New York-based Deborah Berke Partners has been selected to design a $30 million headquarters for Indiana-based diesel engine manufacture Cummins. Planned for downtown Indianapolis on the former four-acre site of Market Square Arena, the project will provide office space for up to 400 employees, as well as ground-floor retail, parking and public green space. Berke was chosen over SHoP Architects and Tod Williams Billie Tsien Architects.
Of all the changes in architectural typologies in recent years, one of the most dramatic – and the most documented – is the transition from corporate to more casual, ‘fun’ office buildings. This change has infiltrated companies from tiny 5-person start-ups to Silicon Valley giants, and while it has been pioneered by tech and media companies it has certainly not been limited to them.
Most analysis of this change focuses on work patterns created by new technology or the demands of the ‘millennial’ worker, but this post originally published on Means the World - the blog of NBBJ - examines the shift away from the corporate office as a product of not just what these building are but what they represent about us as a society, arguing that “when today’s workers look at the midcentury office, they see a symbol of exclusion.”
The Architectural Association Visiting School in Athens, as part of the AI research agenda, has continued its investigations to challenge the static built environment with its 2014 installation entitled Kinetic Haze. The project investigates the possibilities of architectural modeling via scripting, digital fabrication, and large scale installations.
This year’s investigation follows the theme of the previous year’s work entitled Cipher City: Recharged, in which the creation of complex form-making systems resulted in the discovery of interactive design patterns. Following their discoveries in 2013, students in this year’s program further investigated kinetic and interactive architecture in their new study entitled Revolutions. After a series of design ideas were developed by smaller groups of students, the teams collaborated to create the final prototype Kinetic Haze in less than five days. Read on after the break to learn more about the project.
FuturArc, a bimonthly journal that promotes the enhancement of sustainable architecture in Asia, have launched their annual contest to generate ideas for innovative and sustainable design. The contest is split into two, with the FuturArc Prize and the FuturArc Green Leadership Award rewarding sustainable design in both unbuilt and built projects. Read on after the break to find out more about both competitions.
Jean Nouvel‘s long-awaited 53 West 53rd Street, also known as the Tower Verre or the MoMA Tower, may finally be ready to move ahead with construction after the project’s developer Hines purchased $85.3 million worth of air rights from its neighbors MoMA and the St Thomas Episcopal Church and arranged the $860 million construction loan required for the project.
Originally proposed in 2007, the design has been plagued by problems, including significant delays due to the financial crisis and a difficult approval process which resulted in the building’s height being slashed from 1,250 feet to its current planned height of 1,050 feet. However, according to a statement from Hines groundbreaking on the project is now “imminent.”
The Holcim Foundation has announced the Winners of the Holcim Awards 2014 for North America, the award which recognizes the most innovative and advanced sustainable construction designs. Among the winners are BIG and The Living, with designs which the jury stated showed “sophisticated and multi-disciplinary responses to the challenges facing the building and construction industry.”
The ten recognized projects share over $300,000 in prize money, with the top three projects overall going on to be considered for the global Holcim Awards awards, to be selected in 2015.
Read on after the break for the full list of winners
Fantastic news: the High Line at the Rail Yards – the third and northernmost section of the park – will be opening to the public on Sunday, September 21! Read the full announcement: http://bit.ly/RailYardsOpening Photo of the Interim Walkway, one of the new design features in the Rail Yards, by Kathleen Fitzgerald | OCD
This Sunday (September 21), the third and final section of the New York City High Line will open at the Rail Yards. You can expect to see familiar benches morphed into picnic tables and seesaws amongst a lush, diverse and seemingly unkept landscape that is reminiscent of the “forgotten” tracks. As Piet Oudolf - the Dutch garden designer who worked with James Corner Field Operations and Diller Scofidio & Renfro - described, the $75 million northernmost section will be an “introduction to the wild” that responds directly to the public’s desire to “walk on the original tracks.” Stay tuned for more images from the opening.
Terence Conran asked nine of his friends in the design world “What have you always wanted in your home, but have never been able to find?” The result is The Wish List, a set of ten projects dreamed up by big name designers such as Norman Foster, Zaha Hadid and Richard Rogers, but designed and crafted in collaboration with emerging designers.
Sponsored by the American Hardwood Export Council, the only restriction was that the product had to be made of wood, leading to designs ranging from Foster’s modest geometric pencil sharpeners to Paul Smith‘s dream garden shed.
The Southern California Institute of Architecture (SCI-Arc) has appointed Hernan Diaz Alonso as the Los Angeles architecture school’s new Director beginning September 2015. Alonso, principal of Xefirotarch and educator widely credited for spearheading the transition of SCI-Arc to digital technologies, will succeed architect Eric Owen Moss who has served as the school’s director since 2002. Continue after the break to watch Alonso’s “New Director Presentation” and preview a selection of his work.
