The Ukraina Hotel, with the support of the non-state educational institution Strelka Institute for Media, Architecture and Design, have announced the finalists for the Ukraina Hotel Entryway competition. Designs from ABD Architects (Russia) in cooperation with Werner Sobek Moskwa (Russia), TPO Lesosplav (Russia) in cooperation with Malishev Wilson Engineers (UK), and Studio 44 (Russia) have been chosen from a total of ten competing proposals, one of which will now be implemented by the client. Offering the chance to design a new entrance to one of Moscow’s foremost landmarks, the winning scheme will provide a rare opportunity to work with an unique example of Stalinist architectural heritage.
OMA’s De Rotterdam, a project 15 years in the making, is designed to maximize the number of functions possible in 44 floors. In addition to shops, hotels and office space, this “vertical city” also contains apartments that use transformable furniture to pack a variety of uses into small spaces. Chairs double as wall art and sofas flip into beds, showing that a 60 square meter apartment is more versatile than we think.
Developer Wim De Lathauwer explains, ”Why would we only think in quantity of bedrooms and square meters, while many of these spaces are used only sporadically?…In The Netherlands we are simply not used to this way of thinking. De Rotterdam is the ideal project when it comes to maximizing the joy of every square meter. We deal with an audience who understands this and yearns for this extra quality. Even in the large apartments the office, wardrobe- and guest room are combined in one space. Actually, it is very logical.” You can see the dynamic furniture, designed by Clei Italia, in the video below.
Read more about The Netherlands’ largest building here.
Norwegian energy corporation Statoil has revealed proposals for a new corporate headquarters from the five architecture firms that were shortlisted last October: OMA, Foster + Partners with Space Group, Snøhetta, Wingårdhs, and Helen & Hard with SAAHA. The competition–announced in September of 2013–called for a project that would ”take into consideration a number of new measures in the region regarding public transport, parking, roads and other types of infrastructure.” The winner will be announced in April/May.
Statoil hasn’t disclosed which project belongs to which firm, but the ArchDaily editors have had some fun trying to put a name to each model. What do you think? Let us know your guesses in the comments!
In this Financial Times article, Will Hunter reacts to another FT article which brands architects as “cling-ons”: “middle class but only by the skin of our teeth”. Hunter’s article looks at the reasons why our profession has suffered so badly, as doctors’ and bankers’ fortunes have improved dramatically. You can read the full article here.
The IceHotel, a hotel in Jukkasjärvi in Northern Sweden that melts back into the Torne River and is rebuilt each year, is currently in the design phase for next winter. But there’s a new twist: next year guests are able to collaborate with artists to design a suite that is bespoke to their individual tastes. The price tag is admittedly rather steep, and those going for this option can expect “one of the most expensive hotel rooms in the world”, according to the press release.
Is it worth it? Why don’t you decide for yourself – images from this winter’s hotel are after the break!
Though few details have emerged, developers Tishman Speyer have confirmed that they have selected Chicago-based architects Studio Gang to design a skyscraper in San Francisco. Gang’s tower will be one of three Tishman Speyer projects in the city. We’ll be sure to update you as more information becomes available. Via SFGate.
As we announced yesterday, IND [Inter.National.Design] + Powerhouse Company have won the Çanakkale Antenna Tower Competition to design a 100-meter Observation and Broadcast Tower in Çanakkale, western Turkey (the first international competition in Turkey since 1997). The team beat out an impressive shortlist of eight architectural heavyweights, including Sou Fujimoto Architects, Snøhetta, and FR-EE/Fernando Romero Enterprise; see all their proposals, after the break.
This article on the Orange County Register tackles the sensitive issue of the design crowdsourcing website, Arcbazar, a site described as “the worst thing to happen to architecture since the Internet started.” On the one hand, Arcbazar seems to be driving down the earnings of talented designers, and could produce some rather suspect designs. On the other, it offers clients with low budgets access to an international group of designers, when they previously couldn’t afford one at all. So, is Arcbazar good or bad for architecture? Read the full article hereto make your own decision.
New York’s Park Avenue Armory, originally built in 1861 for the Seventh Regiment of the National Guard and restored by Herzog & de Meuron in 2007, is about to be temporarily taken over by Rafael Viñoly. On April 30th 2014 Artvest Partners will launch Spring Masters New York, “a fair for art produced between antiquity and the 20th century, which corresponds with Christie’s and Sotheby’s signature Impressionism and modern art auctions”. Viñoly’s hexagonal grid of exhibition rooms will fill the 55,000 square foot Drill Hall in an attempt to break with the monotony of the rectangular grid format.
