For those of you still in search for some last minute gift ideas, we present to you part three of the 2011 ArchDaily Holiday Gift Guide. We hope this provides you with that last bit of inspiration to finish your holiday shopping. In case you missed our previous guides, view Part One and Part Two for more gift ideas that is guaranteed to please any architect. (more…)
Architecture is all about passion. Sometimes it can be very complex, slow, even painful… but our passion will make us push until the end, to see our creations come to reality no matter what. This passion turns into an entrepreneurial spirit, collaboration and the desire to use our knowledge to influence our society and to improve our built environment. For me, one of the best living examples of the passionate architect is the Brazilian master Oscar Niemeyer.
Today the master turns 104 years old, and he is still working at his office in Copacabana, Rio de Janeiro, from where we interviewed him, delivering projects in Brazil and around the world. So passionate about his work, that he can’t stop.
Devoted to architecture and women, he was able to express his passion for both.
mountains/waves/women = curves
It is not the right angle that attracts me. Nor the straight line, tough, inflexible, created by man. What attracts me is the free, sensual curve. The curve I find in the mountains of my country, in the sinuous course of its rivers, in the waves of the sea, in the clouds of the sky, in the body of the favorite woman. Of curves is made all the universe.
The American Institute of Architects (AIA) Board of Directors and the Association of Collegiate Schools for Architecture (ACSA) has selected George Baird, Intl. Assoc. AIA recipient of the 2012 AIA/ACSA Topaz Award for excellence in architectural education. Baird is known for his extensive association with the University of Toronto’s architecture school and for being one of Canada’s most celebrated architects. His award-winning firm Baird Sampson Neuert was founded in Toronto in 1972. (more…)
Lets be honest, being an architect results in a whole lot of sitting. Whether we are sitting down with a client or sitting in front of the computer, the chairs we surround ourselves with are an important detail in the everyday routine of an architect. ArchDaily has created a list of a few favorite chairs we wouldn’t mind spending our life with. We feel it is important that every architect has a well designed chair that keeps the legs from falling asleep as well as some designer eye-candy for the office. There are many fantastic chairs in this world, so please, share with us your favorite! (more…)
The American Institute of Architects (AIA) Board of Directors has awarded Steven Holl, FAIA with the annual AIA Gold Medal. The Gold Medal represents the highest award an architect may receive, honoring their “humanist approach to formal experimentation.” The world renowned architect and Columbia University professor continues to inspire and influence the practice and theory of architecture.
In a recommendation letter, Harry Cobb, FAIA, of Pei Cobb Freed stated, “What, in my view, especially commends him as a candidate for the Gold Medal is his brilliantly demonstrated capacity to join his refined design sensibility to a rigorously exploratory theoretical project.”
The AIA highlighted two of Holl’s projects – Linked Hybrid in Beijing and Vanke Center in Shenzhen – stating they are “emblematic of his approach to architecture and his innovative method of design inquiry.”
“I am grateful, I am still beginning and I consider this award shared with all my collaborators. I feel this award is a positive advocacy to make theoretical explorations and experimental works. I was on the way to my final review at Columbia University when I received the call from Washington D.C. and felt it connected to my teaching and efforts toward education. I remember John Hejduk’s statement that teaching is a social contract, and I remain committed to teaching.”
- Steven Holl, FAIA
The award will be presented at the AIA Convention in Washington D.C. in May, 2012.
You can watch our interview with Steven Holl and see his projects here.
Let’s face it, finding that perfect gift for an architect can be a difficult task. We are a unique breed with particular taste. This is why ArchDaily has put together a series of three holiday gift guides for architects. We have included the gifts we use, love, and hope to find under our Christmas tree. What’s on your holiday wish list this year?
Continue reading for product details. (more…)
Ron Arad and Asa Bruno welcome BD to their studio for an exclusive view into the inner workings of their practice. In 1981, Ron Arad established his first design studio ‘one off ltd”. Over the years, the practice has evolved into Ron Arad Architects and has become known for their unique ethos that challenges the relationship between form and function.
You may have noticed Ron Arad’s unusual hat. He is also known for his eccentric hat designs that are undoubtedly consistent with his signature style.
“OMA Show & Tell” features all the of the firm’s partners: Rem Koolhaas, Victor van der Chijs, Reinier de Graaf, Ellen van Loon, Shohei Shigematsu (watch our interview with Shohei), Iyad Alsaka and David Gianotten.
