The Museum of Modern Art, Columbia University and The Frank Lloyd Wright Foundation have announced that the vast archives of American architect Frank Lloyd Wright (1867-1959) have been jointly acquired by the University and the Museum and will become part of their permanent collections. The archive, which includes some 23,000 architectural drawings, 44,000 historical photographs, large-scale models, manuscripts, extensive correspondence and other documents, has remained in storage at Wright’s former headquarters – Taliesin (Spring Green, WI) and Taliesin West (Scottsdale, AZ) – since his death. Moving the archives to New York will maximize the visibility and research value of the collection for generations of scholars, students and the public.
“The Frank Lloyd Wright Foundation takes seriously its responsibility to serve the public good by ensuring the best possible conservation, accessibility, and impact of one of the most important and meaningful archives in the world,” said Sean Malone, CEO of the Frank Lloyd Wright Foundation. “Given the individual strengths, resources and abilities of the Foundation, MoMA and Columbia, it became clear that this collaborative stewardship is far and away the best way to guarantee the deepest impact, the highest level of conservation and the best public access.”
Continue after the break for more images and an informative video. (more…)
Inspired by Pritzker Prize laureate Paulo Mendes da Rocha’s call “to get architecture out of the making and thinking of isolated objects and to show it as an inexorable transformation of nature”, Dublin practice Grafton Architects presents Architecture as New Geography at the 2012 Venice Biennale. The exhibition explores the work of the Brazilian architect in the context of Grafton’s first South American project for a university in Lima, Peru.
The International Jury has awarded Grafton the Silver Lion for their “impressive” presentation’s ability to connect to the ideas of Paulo Mendes da Rocha and demonstrate the “considerable potential of this architectural practice in reimagining the urban landscape”.
Continuing our coverage of the Venice Biennale, London-based Farshid Moussavi’s installation at the Arsenale explored different experiences within everyday life and culture that are the result of architecture accepting certain “common grounds.” Entitled ‘Architecture and its Affects’, viewers were surrounded by changing projections of textures and patterns, structural configurations and facades, which were organized in such a manner as to highlight their affects, rather than their chronological existence or historical references.
More about Architecture and its Affects after the break. (more…)
Herzog & de Meuron’s exhibition at the Biennale is focused on the architecture of a symbolic project, with a complex history: The Elbphilharmonie, a concert hall on top of a former industry in Hamburg, which also includes a 250 room five-star hotel, and 47 apartments. The project, in a very advanced state, remains halted since last year due to legal issues with the contractor.
In the exhibition, the history of the project is documented with three-dimensional representations of the complex building services; camera shots panning through the construction site; and large-scale models, whose spatial and physical presence represent what the architects wished and still wish to foreground: architecture.
DesignByMany’s latest challenge: Superhero Landmark sponsored by Autodesk and media partners ArchDaily. With the rise of superhero movies dominating the movie screens, we need a permanent place of celebration to honor these great characters and their awesomeness. DesignByMany suggests building a Superhero Theme Park! Designing an entire theme park is way too big of a task to tackle for this scope, but luckily every park has an element that embodies the ethos of the park.
This challenge is to design the central landmark of your Superhero Theme Park. The landmark will serve as the iconic image of the park and the primary means of orientation for the park. It can be inspired by a single character, a group of characters, or event your own imaginary character! The more creative the better! (more…)
In his Op-Ed for The New York Times, called “Architecture and the Lost Art of Drawing,” American architecture legend Michael Graves laments the loss of drawing in our computer-dependent age. While Graves realizes the usefulness of computer technology to present a final product, he maintains that the act of sketching (particularly those first, fleeting “referential sketches”) is vital to the process of design:
“Architecture cannot divorce itself from drawing, no matter how impressive the technology gets. Drawings are not just end products: they are part of the thought process of architectural design. Drawings express the interaction of our minds, eyes and hands. This last statement is absolutely crucial to the difference between those who draw to conceptualize architecture and those who use the computer.”
Do you think the art of drawing is actually lost? Is drawing vital to the work you do? Or has technology become so sophisticated that it has “rendered” sketching unnecessary?
Let us know your thoughts in the comments below.
