Yesterday, US Housing and Urban Development (HUD) Secretary Shaun Donovan announced OMA, BIG and four other teams as the winner of “Rebuild by Design“, a competition aimed at rebuilding areas affected by Hurricane Sandy focusing on resilience, sustainability and and livability.
Read more about the winning schemes after the break
The 2014 London Festival of Architecture opened this week, with over 200 events running throughout the city in the month of June. This year’s theme is “Capital”, an intentionally ambiguous theme which allows an exploration of the culture, people, economy and built environment of London. Some of the key topics to be interrogated will be the housing crisis afflicting London and the recent boom in the construction of tall buildings.
Read on after the break for more on the festival and some of its headline events
With the recent news that Dutch practice Mecanoo, along with Penoyre & Prasad, have been selected for a £200 million new engineering campus at the University of Manchester, Amanda Baillieu of BDOnline argues that they ”need to set their ambitions a whole lot higher.” Alongside’s Manchester’s announcement, universities in Sheffield, Newcastle and Oxford also recently announced a big investment in their campuses. The trick, Baillieu suggests, will be in ensuring the architecture is not “safe and office-like” (which fits universities’ “business-like” mindset). As we enter a “golden age” in university capital investment, educational architecture will be playing a central role. Read the article in full here.
Last week, Daniel Libeskind joined Century Properties Group to celebrate the ground breaking of the “Century Spire.” Designed as a key building for Century City – a 3.4 hectare, mixed-use development in Makati – the all-glass, 60-story office and residential tower sets itself apart with a “dramatic crown” that divides and expands the building’s top half as it rises.
Details have been released on the New York Public Library’s (NYPL) plan to renovate its Mid-Manhattan branch, while creating more public space within its flagship Stephen A. Schwarzman Building. The news comes shortly after Foster + Partner’s redesign of the the Beaux-Arts landmark was scrapped due to concerns of a ballooning budget. The revised $300 million overhaul suggests a more affordable option of relocating Schwarzman’s main stacks beneath Bryant Park, while establishing a more campus-like connection with a fully renovated Mid-Manhattan branch. All the details, here.
Official Danish LEGO constructors have teamed up with locals in Budapest, Hungary to build the world’s tallest LEGO tower. Rising 34.76 meters (114 feet) in front of the St. Stephen’s Basilica, the towering spire was officially registered with the Guinness book of World Records for breaking the US’ previous record of 34.43 meters on May 25th. The structure was made of 450,000 colorful bricks and appropriately topped with an oversized, Hungarian-built Rubik’s Cube.
Lebanese design firm GM Architects will be presenting its “Museum of Civilization” at the Time Space Existence exhibition of the 2014 Venice Biennale. The firm will be the only group representing Lebanon at this year’s exhibition. Their museum design addresses the Biennale’s theme of fundamentals by exploring the historical basis of architectural culture in the rich and varied context of their home country.
Our friends at The Morpholio Project have just announced that submissions are open for Pinup 2014 - a free competition for students and young professionals to submit up to three digital images of their studio, 3D-printed, or unbuilt work. All work should acknowledge the existence of technology and question why/how “we harness it as designers.” The guest jury includes participants from Fast Company, Metropolis Magazine, Columbia GSAPP, and even our very own Editor-in-Chief, David Basulto. Learn how to apply after the break!
Interdisciplinary teams from the University of Sao Paulo, Delft University, and five other post-secondary institutions are currently exploring sustainable innovations in design, materials, and building systems thanks to the support of Pillars of Sustainable Education – a partnership between Architecture for Humanity and the Alcoa Foundation. The collaborative effort was founded as a way to “educate the next generation of architects, engineers, and material designers while supporting real-world design-build projects that positively impact both the environment and the local community.” Months into the project, the schools’ proposals are turning into reality as students collaborate with NGOs. To learn about what each school is working on, keep reading after the break.