The discussion was chaired by Chris Dercon, director of the Tate Modern, who makes a very good intro to this “historic evening“, in which the partners for the first time will discuss together how the creative practice has worked in the past and how it will work in the future. It includes questions from the 300 members of OMA.
It is interesting to see how the partnership works, and Dercon encourages the young architects in the audience to learn from it and speak to their CEOs to run their firms according to their views after this lecture.
Today Lord Norman Foster issued a tribute to Steve Jobs (1955-2011), who passed away yesterday at the age of 56. Foster + Partners is working on the new Apple Campus in Cupertino, scheduled to be completed in 2015.
With my colleagues I would like to pay tribute to Steve Jobs. Like so many millions our lives have been profoundly and positively influenced by the innovations pioneered by Steve and Apple, names which are inseparable.
We were greatly privileged to know Steve as a person, as a friend and in every way so much more than a client. Steve was an inspiration and a role model. He encouraged us to develop new ways of looking at design to reflect his unique ability to weave backwards and forwards between grand strategy and the minutiae of the tiniest of internal fittings. For him no detail was small in its significance and he would be simultaneously questioning the headlines of our project together whilst he delved into its fine print.
He was the ultimate perfectionist and demanded of himself as he demanded of others. We are better as individuals and certainly wiser as architects through the experience of the last two years and more of working for him. His participation was so intense and creative that our memory will be that of working with one of the truly great designers and mentors.
- Norman Foster Architect Chairman + Founder of Foster + Partners
In this video from Cities of Opportunity 2011, architectural superstar and OMA founder Rem Koolhaas shares his views on the contemporary evolution of the city and his vision for the future of urban centers. Produced by accounting giant PwC (a.k.a PricewaterhouseCoopers before their 2010 re-branding) and the Partnership for New York City, Cities of Opportunity 2011 “analyzes the trajectory of 26 cities, all capitals of finance, commerce, and culture and through their performance, seeks to open a window on what makes cities function best.”
Two of the brightest minds from the past century.
Back in 1946, Le Corbusier meet Albert Einstein at Princeton after traveling to New York to present at the United Nations his project for the UN Headquarters.
I had the pleasure of discussing the “Modulor” at some length with Professor Albert Einstein at Princeton. I was then passing through a period of great uncertainty and stress; I expressed myself badly, I explained the “Modulor” badly, I got bogged down in the morass of “cause and effect”… At one point, Einstein took a pencil and began to calculate. Stupidly, I interrupted him, the conversation turned to other things, the calculation remained unfinished. The friend who had brought me was in the depths of despair. In a letter written to me the same evening, Einstein had the kindness to say this of the “Modulor”: “It is a scale of proportions which makes the bad difficult and the good easy.” There are some who think this judgement is unscientific. For my part, I think it is extraordinarily clear-sighted. It is a gesture of friendship made by a great scientist towards us who are not scientists but soldiers on the field of battle. The scientist tells us: “This weapon shoots straight: in the matter of dimensioning, i.e. of proportions, it makes tour task more certain.”
- Le Corbusier, The Modulor (1954)
Architects on Twitter?
With more than 40,000 followers, our Twitter account @ArchDaily has become a great channel to connect with our readers. Through this channel we’ve been able to see the progress of your buildings, know about the competitions/awards you win, share links, ideas, knowledge, and much more. And Architects on Twitter are constantly finding new creative ways to use the platform, as a collaboration and marketing tool.
UK digital marketing agency Pauley Creative conducted a survey among british architects using Twitter, and put all the info together on this nice infographic. Some of their findings:
- 65% of Architects surveyed had been using Twitter for over a year
- The majority of Architects use Twitter to keep up with the latest industry news (86%) and network with industry peers (79%)
- When asked ‘Who do you follow?’ most selected Other Architects (82%), Practices (77%) and Publications (75%)
- 95% of Architects do find Twitter useful, primarily for the reason that it’s quick and easy to share information and keep up with the latest news
- 99% of Architects surveyed stated that they would provide a recommendation if asked
Are you using Twitter? Are you following @ArchDaily? How are you using Twitter? Who do you recommend to follow?
Share your experience on the comments below, or Tweet it with hashtag #ArchOnTwitter.
