In a brilliant article for Der Spiegel, "The New Monuments to Digital Domination," writer Thomas Schulz not only rounds up our reigning tech giants' oddly-shaped offices - from Apple's "spaceship" to Amazon's "biodomes" - but also pinpoints what they have in common: horizontality. And why? Because an "open creative playground" without boundaries (like floors or walls) is "the perfect ideas factory: the ideal spatial environment for optimally productive digital workers who continuously churn out world-changing innovations." And while this means that privacy has gone out these workspaces' proverbial windows, Schulz isn't too surprised - after all, "people have no right to a private life in the digital age." Check out this must-read article here.
From the window of an airplane it's all too plain that apartheid has been deeply written into the South African landscape. Even the smallest town appears as two distinct towns. One features a spacious grid of tree-lined streets and comfortable houses surrounded by lawns. The other, its shriveled twin, some distance away but connected by a well-traveled road, consists of a much tighter grid of dirt roads lined with shacks. Trees are a rarity, lawns non-existent. This doubling pattern appears no matter the size of the population: here, the white town; over there, the black township. -- Lisa Findley, “Red & Gold: A Tale of Two Apartheid Museums.”
There are few systems of government that relied so heavily upon the delineations of space than the Apartheid government of South Africa (1948-1994). Aggressively wielding theories of Modernism and racial superiority, South Africa’s urban planners didn’t just enforce Apartheid, they embedded it into every city - making it a daily, degrading experience for South Africa’s marginalized citizens.
When Nelson Mandela and his party, the African National Congress, were democratically elected to power in 1994, they recognized that one of the most important ways of diminishing Apartheid’s legacy would be spatial: to integrate the white towns and the black townships, and revive those “shriveled twin[s].”
As we remember Mandela - undoubtedly the most important man in South Africa’s history - and ponder his legacy, we must also consider his spatial legacy. It is in the physical, spatial dimensions of South Africa’s towns and cities that we can truly see Apartheid’s endurance, and consider: to what extent have Mandela’s words of reconciliation and righteous integration, truly been given form?
As part of the CA Group's lecture series, "Architour," principal of OFIS architects, Rok Oman, will lecture on December 7th at the Tongji Architectural Design Co. in Shanghai. For 2013 through 2015, "Architour" has as its theme "New Force of Architecture - Leading Young Architects": each year, the CA Group will select nine young, global leaders in architecture (four from Asia and five from the West) to lecture on topics that cross typologies and disciplines, from architectural design, urban planning to interior design. Sou Fujimoto and Hirata Akihisa were the series' first speakers.
Autodesk and the Smithsonian have paired up to launch x3D Explorer, an educational tool that will allow the Smithsonian to digitally preserve its extensive collection as interactive, 3D models.
But while this may just sound like a fun way to interact with history, the initiative, backed by industry heavyweight Autodesk, could very soon have practical, revolutionary applications for architecture as well.
Tatiana Bilbao S.C.'s design for Paperhouses, The Module House. Image Courtesy of Paperhouses
“Architecture does not change anything. It’s always on the side of the wealthy. The important thing is to believe that it can make life better.” -- Oscar Niemeyer
As much as we'd care to deny it, Niemeyer makes a valid point here. Architecture is almost always "on the side of the wealthy"; the profession, as it has existed for about a century, rarely changes anything; and yet - and yet - it can make life better. If only for a select few.
But what if architecture could make life better for the many. What if good-quality, life-bettering architecture were open-source and available to download off the internet? For free?
Last night, the facade of Rem Koolhaas' critically-acclaimed skyscraper - De Rotterdam - became the screen for the largest video mapping project ever displayed in Europe. The A15 Project, an initiative of Natuur & Mielieu, re-envisions the A15, the Netherlands' busy highway, into a "sustainable highway." Check it out in the video above!
Federico Babina, the mastermind behind ARCHI-PIX (Parts One and Two) has come up with a fun new series - ARCHICINE - representing iconic works of architecture that have played protagonists on film. We've rounded up all the illustrations -check them out after the break!
The concept of the open plan revolutionized architecture - promising light, space, and effortless collaboration (not to mention a more cost-effective way of getting lots of people into one space). Today, it's practically become a standard of design - but at what cost?