Get out your titanium-clad forks and get ready to Deconstruct the cake – Frank Gehry is 85 years old today.
Born in 1929, the internationally acclaimed architect has been headlining architectural news platforms since he established his Los Angeles practice in 1962 and remodeled his home in Santa Monica. Notorious for his expressive use of architectonic form (and its inflationary effect on project budgets), Gehry is best known for the Guggenheim Museum in Bilbao, which fellow architect Philip Johnson once dubbed “the greatest building of our time.”
d3 has just announced the winners of its annual Housing Tomorrow competition, a competition that urges its participants to “deploy innovative, socially- and environmentally-engaged approaches to residential urbanism, architecture, interiors, and designed objects” in order to determine “new architectonic strategies for living in the future.” As always, the results are fantastic, thought-provoking visions of a more sustainable world. See the winners, after the break.
A public petition that the design of new Federal building projects be awarded by open architectural competition has been submitted to the White House’s “We The People” website for consideration by the Obama Administration. The appeal proposes to give young architects greater access to the building market and needs 100,000 votes by March 24th to qualify for a response from the Oval Office. Sign the petition here!
In this tongue-in-cheek “Dictator’s Guide to Urban Planning“, the Atlantic explores the various ways that public spaces, and cities as a whole, have been used to suppress uprisings and bolster the control of authoritarian governments. Covering everything from Baron Haussmann‘s 19th Century Paris to the recent revolution in the Ukraine, the article reveals the fundamental relationship between public space and democracy. You can read the full article here.
“In an era of incompetent nation states and predatory transnationals, we must ratchet up local self-reliance, and the most logical increment of organisation (and resistance) is the city.” This is how Michael Sorkin, writing in Aeon Magazine, explains his hypothetical plan to radically change the landscape of New York City, bringing a green landscape and urban farming into the former concrete jungle. The plan, called “New York City (Steady) State”, produced over six years by Sorkin’s Terreform, is not designed simply for aesthetic pleasure; it’s not even an attempt to make the city more sustainable (although sustainability is the key motivation behind the project). The project is in fact a “thought-experiment” to design a version of New York that is completely self reliant, creating its own food, energy and everything else within its own borders. Read on after the break to find out how New York could achieve self-reliance
The Y-Cube, a £30,000 factory-built 26 square meter flat which can be easily transported and craned into place, has been prototyped and successfully tested in the UK. The YMCA asked Rogers Stirk Harbour + Partners to create the Y-Cube, an affordable alternative for residents moving on from the non-profit’s hostels. And now, the YMCA wants more of these one-bedroom dwellings.
“The beauty is that the units can be moved off site as quickly as they are installed,” says Andy Redfearn of the YMCA, “as we operate on short-term leases – we expect people to stay [in the Y-Cube] for between three to five years, giving them time to skill up and save for a deposit.”
Building off of the success of their crowdfunded BD Bacatá building in Colombia, the real estate group Prodigy Network has announced a plan to bring this same funding method to New York, with an apartment hotel in Manhattan named 17 John.
The project, a glassy rooftop extension to the existing art deco building at 17 John Street, has much in common with Prodigy Network’s past projects: the same funding method as their skyscraper in Bogotá as well as the same designer, Winka Dubbeldam, head of the New York practice Archi-Techtonics. Dubbeldam also previously helped them to crowdsource ideas for the future development of Bogotá in the “My Ideal City” project.
However, when applied to the USA, this funding paradigm – which is so promising in Colombia – becomes twisted beyond recognition. Upon close inspection, 17 John more resembles the standard developer’s model than anything else – and the claims of ethical superiority begin to melt away.
Australian developer CBUS Property has invited four pairs of Australian and internationally-renowned architectural practices to compete to design an office complex at a 6,000 square meter site in downtown Melbourne, Australia where the National Mutual Plaza currently stands.
See the full shortlist after the break.
When The Guardian recently asked Zaha Hadid about the 500 Indians and 382 Nepalese migrant workers who have reportedly died in preparations for the 2022 World Cup in Qatar, the architect behind the al-Wakrah stadium responded:
“I have nothing to do with the workers. I think that’s an issue the government – if there’s a problem – should pick up. Hopefully, these things will be resolved.”
Asked whether she was concerned, she then added:
“Yes, but I’m more concerned about the deaths in Iraq as well, so what do I do about that? I’m not taking it lightly but I think it’s for the government to look to take care of. It’s not my duty as an architect to look at it. I cannot do anything about it because I have no power to do anything about it. I think it’s a problem anywhere in the world. But, as I said, I think there are discrepancies all over the world.”
Do you think it’s an architect’s duty to concern him/herself with the rights of the construction workers building their designs? Let us know in the comments below.