See the full infographic below:
Why do architects choose architecture? Typical reasons include a deep passion for form and a desire to leave meaningful, functional design as a legacy. Rarely do you hear that an architect held a burning desire to do business and THIS was their chosen means to that end. Rather, doing business is necessary to follow their pull toward architecture. And so the industry is filled with capable architects who know little about the mechanics of running a firm. Payroll, HR, marketing, sales and public relations are foreign topics. They want the jobs, but they don’t know how to get them. They need employees, but lack management skills or knowledge of how to team build, recruit or downsize during a recession.
In the coming months, I’ll be writing various articles to address these topics that impact architects running their own business – large or small. We’ll also consider marketing ideas that have a proven track record of helping companies differentiate from the competition.
As part of the 2×8: Source student exhibit at the Architecture and Design (A+D) Museum in Los Angeles, we recently assembled a diverse panel to discuss the business of architecture from the student’s perspective. To a crowd of 60 plus, we covered topics that ranged from getting noticed by employers and taking risks, to applying past experiences and methods of differentiation from the competition. I facilitated our panel, which included: Steven Ehrlich, FAIA; Barton Myers, FAIA; Kat Fern, ASID, IDEC and Nancy Horne, architecture and design recruiter.
The theme that consistently surfaced was the importance of relationship building and the ability to communicate. Those skills set apart those who have excelled. Some highlights from each panelist are below.
A day like today, 123 years ago, Dutch designer and architect Gerrit Rietveld was born. One of the principal members of the artistic movement “De Stijl” (Dutch for “The Style), Rietveld became famous for his Red and Blue Chair, designed un 1917 (part of the MoMA collection) and for the Rietveld Schröder House.
Designed in 1924 in collaboration with the house owner Truus Schröder-Schräder, the Rietveld Schröder House continues to impress architects and interior designers with its innovative solutions to prominent design questions of its time (see our AD Classics about it).
What is the importance of Rietveld’s work for modern architecture? We invite you to celebrate Rietveld’s birthday by sharing your comments with us!
Here’s a ranking of architectural offices and their fans on facebook. What do you think are the factors for this popularity?
Do you think maybe it’s people that respect and admire these architects, and it’s reflected on their fan pages?
Brazilian architect Oscar Niemeyer tops the list. Do you think that at 103 years he knows he is the world leader in architects facebook fans?
Complete ranking and their fans:
1. Oscar Niemeyer / 228,850
2. Zaha Hadid / 216,231
3. Renzo Piano / 145,662
4. Santiago Calatrava / 143,821
5. Tadao Ando / 56,584
6. Peter Zumthor / 50,660
7. Herzog & de Meuron / 34,949
8. Jean Nouvel / 33,728
9. ALT arquitectura + obra / 29,381
10. OMA – Rem Koolhaas / 27,561
11. Bunker Arquitectura / 20,512
12. SANAA – Sejima & Nishizawa / 17,681
13. A-cero (Joaquín Torres) / 16,392
14. Toyo Ito / 15,500
15. Norman Foster / 13,012
16. Alvaro Siza / 11,431
17. BIG – Bjarke Ingels Group / 9,360
18. Daniel Libeskind / 8,762
19. Peter Eisenman / 7,743
20. Richard Rogers / 7,703
I was asking myself this question a few minutes ago, so went online to do some quick research and Googled “How much do architects earn per hour?”.
The first search result was Answers.com (pictured above) and the answer caught my attention.
Based on these points, How much do you earn? (1) How good do you think you are, (2) How many people demand your services, and (3) how much you feel you can charge. Feel free to answer in the comment section below.
“Ninety-eight percent of buildings are boxes, which tells me that a lot of people are in denial. We live and work in boxes. People don’t even notice that. Most of what’s around us is banal. We live with it. We accept it as inevitable. People say, ‘This is the world the way it is, and don’t bother me.’ Then when somebody does something different, real architecture, the push-back is amazing. People resist it. At first it’s new and scary.”
“The thing is, I hate the celebrity architect thing. I just do my work. The press comes up with this stuff and it sticks. I hate the word starchitect. Stuff like that comes from mean-spirited, untalented journalists. It’s demeaning. It’s derisive, and once it’s said, it sticks. I get introduced all the time, ‘Here’s starchitect Frank Gehry…’ My reaction: ‘What the fuck are you talking about?‘”
More snippets of the interview after the break: