The Brazilian coastal city of Fortaleza, one of the host cities for the 2014 Brazil World Cup, will soon be home to one of the world’s largest aquariums. Designed by Leonardo Fontanelle (Imagic Brasil), Acquire Ceará is projected to be the third largest building of its type and is intended to provide a lasting beacon for tourism in the area. Zahner, a US company known for their ability to design and create complex façades (including the Petersen Automotive Museum by Kohn Pedersen Fox) have been tasked with constructing twenty three curving “legs” which support the structure of “the Manta and Sea Urchin-shaped roof surface”. Zahner’s President, William Zahner, believes that “this is perhaps the most intricate building ever constructed in the Americas.”
See Zahner’s prototype and images of the aquarium after the break.
This summer, ArchitectureBoston gives readers a reason to linger in their hammocks a little longer and drift away into the world of architecture and design. The new issue contains extensive and insightful suggestions for book lovers looking to build a personal library of new and important titles. Read on for more information.
The renderings, first published by Curbed, show the layout of a typical kitchen and master bath in this 11-story sculpted glass and steel apartment. While the kitchen rendering features a curvy island and faucet in the middle, the bathroom appears to have textured walls.
The time has come for architects, across the globe, to register for their .archi domain names. This year has seen the launch of a entirely new range of domains which explicitly indicate the field of business a particular domain name points to; .archi, the new extension reserved exclusively for architectural bodies, is one such. Not only will it differentiate architects from other fields but, perhaps more importantly, will also help internet users find architects when browsing the web. The development of this domain extension, which has been supported by the International Union of Architects (UIA), will mean that only academically qualified architects and their affiliates will be able to use .archi.
Paul Andreu, designer of the Shanghai Pudong International Airport and the Taiyuan Archaeological Centre, alongside Corinne Vezzoni, have both pledged their support of the new domain name in an advertising campaign by the regulating body Starting Dot.
Click here to register a .archi domain name or find out more after the break…
The 20th Century was a time of significant political unrest, seeing two World Wars and the 70-year rise and fall of a major superpower, the Soviet Union, among countless other conflicts. In some ways, “modernity” could be characterized by the rapid creation and crystallization of huge numbers of nation states since the outbreak of World War One a hundred years ago.
Reacting to the theme of “Absorbing Modernity“ set for the national pavilions at this year’s Venice Biennale, the curators of the Austrian pavilion chose to investigate the area where this political unrest most overlaps with architecture: the Parliament Buildings of countries around the world.
Read the curator’s take on the pavilion after the break
New images have been released of Foster + Partners’ and Heller Manus Architects’ design for “First and Mission,” a two tower, two million square foot mixed-use development project in downtown San Francisco.
The project consists of a 605-foot condominium tower — the tallest residential project on the West Coast — and an 850-foot hotel, residential and office tower. Together the two towers will add more than a million square feet of flexible office and commercial space, as well as 650,000 square feet of residential units to the Transbay Area.
View more images and learn more about the design of the “First and Mission” project after the break…
The idea of “star architects” or “starchitects” is, if nothing else, polemic. Frank Gehry has expressed his hatred for being labeled with the term, and in 2013 we received a letter from a reader urging us to ban the phrase as it “undermines serious discourse regarding architecture and urbanism.” Now, the “starchitect” debate has reached the opinion section of the New York Times.
Following recent comments by Witold Rybczynski that “starchitects” — often unfamiliar with the cities they are designing for — are designing buildings that don’t fit into their surroundings, the NYT has posed the question: Are superstar architects ruining city skylines? Weighing in on the topic are Allison Arieff, an architecture and design writer for the NYT, Vishaan Chakrabarti, an associate professor at Columbia and a partner at SHoP Architects, Angel Borrego Cubero, a Madrid-based architect, and the director and producer of “The Competition,” a documentary about architectural competitions, and Beverly Willis of the Beverly Willis Architecture Foundation.
The House of Lords has announced that the proposal to appoint a ‘Chief Architect’ in the UK, one of the major recommendations of this year’s report by Terry Farrell, will be discussed by the UK’s minister for architecture Ed Vaizey and Housing and Planning minister Brandon Lewis. The proposal was among 60 recommendations made by the Farrell Review at the end of March. Other proposals due to be discussed by ministers are a the idea of establishing a Place Leadership Council and design review panels for infrastructure projects. More after the break…
In an article for the New York Times Rachel Donadio examines Masterworks vs. the Masses. From the Louvre in Paris to London’s British Museum, Florence’s Uffizi to the Vatican Museums, the increasing surge of visitors to these international cultural nodes “has turned many museums into crowded, sauna-like spaces.” Balancing everyone’s right to be “nourished” by cultural experiences with protecting and preserving the works of art in question is a very real problem. According to Donadio, ”even when the art is secure, the experience can become irksome.” With some museums seeing annual visitors of up to 6.7 million visitors (British Museum), addressing the issues faced by institutions that are a victim of their own success is becoming more and more pressing. Read the article in full here.
