In an attempt to activate a vacant storefront in New York’s Lower East Side, the miLES Storefront Transformer – a 6ft cube designed to “program any storefront” – is a versatile, movable set of furnishing and amenities designed by Architecture Commons. Seven individual pop-up interventions, curated by a collection of creative minds, would inhabit empty shops between November 4th and December 22nd 2013 if their Kickstarter campaign is successful.
Architectural critic, historian and writer Joseph Rykwert, 86, has been named as the recipient of the 2014 RIBA Royal Gold Medal, one of the world’s most prestigious architecture awards. Given in recognition of a lifetime’s work, the Royal Gold Medal is approved personally by the Queen and is presented to a person or group of people who have had a significant influence on the advancement of architecture.
Describing Rykwert’s recognition as “long overdue,” RIBA President Stephen Hodder stated: “Joseph’s writing and teaching are rare in that he can deliver the most profound thinking on architecture in an accessible way. All our lives are the richer for it.”
In response to selection, Joseph Rykwert stated:
The Architecture Billings Index (ABI) has revealed more acceleration in the growth of design activity nationally. As a leading economic indicator of construction activity, the ABI reflects the approximate nine to twelve month lead time between architecture billings and construction spending. The American Institute of Architects (AIA) reported the August ABI score was 53.8, up from a mark of 52.7 in July. This score reflects an increase in demand for design services (any score above 50 indicates an increase in billings). The new projects inquiry index was 63.0, down from the reading of 66.4 the previous month.
“It is fair to say that the design professions are in a recovery mode,” said AIA Chief Economist, Kermit Baker, PhD, Hon. AIA. “…but a key component to maintaining this momentum is the ability of businesses to obtain financing for real estate projects, and for a resolution to the federal government budget and debt ceiling impasse.”
Key August ABI highlights:
Design Corps and the Social Economic Environmental Design (SEED) Network announce the Call for Entries in the fourth annual SEED Awards for Excellence in Public Interest Design competition. Recognizing excellence in social, economic and environmental design, the SEED Awards represent the confluence of forces needed to create truly sustainable projects and change in the world.
Deadline for applications is Tuesday, November 12, 2013 by 11:59 p.m. EST. Winners will be announced January 22, 2014. For application details and guidelines, go to www.designcorps.org/awards.
More information after the break.
In yet another twist to the ongoing story of the Southbank Centre redevelopment, the Architects’ Journal reports that the Southbank Centre has agreed to back a fundraising campaign to keep the famous skate park (if you missed the potential re-designs, click here), with the stipulation that a plan B be put in place in case the fundraising fails. And with at least £17 million needed to replace the revenue that the Centre would have gained by filling the undercroft with retail units, it could be time for the thousands who objected to the proposals to put their money where their mouth is. Find the full article here.
David Chipperfield has been announced as the architectural laureate for the 2013 edition of the Japan Art Association’s Praemium Imperiale. Since its inauguration in 1989, the annual global arts award has recognized “outstanding contributions to the development, promotion and progress of the arts” in the fields of architecture, painting, sculpture, music and theater/film. Only a small handful of architects have received this award, including James Stirling, Tadao Ando, Alvaro Siza, Richard Rogers, Jean Nouvel and Toyo Ito.
In regards to Chipperfield’s nomination, the jury stated:
Even if you’re a 3D printing whiz (if so, consider entering our exciting 3D Printing Challenge), to many people it remains something of a mystery: how does it work, what can it do and how much does it cost? Thankfully, this recent article and infographic by Line//Shape//Space, aimed at “early adopters” of the technology, covers all this information (and even some common pitfalls to be avoided). You can read the full article here.
Herzog & de Meuron and HASSELL‘s winning design for Melbourne’s Flinders Street Station might not be built due to the fact “the State Government has of yet, refused to promise funding for the design, and ruled out selling the station in order to finance the construction.” The project was estimated to cost “approximately $1 billion to $1.5 billion to be realised”, which is “on top of the $1.6 million already spent on the competition”, leading critics to describe the competition as a “waste of money.”
The Pinakothek der Moderne in Münich by Stephan Braunfels (2002) recently went through a complete renovation, and for the re opening of the museum Audi debuted the design wall, an installation that has become part of the permanent collection of the Die Neue Sammlung (The International Design Museum).
Aluminum is the epitome of lightness and stability. Audi has been closely associated with aluminum expertise in the automotive engineering field for many years. For the Audi installation, around 1,800 models of the legendary Ur-quattro form an “aluminum carpet”. Each of the models, weighing around 860 grams, were cut away from a seven-kilogram block of aluminum. The future of the Audi brand rises up from foundations formed of these aluminum Ur-quattros. The sculpture evoking the Audi Sport quattro concept soars up vertically. The show car translates quattro technology and its tradition in motorsport into a futuristic formal idiom. A mirror suspended on the ceiling allows visitors to explore the installation from an unusual perspective.
“The Audi design wall visualizes the bridge between the past and the future of our brand,” explained Prof. Dr. Ulrich Hackenberg, AUDI AG Member of the Board of Management for Technical Development. “The common thread is quattro technology, which defines Audi more than any other.” The work was devised by the Audi Design team specifically for this room in the Pinakothek der Moderne. “We created the Audi design wall with the passion of an artist and exercised maximum precision in visualizing the core technology of quattro,” commented Hackenberg in describing its evolution. The idea for the exhibit itself came from an internal competition among Audi designers. The challenge was to come up with an object that communicates with the onlooker. The Audi design wall is also visible to passers- by outside the museum.