A new report from researchers Jungsoo Kim and Richard de Dear, published in the Journal of Environmental Psychology, concludes that the open plan comes with some serious collateral damage - namely a lack of "sound privacy" - which outweighs its positive qualities. What's more, according to their results, the open plan doesn't even make a measurable improvement in communication at all.
Each year when Design Intelligencepublishes "America's Best Architecture & Design Schools," we try to look beyond the rankings. At the end of the day, the report is a snapshot of the state of architecture today and, as such, is a minefield of useful information, particularly for current (or soon-to-be) architecture students. Check out the short infographic after the break to see how the profession's outlook has grown far more optimistic for architecture grads; what firms look for in recent grads (it may surprise you); and the unequal relationship of high-ranking sustainability programs vs. the prevalence of LEED certification.
UPDATE: The video detailing Diller Scofidio + Renfro's winning proposal for Moscow's Zaryadye Park has just been released. In it the three partners discuss the central idea behind the proposal - "Wild Urbanism" - in which plants and people are of equal importance and "nature and architecture are merged into a seamless whole." They explain how each of Russia's varied landscapes - its tundra, steppe, forest, and wetland - will be imported to the park and overlapped into "enfolded nodes" that will house sustainable, artificial micro-climates that will allow for year-round use of the park.
The consortium led by the New York-based firm, beat out an impressive shortlist. Russian-led TPO “Reserve” came second and MVRDV third.
Zaryadye Park, 13 acres of land just a minute’s walk from the Kremlin and the Red Square, is hoped to “project a new image of Moscow and Russia to the world.” See the renderings from Diller Scofidio + Renfro's winning proposal for Moscow's new and most important public space, after the break...
UPDATE: The Harvard GSD AASU has released a statement on Kanye West's invitation and visit, which you can find at the end of the post. Dean Mohsen Mostafavi, Dean of the GSD, has also commented on the visit.
Kanye West surprised students at the Harvard Graduate School of Design (GSD) last night by dropping in un-announced before his Sunday night concert at the TD Garden in Boston. He gave a short motivational speech to the crowd that quickly formed in the GSD’s signature “trays.” West told the students:
I just wanted to tell you guys: I really do believe that the world can be saved through design, and everything needs to actually be “architected.” [...] I believe that utopia is actually possible—but we’re led by the least noble, the least dignified, the least tasteful, the dumbest, and the most political. So in no way am I a politician—I’m usually at my best politically incorrect and very direct. I really appreciate you guys’ willingness to learn and hone your craft, and not be lazy about creation.
GSD student Sekou Cooke, writer of "Keep Talking Kanye: An Architect's Defense of Kanye West," confirmed to an ArchDaily editor that West had in fact seen his post defending West's right to speak-up about architectural issues and act as a role model for young potential architects of color. Although his visit with the student body was unexpected, West had been invited by Harvard GSD's African American Student Union (AASU). Following a meeting with the AASU’s core group of leaders—during which West led a conversation regarding under-represented minorities in the design disciplines—the star was inspired to briefly address the rest of the students. West also gifted 300 tickets to his show to the GSD. In fact, in an uncharacteristic moment of insecurity, West told the crowd of students:
Tonight, this show, if you come see it—um, I’m a bit self conscious because I’m showing it to architects. So the stage does have flaws in it. It’s an expression of emotion so give me a pass on that.
See images and video of West's GSD visit, after the break...
Related Cos. rendering of a conceptual plan for a retail and residential complex across Grand Avenue. Image Courtesy of Related Cos., via LA Times
"Will Grand Avenue finally turn around? Most likely not until they make it a two-way, add more trees, bike lanes, and pedestrian amenities. Buildings alone can’t do it, no matter how daring, novel (or expensive) the architecture." -- Guy Horton, The Indicator, "Ten Years Later, Has the Disney Concert Hall Made a Difference?"
The latest controversy surrounding the Grand Avenue re-design, the long-awaited project to develop the stretch of land east of the Walt Disney Concert Hall, is the re-instatement of Frank Gehry, a move which occurred after the city of LA rejected plans from mega-developers Related Cos. (designed by Gensler in collaboration with Robert A.M. Stern) for being "overly commercial."