In honor of World Photo Day (August 19th) ArchDaily wanted to thank the photographers who bring to life the projects that we publish every day. So we asked architects to weigh in on the work of some of our most-appreciated architecture photographers. Here, Kim Herforth Nielsen of 3XN writes on behalf of Adam Mørk.
Denmark‘s exhibition for the 2014 Venice Biennale focuses on the country’s history as a pioneer in the development of a welfare state, and the role that architecture, in connection with art, literature and science had in creating an aesthetic manifestation of this ’better life for all’. By exploring the output of a range of fields in connection to a wider social movement, Empowerment of Aesthetics comes to a fuller understanding of how modernity affected architecture in Denmark.
Danish architects BIG (Bjarke Ingels Group) have just released ambitious designs for a zoo in Givskud, Denmark. It’s a project that provides an intriguing opportunity for, as BIG explains, the creation of a space with “the best possible and freest possible environment for the animals’ lives and relationships with each other and visitors.” The firm has been working for the past two years to make Zootopia what the Danish press is calling “the world’s most advanced zoo.” According to Givskud Zoo‘s director Richard Østerballe, the park’s transformation will benefit greatly from BIG’s fresh approach to design–one that has been characterized by the integration of nature and natural elements into cutting-edge, innovative architecture.
The project will attempt to “integrate and hide buildings” within the landscape. Upon entering the zoo, visitors can either enter a large central square or climb the “building-landscape,” allowing them to get a general overview of the layout of the park. From this central element, visitors can access different areas of the zoo. A 4km hiking trail connects the different areas (which represent the continents of Africa, America and Asia).
The first phase is expected to be completed in 2019 to coincide with the park’s 50th anniversary.
Read on for more images and BIG’s project statement.
London-based firm Assemble has been selected to design a new art gallery for Goldsmiths College at the University of London. Assemble was chosen over five other shortlisted firms for the project, which consists of constructing a new 400 square meter gallery in the back of what was formerly a Victorian bath-house, and is now the college’s Grade-II listed art studios.
Assemble is a young practice that gained attention for its pop-up cinema in a gas station during 2010. The firm’s most recent project is their Yardhouse workspace in Stratford. Assemble’s Goldsmiths gallery design integrates new and modern elements – such as steel frame lanterns – into the building’s unique character and existing structures, which includes old water tanks. “The Victorian bathhouse at Laurie Grove offers a series of extraordinary found spaces. The cast iron water tanks have a powerful materiality which will be preserved and amplified, whilst new top-lit galleries will provide a rich spatial counter-point in an ensemble offering unique opportunities for the display of art,” Paloma Strelitz and Adam Willis, from Assemble, said in a statement.
More details on Assemble’s winning design after the break…
In honor of World Photo Day (August 19th) ArchDaily wanted to thank the photographers who bring to life the projects that we publish every day. So we asked architects to weigh in on the work of some of our most-appreciated architecture photographers. Here, Felipe Assadi writes on behalf of Fernando Alda.
In Bahrain‘s pavilion for the 2014 Venice Biennale, the country uses its position on the eastern edge of the pan-Arabic region to investigate modernity’s impact on the Arab world: first as a colonial imposition, then as a local attempt to reconcile global and Arabic culture, then finally as an acceptance of neoliberal ideals.
The exhibition collects 100 projects from across the Arabic states, with the intention of consolidating and preserving knowledge of this critical period. The installation itself, a giant bookcase, is the manifestation of this research, and will later be made available at the Arab Center for Architecture.
After the controversy surrounding their rejection by San Francisco and subsequent relocation to Chicago, the Lucas Museum of Narrative Arts has today announced a team of MAD Architects and Studio Gang as the designers of their new building in Chicago‘s museum district near Northerly Island.
The building itself will be designed by MAD Architects, chosen “because of its innovative approach to design and the firm’s philosophy of connecting urban spaces to natural landscapes.” In this case, that landscape will be designed by Studio Gang, who will also add a bridge to Northerly Island, an area which they have worked on turning into an ecologically diverse urban park.
In 2008, a group of students from SCI-Arc put out a proposal for a series of mixed income city housing projects for Dubai. In their design, wealthy residents would live in apartments on the building’s perimeter, with natural daylight and views of the city, while low-income housing tenants would live in the core of the building, isolated from “the upper class.” The proposal was a parody aimed at the classist design of residential development in Dubai, but what unsettled the SCI-Arc students was that their proposal generated almost no controversy. Inspired by the recent approval of a similar ‘poor door’ in a project in New York, this article from the LA Times covers that parody, and shows that both at home and abroad, residential design is slipping towards socio-economic segregation.