The exhibition object documents the intensive collaboration between two partners from the worlds of industry and culture. “As a design-oriented carmaker, Audi is an ideal partner for Die Neue Sammlung. We plan to continue infusing the partnership with life over the coming years,” declared Prof. Dr. Florian Hufnagl, Director of Die Neue Sammlung. The museum, which opened in 1925 and now has a collection of over 80,000 objects, ranks as the oldest and largest design museum in the world.
3D Printing has opened up a whole new world for architecture. Technology that was once restricted to fabrication labs is now available to the end user – and at an affordable price. Of course, this new technology has also created the necessity to easily share 3D data over the web.
With this in mind, we have partnered with Gigabot – the biggest, most affordable 3D printer (it can print models up to 60x60x60cm) – and with Sketchfab, a new platform that is bridging the gap between the 3D models on your desktop and on the web.
We want to encourage users to start using this new technology, and what better way than to start printing the buildings we love? We invite you to model your favorite architectural classic and receive a real-life physical model, right on your doorstep.
The process is simple: model any building that is already on the AD Classics section, upload it to Sketchfab, and submit it using the following form. You’ll have two opportunities to win: ArchDaily readers will vote for one People’s Choice Award winner, and, together with Gigabot, we at ArchDaily will pick one winner as well. Both winners will be printed and shipped anywhere in the world. We’ll also make all the models available to the ArchDaily community, so anyone can add an extra layer of building information to these classics.
Submissions are open until October 1st; winners will be announced on October 7th. Read below for the full rules.
“Architecture is too complex to be solved by any one person.”
Richard Rogers is an architect who understands the significance of collaboration. As a man with an intense social mind and a thirst for fairness in architectural and urban design, Rogers’ substantial portfolio of completed and proposed buildings is driven by the Athenian citizen’s oath of “I shall leave this city not less but more beautiful than I found it.”
In honor of his success, London’s Royal Academy (RA) is currently playing host to a vast retrospective of Richard Rogers’ work, from his collaborations with Norman Foster and Renzo Piano, to the large-scale projects that define Rogers Stirk Harbour + Partners (RSHP) today. The RA’s extensive exhibition has been condensed into a series of motifs that have defined his architectural work, punctuated by memorabilia which offer personal insights into how Rogers’ career has been shaped by the people he’s worked with and the projects that he has worked on.
Continue after the break for a selection of highlights from the exhibition.
A new study, published in Nature Climate Change, has compiled a list of cities most vulnerable to coastal flooding. Taking in consideration elevation, population distribution and available flood protection from 136 coastal cities worldwide, in addition to forecasts of sea level rise and ground sinking due to groundwater depletion, the study determines that if no mitigating steps are taken, coastal flooding will cause damage totaling $1 trillion annually by the year 2050.
Topping the list as the most vulnerable city is Guangzhou, China, followed by Mumbai and Kolkata in India, Guayaquil, Ecuador and Shenzen, China. Almost all cities at the highest risk of flooding damage were in North America or Asia.
The top 20 most vulnerable cities are:
Winners of the 2013 Restaurant & Bar Design Awards have been announced. From Norman Foster’s Atrium Champagne Bar in London to Norm Architects Höst restaurant in Denmark, this year’s winners won’t disappoint. The award, now in its fifth cycle, has built a reputation for being on of the most prestigious in hospitality. See who was selected from 670 international submissions this year after the break.
And the winners are…
The winners of the 2013 Lamp Lighting Solutions Awards have been announced. With a total of 608 projects submitted from 52 countries, €48,000 in prize money has been awarded to 5 winning teams. The Lamp Awards were given to projects that successfully met the architectural lighting needs of an interior or exterior space, having created a positive synergy between the architecture, interior design, landscaping and lighting. The four categories included Architectural Outdoor Lighting, Indoor Lighting, Urban and Landscape Lighting, and Students Proposals.
The 2013 Lamp Lighting Solutions Awards Winners are:
Inspired by the dolls’ house that Edwin Lutyens designed for The British Empire Exhibition in 1922, twenty British practices are each designing a contemporary dolls’ house in aid of the disabled childrens’ charity KIDS. Each version will sit on a 750mm square plinth to be exhibited during this year’s London Design Festival (14th – 21st September, 2013) before being auctioned. Each design must contain “a unique feature to make life easier for a child who is disabled.”
“Architecture is art, but art vastly contaminated by many other things. Contaminated in the best sense of the word – fed, fertilised by many things.” -Renzo Piano
Renzo Piano, the Pritzker-Prize Laureate born in Genoa, Italy, turns 76 today. While Piano was originally expected to follow the family tradition of building, Renzo rebelled to study architecture in Milan. Even so, to this day, Piano maintains a healthy skepticism of academia; indeed, craftsmanship and experimentation are both pillars at the Renzo Piano Building Workshop.
Check out more Renzo Piano, including inspiring quotes and all his works on ArchDaily, after the break….
Jimenez Lai, founder of Chicago-based Bureau Spectacular has been selected as winner of the first Lisbon Triennale Millennium BCP Début Award. The award, presented by Millennium BCP president Fernando Nogueira, distinguishes a young architect or studio under 35 on outstanding work, development of original design thinking and the pursuit of critical ideas with a monetary prize of €5,000.
Jimenez Lai was chosen from 180 candidates for the “originality and range of his body of work, whose uncompromising and thought-provoking approach to formalism lends it an exploratory vein that,” in the words of the jury, “is crucial to the future of architecture.”