ArchDaily is continuing our partnership with The Architectural Review, bringing you short introductions to the themes of the magazine’s monthly editions. In this post, we take you back to AR’s July 2014 issue, which focused on this year’s Venice Biennale. In her introduction, AR Editor Catherine Slessor argues that while previous Biennales have been hopelessly out of touch, this year Rem Koolhaas has initiated a critical conversation at a crucial moment in time.
In its giddy, self-referential way, the Venice Architecture Biennale always seems blissfully detached from the real world. Set in the preposterous, decaying stage set that is modern Venice, the press vernissage is a frenzied bacchanal, as the global cognoscenti descend like locusts on a fragile urban eco-system already bludgeoned by battalions of tourists and hulking cruise ships.
The Getty Foundation has named the first 10 recipients of its philanthropic “Keeping It Modern” initiative, which aims to advance the understanding and preservation of 20th-century modern architecture. From Louis Kahn’s Salk Institute to Le Corbusier’s Parisian apartment, each recipient was chosen for their architectural significance and potential to advance conservation practices related to modern architecture.
View all 10 projects, after the break…
London‘s Southbank Centre announced yesterday that it has reached an agreement with skateboarding group Long Live Southbank, and is dropping plans to move the famous skatepark to a new site underneath Hungerford Bridge nearby. The decision, which is ensured by a binding planning agreement with Lambeth Council, brings a close to a dispute that has lasted almost a year and a half – ever since the Southbank Centre unveiled redevelopment plans by Feilden Clegg Bradley which included the removal of the skatepark in favour of retail space in the Southbank’s undercroft.
The agreement also involves both sides dropping a series of legal challenges initiated during the dispute, including the Southbank’s challenge over the registration of the skatepark as an ‘asset of community value,’ an attempt by Long Live Southbank to have the skatepark listed as a village green, and a judicial review of Lambeth Council’s decision to reject the village green application.
Scotland have voted against independence.
Arguably there are only two architects in history that have become almost completely synonymous with one particular city – Charles Rennie Mackintosh for Glasgow and Antoní Gaudi for Barcelona. Indeed, a Catalonian architect, Enric Miralles, designed the Scottish Parliament Building in Holyrood, Edinburgh. The fact that both of these cities are part of large enclaves who are seeking, or have sought, independence is perhaps just a coincidence. Architecture, often used as a symbol for the identity of nationhood, will certainly be part of a wider dialogue about the Union of the United Kingdom following yesterday’s referendum.
The San Francisco Museum of Modern Art has topped out its Snøhetta-designed extension, marking the halfway point in the museum’s transformation. Rising behind SFMOMA’s existing Mario Botta-designed building, the 10-story addition will add more than triple the amount of gallery space, 130,000 square feet of indoor and outdoor galleries, flexible performance art spaces and a dramatically expanded education program for students and teachers upon completion in 2016.
More images after the break…
Take a tour inside ALA Architect’s Helsinki Central Library with a new animation and set of images revealing the project’s spacious interiors. The project, which was awarded to ALA through an international competition, boasts a unique set of programs, such as a ground floor cinema, second story sauna, “Nerd Attic” and dreamy “Book Heaven” that is topped with a cloud-like undulating roof and includes a distinctive outdoor “Citizens’ Balcony.”
Peter Smithson (18 September 1923 – 3 March 2003), the acclaimed British architect often associated with New Brutalism, would have turned 91 today. He attended the school of architecture in Newcastle, but left to serve in the war in India and Burma. After returning to complete his degree in 1948, he enrolled in the Royal Academy architecture school. In 1950 he set up his own practice with his wife Alison, and the two went on to become some of the most influential British architects of the mid-20th century.
ASTOC and HPP have been announced as winners of a two-stage competition to masterplan “New Moscow’s” International Financial Center (IFC) in Rublyovo-Arkhangelskoye. The phased, 460 hectare development will capitalize on the Moscow River’s greenbelt by extending the river landscape throughout the IFC to achieve a balance between nature and city.
More information, images and a video about the winning proposal, after the break…
Alongside a number of recent articles that explore the rise of the urban property developer and the subsequent “threat” to the built environment, Oliver Wainwright of The Guardian explores at length how developers are “exploiting planning authorities and ruining our cities.” In discussion with Peter Rees, former Chief Planning Officer for the City of London and responsible for the financial district’s monuments of today, Wainwright discusses the lack of accountability of the vast majority of urban developers. While local councils attempt to secure the next iconic development for their area many planners, authorities and developers are locked in a battle over the built fabric of our cities. Read the article in full here.