Story via The New York Times
Photographer Patricia Parinejad has shared with us her images from the Japanese Pavilion at the 13th Venice Architecture Biennale. Presenting “Architecture. Possible here? Home-for-all”, the exhibition tells the story of three emerging architects collaborating with the exhibit’s curator, Toyo Ito, to design for the Rikuzentakata residents who lost their homes during the devastating 2011 tsunami. “The humanity of this project” impressed the Biennale jury and was awarded the top honor of the Gold Lion.
Zaha Hadid, who has been making her mark in product design, such as with her footwear design, has most recently collaborated with Donna Karan to design the powerful new scented perfume. The scent, which evokes the complexity of a woman, is accompanied by a curving, fluid-seeming container made of ombré charcoal glass. With a shape that is distinctively elegant, the bottle represents a strong sense of femininity, while demonstrating the confidence of a woman. “The bottle’s dark, translucent qualities offer a sense of mystery that awakens our curiosity,” Hadid, the Pritzker Prize winner explains. The perfume, which is sure to awaken many, retails at $85, per 1.7 oz.
At the 13th Venice Architecture Biennale, three competing projects have been announced winners of the Future Cities: Planning for the 90 per cent compeition: ateliermob (Portugal), Municipal Housing Secretariat of São Paulo (Brazil), and Interazioni Urbane (Italy). The projects were narrowed down from the exhibition’s ten participants, which were selected from more than 100 international submissions. Portugese practice ateliermob has shared with us their winning entry, “Working with the 99%”, a case study on the progress and community work of Lisbon’s self-built PRODAC neighborhood.
The jury, comprised of Anna Detheridge, Joseph Grima, Richard Ingersoll, Fulvio Irace, and Mary Jane Jacob, stated: “Ateliermob, “Working with the 99%” a participatory project in Lisbon Portugal based on a different approach which redefines the architect’s role. Ateliermob have envisaged for themselves a central function stemming from the attempt to answer a basic question: how can architects attempt to solve the many problems they see around them working for clients that do not have the money to pay for their services. The answer they found is to place themselves at the center of a process in which the architect becomes mediator, fundraiser, creating an essential link between the public administration, the financial system and the community enabling the local residents without property or rights to achieve social status and dignity.”
Continue after the break for the architects’ project description. (more…)
LEGO® has just announced the newest classic building to join the collection of renowned architectural replicas in their Architecture series, the Villa Savoye, designed by Le Corbusier. Capturing the essence of the modernist villa, the small scale replica also makes sure to touch on Corbusier’s well-known ‘five points’. One of the most easily recognizable and renowned examples of the International style, the LEGO version will be available September 1 at a suggested price of $69.99.
Lying on the outskirts of Paris, France, Villa Savoye was designed as a private country house in 1931 and quickly became one of the most influential buildings and cemented Le Corbusier’s reputation as one of the most important architects of the 20th century. More images after the break. (more…)
Inspired by the 13th International Architecture Exhibition‘s theme Common Ground, Peter Eisenman has formed a team to revisit, examine and reimagine Giovanni Battista Piranesi’s 1762 folio collection of etchings, Campo Marzio dell’antica Roma. Derived from years of fieldwork spent measuring the remains of ancient Roman buildings, these six etchings depict Piranesi’s fantastical vision of what ancient Rome might have looked like and represent a landmark in the shift from a traditionalist, antiquarian view of history to the scientific, archaeological view.
Eisenman’s team consists of Eisenman Architects, students from Yale University, Jeffrey Kipnis with his colleagues and students of the Ohio State University, and Belgian architecture practice, Dogma. Each group has contributed a response to Piranesi’s work through models and drawings that stimulate discourse on contemporary architecture. In particular, they explore architecture’s relationship to the ground and the political, social, and philosophical consequences that develop from that relationship.
Described as “precise, specific, yet impossible”, Piranesi’s images have been a source of speculation, inspiration, research and contention for architects, urban designers and scholars since their publication 250 years ago. Continue after the break to learn more. (more…)
The National Building Museum has named Paul Goldberger as the fourteenth laureate of the Vincent Scully Prize for “his lifetime work of encouraging thoughtful discourse and debate about the importance of design”. The Pulitzer Prize-winning architecture critic is currently a contributing editor at Vanity Fair and has written for a number of publications, including The New York Times and The New Yorker.
Vincent Scully Prize jury commended Goldberger for understanding that “architecture is in itself a form of public discourse”. Jury member Elizabeth Plater-Zyberk further explained that Goldberger has a unique ability to “explain architecture to the popular readership in a way that bridges the perceiver and the designer.”
