their size, the pieces can be rearranged within the laneway, allowing for a variety of assemblages to be created. Flipping Properties opened July 11th, and will be in place until September 14th in the laneway between Sheridan Avenue and Gordon Street in Toronto. Admission is free to the public. See the full gallery of exhibition photos, after the break.
At its World Congress event in Durban last week, the International Union of Architects (UIA)’s 124 member organizations declared their commitment to sustainable architecture by unanimously adopting the 2050 Imperative, a plan to reduce carbon dioxide emissions from the built environment to zero by mid-century.
The adoption of the 2050 Imperative was planned to coincide with the United Nations Framework Convention on Climate Change (UNFCCC) conference that will reconvene in Paris in 2015, and has as one of its aims a plan to phase out CO2 emissions from the power and industrial sectors by 2050. The UIA stated their aim to ”send a strong message to the Parties of the UNFCCC, and to the world, that we are committed to a truly sustainable and equitable future.”
Read on after the break for more detail from the 2050 Imperative, including 5 key objectives