Northwestern University has selected Perkins+Will to design the new 600,000 square foot Biomedical Research Building for the Feinberg School of Medicine in Chicago. Planned for the site of Bertrand Goldberg’s recently demolished Prentice Woman’s Hospital, the new building will “anchor the University’s research facilities and be the hub of a world-class research and development enterprise that attracts innovation and entrepreneurship.”
Just two days after the passing of R. Allen Eskew, FAIA, the New Orleans-based architect’s practice, Eskew + Dumez + Ripple (EDR), has been announced as the recipient of the 2014 AIA Architecture Firm Award. Presented by the American Institute of Architects (AIA), the annual award is the highest honor bestowed by to a firm by the national institution. EDR is being recognized for “rigorously crafting Modernism to repair, restore, and enhance the exceptionally unique cultural and historic context of New Orleans.”
Vienna-based Delugan Meissl Associated Architects (DMAA) has been announced as winner of a competition to design a mixed-use, cultural complex in Munich. Dubbed Hanns Seidel Platz, the 40,500-square-meter scheme will provide a 160-unit “living tower,” office space, a civic center, concert hall and large public plaza for the district of Neuperlach.
This winning concept was developed in collaboration with the architecture firm Wimmer un Partner. It is expected for completion in 2019.
The American Institute of Architects (AIA) has announced today their decision to posthumously award the 2014 AIA Gold Medal to Julia Morgan, FAIA (1872-1957), “whose extensive body of work has served as an inspiration to a generation of female architects.”
“Julia Morgan is unquestionably among the greatest American architects of all time and a true California gem,” said Senator Dianne Feinstein (D-CA) in her recommendation letter. “Morgan’s legacy has only grown over the years. She was an architect of remarkable breadth, depth, and consistency of exceptional work, and she is widely known by the quality of her work by those who practice, teach, and appreciate architecture.”
Andrea Maffei Architect‘s competition entry for a new stadium for Ruch Chorzów, one of Poland‘s largest football clubs, offers a capacity for 12,000 and provision for up to 16,000 seats. The design encourages the stadium and its surroundings to act as a new civic point of reference for Chorzów as part of a wider complex of shops and restaurants. The architects’ understanding of the movement of people on match days is complimented by the facilities that the new stadium will offer to visitors seven days a week, the design for which will provide Ruch Chorzów with a state-of-the-art football pitch and associated amenities.
After the controversial lampooning of Zaha Hadid’s Al Wakrah Stadium in Qatar, Anthony Flint of the Atlantic Cities casts a critical eye over how the internet, and the swarms of would-be architecture critics that reside there, have changed the way that buildings are designed. Tracking the trend for this form of criticism from Le Corbusier’s “two pianos having sex” (aka the Carpenter Centre at Harvard) to the hyper-reactive culture of modern online criticism today, he looks at how architects – and PR companies – are responding. You can read the full article here.
Mapdwell announced today the unveiling of Mapdwell Solar System for the Washington, D.C. The MIT-born project has formed an alliance with the District Department of the Environment (DDOE) to provide its state-of-the-art rooftop solar resource to the U.S. capital.
DDOE was the first of several organizations to partner with Mapdwell after the platform was introduced in Cambridge, Massachusetts. The District’s map comes only seven months after the initial rollout of Solar System, and constitutes the first step in Mapdwell’s expansion in the United States and abroad.
The RIBA has announced that the Lubetkin Prize, awarded annually for the past thirteen years to the architects of the “best new building” outside the European Union, is to be replaced with the new “international prize” in 2015. As a result, there will be no RIBA International Awards or Lubetkin Prize awarded in 2014. According to the RIBA, ”the Lubetkin Prize has been a useful platform to highlight the work of RIBA members around the world. We are currently working on creating a prize that has even greater international impact and look forward to announcing more details in the future.” The Lubetkin Prize’s last recipients were Wilkinson Eyre and Grant Associates for Cooled Conservatories, Gardens by the Bay in Singapore.
schmidt hammer lassen architects has been announced as the winners of a competition to design a large new central library in Ningbo, one of China‘s oldest cities with a population of seven million. The building will house the library’s significant collection of over two million historic and ancient books, and will aim to double the library’s daily visitors to around 8000 per day. Situated on the edge of a new ecological wetland area, the proposal will also form a new cultural hub within the city. As the latest in schmidt hammer lassen’s long list of libraries (including the Royal Library in Copenhagen) with eight completed and four currently under construction, Ningbo’s will be the practice’s first in China.