Of course, while the Related Cos. plans may have failed to wow the city, the decision to bring Gehry back to the project hasn't exactly been embraced either. A must-see article in Zócalo Public Square asks four urban planning experts, "what would you do with Grand Avenue?" In his latest ArchDaily column, Guy Horton offers his opinion: any re-design must rely on activating life on the street-level, rather than on one architectural solution. Well, ArchDaily readers, now we'd like to know your thoughts on the matter.
All too often when it comes to the issue of women disappearing from the architecture profession, the question is: why? But perhaps we really should be asking: how? How can we keep women in the profession? How can more women advance to positions of power? And how can women start earning the money they deserve?
Turn the bend and the foreignness of the thing reveals itself, with its gunmetal-colored facade, surfaces jutting at oblique angles, and curves and lines that suggest automotive racing streaks or cooling pipes at a power-generation facility. It would fit right in with a fleet of Star Destroyers blasting some unfortunate rebel ship with turbolasers. -- The Atlantic Cities’ John Metcalfe, describing Zaha Hadid’s Library and Learning Center in Vienna
When architecture and Sci-Fi are mentioned in the same breath, it’s usually only to achieve an amusing, surface-level comparison. Zaha’s library? A “Star Destroyer.” OMA’s Casa da Música? A Sandcrawler. And while these unlikely likenesses certainly speak to Sci-Fi’s hold on architecture’s imagination, they don’t really delve into the potential Sci-Fi holds as a source of architectural inspiration.
Enter CLOG: SCI-FI. As does each issue of CLOG, SCI:FI “slows things down,” taking a good-hard look at architecture and science fiction’s long, fascinating relationship. And while it certainly provides many entertaining meanders into comics, literature, and film (including a peek into 2001: A Space Odyssey by ArchDaily contributors INTERIORS), SCI:FI really shines when it’s digging below the surface, exploring how both architecture and sci-fi reveal the dilemmas, fears, and desires of our society today.
Google's secret development department, Google X (responsible for Google's very cool, although non-core initiatives, such as Google Glass and driverless cars) is reportedly working on a new technology that could transform the construction industry - as well as architecture itself. It goes by the name of "Genie."
According to Globes, a report from Genie's development team, addressed to Google co-founders Sergey Brin and Larry Page, describes the invention as a cloud-based collaboration platform with "planning applications to help architects and engineers in the design process, especially for skyscrapers and large buildings. The platform includes planning tools of expert architects and engineers and advance analytics and simulation tools."
The report also emphasized Genie's potential to transform the conservative construction industry, one of the most profitable and the most wasteful, by making it more efficient and environmentally friendly at the level of design, construction, and maintenance. The report suggests the invention could save 30-50% in construction costs and 30-50% of the time spent between planning and market; moreover, it could generate $120 billion a year.
In 2002, Magda Mostafa, a then-PhD student at Cairo University, was given an exciting project: to design Egypt's first educational centre for autism. The young architect set herself down to the task of researching into autism design, certain she'd soon find guidelines and accessibility codes to direct her through the process (after all, about one in every 88 children is estimated to fall into the autism spectrum).
But, as Mostafa told me, "I had a rude awakening; there was virtually nothing."
So she started setting up studies to gather the evidence she'd need to come up with her own guidelines. And she was breaking ground: a study she completed in 2008 was "among the first autism design studies to be prospective not retrospective, have a control group, and measure quantifiable factors in a systematic way."
Since those uncertain beginnings, Mostafa has positioned herself as one of the world's pre-eminent researchers in autism design. Her latest work, summarized in "An Architecture for Autism," the journal IJAR's most downloaded article in 2012, outlines Mostafa's latest accomplishment: the Autism ASPECTSS™ Design Index, both a matrix to help guide design as well as an assessment tool "to score the autism-appropriateness of a built environment" post-occupancy. In the following interview, we discuss the Index, the potential of evidence-based design for architecture, and what it's like to break ground (and try get funding) in a country where "black-outs, security threats, water shortages and unbelievable traffic" are everyday occurrences.