Continue reading for Goldberger’s response. (more…)
With their early work inspired by Russian Suprematism, Zaha Hadid Architects’ pays homage to the historical lineages of collective research that has led to the major works of today’s contemporary architecture at the 2012 Venice Biennale with the installation ‘Arum’. The pleated metal structure is derived from the work of German architect Frei Otto, who paved the way for material-structural form-finding processes. This installation is a response to David Chipperfield’s belief that the theme of ‘Common Ground’ is meant to “reassert the existence of an architectural culture, made up not just of singular talents but a rich continuity of diverse ideas united in a common history.”
Beautifully crafted, the installation at the Corderie of the Arsenale also includes models and explorations of ZHA, related to the work of Frei Otto, Felix Candela, Heinz Isler. In this aspect the firm has able to expose visitors to the inspiration and research from modern architects that can be found on ZHA’s contemporary works. We saw Patrik Schumacher before the Biennale’s preview on top of every detail, leading to an impecable result.
Videos, photos and more from the architects after the break:
The jury of the 2012 Venice Architecture Biennale has awarded the United States pavilion a “Special Mention” for it’s innovative installation, titled Spontaneous Interventions: Design Actions for the Common Good. Curated and commissioned by Cathy Lang Ho, along with David Van Der Leer and Ned Cramer, the exhibition presents 124 socially-minded urban interventions that have brought immediate improvements to the public realm.
Brooklyn-based practice Freecell collaborated closely with the Sausalito-based design studio M-A-D, led by Erik Adigard and Patricia McShane, to design a kinetic system of color-coded banners, weights and pulleys, that showcase each urban intervention. Learn more after the break.
From the curator Fang Zhenning:
“Originaire” is a word created to combine the meanings of “original” and “initial”. In the Chinese language, the character for “source” is specifically in the context of the water source. As such, we invoke the idea of “originaire” to seek the origin of memory and a mental image of the original world.
Five architects, artists, and designers were asked to create five installations from different perspectives to represent different interpretations of the meaning of “originaire”.
Hot on the heels of the Jencks Award, yet another accolade is rumored to be coming Rem Koolhaas‘ way. The claims are flying about the twitterverse: OMA’s Koolhaas will be the next Director of the Venice Biennale.
Dezeen first reported the story after reading a tweet by the Biennale’s current Assistant Director to David Chipperfield, Kieran Long (Long’s also the architecture critic for London’s Evening Standard as well as the former Editor-in-Chief of Architectural Review/The Architect’s Journal). You can read the tweet for yourself below:
Of course, it’s all still rumors at this point, but we’ll keep you updated of any developments in the story.
Story via Dezeen
The Japan Pavilion for the Venice Biennale (designed by Takamasa Yoshizaka in 1956) presented the exhibit “Architecture. Possible here? Home-for-all”, curated by Toyo Ito, with the participation of architectural photographer Naoya Hatakeyama, and architects Kumiko Inui, Sou Fujimoto and Akihisa Hirata.
The exhibition, which was awarded with the Gold Lion at the Biennale, takes us through the process where these three emerging architects collaborated with Toyo Ito to design the “Home-for-all”, a project for the inhabitants of Rikuzentakata who lost their homes during the tsunami in 2011.
In the walls we find Hatakeyama’s photos from before and after the tsunami, along with a visual registry of the architects visiting the location. Around the pavilion, several study models reveal the process to design this unique type of house.
The jury stated at the award ceremony that ”the presentation and the storytelling in the Pavilion are exceptional and highly accessible to a broad audience. The jury was impressed with the humanity of this project.”
In the next days we will feature an exclusive interview with the curator, Toyo Ito. More photos and text from Toyo Ito after the break:
The San Francisco Museum of Modern Art will be hosting an exhibition from September 1, 2012 through January 6, 2013 that features works of conceptual and theoretical architecture. Blurring the lines between the two, the “field” to frame these investigations into construction, representation, and experience of space entitled Field Conditions features works in a wide variety of media by artists and practicing architects. Some of the notable names that will have their work on display include Tauba Auerbach, Daniel Libeskind, Rafael Lozano-Hemmer, Sol LeWitt, and Lebbeus Woods. More snapshots of the work after the break. (more…)