Italian architect Pier Carlo Bontempi has been selected as the 12th recipient of the Richard H. Driehaus Prize at the University of Notre Dame. Lauded for his “lifelong contribution to the human city and classical tradition,” Bontempi has dedicated much of his work in the “search for common ground between the classical and the modern; the two most powerful architectural ideas of our century,” as jury member Demetri Porphyrios described.
In a brilliant article for Der Spiegel, “The New Monuments to Digital Domination,” writer Thomas Schulz not only rounds up our reigning tech giants’ oddly-shaped offices – from Apple’s “spaceship” to Amazon’s “biodomes” - but also pinpoints what they have in common: horizontality. And why? Because an “open creative playground” without boundaries (like floors or walls) is “the perfect ideas factory: the ideal spatial environment for optimally productive digital workers who continuously churn out world-changing innovations.” And while this means that privacy has gone out these workspaces’ proverbial windows, Schulz isn’t too surprised – after all, “people have no right to a private life in the digital age.” Check out this must-read article here.
Since the initiation of its architectural curriculum in 1867, the University of Illinois at Urbana-Champaign has consistently broken new ground in the education of architects. Like the School’s founder Nathan Ricker, we look beyond current fashion, striving to leverage technical virtuosity in the service of performative design, aesthetic expression, and service to society.
More after the break.
In this article for Fast Company, Boyd Cohen counts down the top 8 smart cities in Latin America. Using publicly available data and his own comprehensive framework to evaluate how smart a city is, he has generated a list which even he admits features a couple of surprises in the top spots. To see the list and discover what each city has achieved to deserve its ranking, you can read the full article here.
In this article, which originally appeared on Australian Design Review as “Reframing Concrete in Nepal,“ Aleksandr Bierig describes how New York-based MOS Architects, a firm better known for its experimental work, is designing an orphanage for a small community in Nepal.
Strangely enough it has become almost unremarkable that an office such as New York-based MOS Architects would find itself designing an orphanage for a small community in Nepal. Now under construction in Jorpati, eight kilometres north-east of the capital, Kathmandu, is the Lali Gurans Orphanage and Learning Centre, which finds itself at the intersection of any number of tangential trends: the rise of international aid and non-governmental organisations, the seeming annihilation of space by global communications networks and the latent desire of architects to use their designs to effect appreciable social change. Emphasizing simple construction techniques and sustainable design features, the building hopes to serve as a model for the surrounding communities, as an educational and environmental hub, the provider of social services for Nepalese women and as a home for some 50 children.
MOS Architects, founded in 2003 by US architects Michael Meredith and Hilary Sample, is not a practice known for its involvement in humanitarian projects. Its work is often experimental and, at times, willfully strange. Alongside its architecture, MOS makes films, teaches studios, designs furniture and gives lectures on its work. It was after one lecture in Denver, Colorado in 2009 that Christopher Gish approached Meredith and Sample to ask if they would be interested in designing an orphanage.
For Peter Aspden’s first encounter with the architect of the Guggenheim in Bilbao and the Walt Disney Concert Hall in LA, Frank Gehry did not “exude sweetness.” “You are not going to call me a [...] ‘star-chitect’? I hate that.” In a candid interview with the Financial Times, Gehry discusses the problem of being branded for beginning the Bilbao Effect in spite of the fact that he insists that “you can’t escape your signature.” Gehry talks at length about Facebook’s latest headquarters and, in particular, his relationship with his client, Mark Zuckerberg. Read the full interview here.