With the London Festival of Architecture opening yesterday, this article in the London Evening Standard highlights just one of the many threads which make up this year’s theme: the importance of foreign talent in making up London‘s cosmopolitan architectural culture. From Adam Caruso to Zaha Hadid, many of the city’s biggest names have come from abroad to study and work in the UK, helping to make it one of the greatest centres for design in the world – but all this could be at risk from untenable housing prices and draconian new visa restrictions. You can read the full article here.
Insurance firm Lloyd’s of London has indicated that it plans to leave its famous Richard Rogers-designed headquarters, which it has occupied since construction ended in 1986. Lloyd’s has recently been involved in talks with Henderson, the developer of Make Architects‘ Gotham City project which earlier this year gained planning permission for a site adjacent to their current headquarters.
More on the building’s uncertain future after the break
This year’s Venice Biennale, curated by OMA’s Rem Koolhaas, is “interested in the banal”. In an article in the Financial Times’, Edwin Heathcote discusses the paradox between exploring generic modernism at an event which celebrates the individual. Heathcote raises interesting questions about the extent to which world architecture has developed in modernity, ultimately arguing that, “in a way, architecture is over.” You can read the article, which neatly investigates the curatorial rationale behind this year’s Biennale, in full here.
Venice Biennale 2014: “M9″ to Discuss the Links Between Cultural Institutions and Urban Regeneration
This year at the 2014 Venice Architecture Biennale, the Collateral Event M9 / Transforming the City will unveil an influential urban regeneration project planned for the heart of Venezia Mestre. Envisioned by British-Berlin practice Sauerbruch Hutton, the competition-winning design will be a new “multifaceted and encyclopedic” cultural center of “international appeal” that showcases the “fundamental” 100 years that “revolutionized the world.”
The exhibition will pair a complete architectural presentation of the project alongside the political motives behind it and an overview of the site’s history as an attempt to spark a “theoretical digression on the links between cultural institutions and urban-regeneration projects.”
More about the project, after the break…
The four teams moving on to stage three of Washington D.C.’s 11th Street Bridge Park competition has been announced. Selected from over 80 qualified design firms from across the U.S., the following multidisciplinary teams will receive $25000 stipends to envision a new civic space spanning the Anacostia River by early September:
The rise of the internet has radically changed how we inhabit space. Thus, for the 2014 Venice Architecture Biennale, Estonia’s pavilion will focus on how this change is applied to the practice of architecture. Titled Interspace, the exhibition will be a single room that digitally showcases the physical act of placemaking.
Sir Norman Foster, arguably the leader of a generation of British architects, turns 79 today. Foster gained recognition as early as the 1970s as a key architect in the high-tech movement, which continues to have a profound impact on architecture as we know it today.
Foster’s architecture is remarkably diverse; he has designed skyscrapers, offices, galleries, airports, stadiums, parliament buildings, city masterplans and even a spaceport. Yet his work is unified by one theme, identified in the jury citation for his 1999 Pritzker Prize: “from his very first projects, it was evident that he would embrace the most advanced technology appropriate to the task”. It is this devotion to the latest architectural technology that earned him his place in the high-tech movement, with buildings such as the Willis Faber & Dumas headquarters and the Sainsbury Centre for Visual Arts.
Since these early successes, his practice Foster + Partners has been prolific, earning Foster two Stirling Prizes, an RIBA Gold Medal, an AIA Gold Medal and a knighthood in addition to his Pritzker Prize. Designs such as the Hong Kong and Shanghai Bank, The Gherkin in London, The Hearst Tower in New York and Masdar City have ensured that Foster has secured his place as one of the greatest architects of the 21st century. On the occasion of Sir Norman Foster’s birthday, we invite you to look at some of the outstanding projects from his exceptional career.
Pritzker Laureate Toyo Ito (June 1, 1941) turns 73 today. Renowned for flexible spaces that appeal to the human senses, Ito draws inspiration from the organic forms of nature, prioritizing fluidity between the natural world and the built form in his designs. Ito’s oeuvre defies definition; each of his many works, from the Odate Dome to White U to his masterwork Sendai Mediatheque, is extremely unique. We invite you to explore the The Life and Work of Toyo Ito.