Solène Veysseyre

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Case Study: The Unspoken Rules of Favela Construction

"Building a house takes time and money,“ said Marcio, a local resident of Complexo do Alemão, one of Rio de Janeiro’s numerous favelas, as he showed me around his house. This is why a house is often built over several generations: a floor may be laid, columns erected (rebar protruding), and a thin tin roof placed, but this is just to mark where the next builder should finish the job. "Constructing a roof with tiles is not a sign of wealth here — rather, it means that there’s not enough money to continue constructing the house,” explains Manoe Ruhe, a Dutch urban planner who has lived in the favela for the last six months.

An architect who has always been fascinated by the way people live, I had come to do a residency at Barraco # 55, a cultural center in Complexo do Alemão, in order to learn how its citizens went about building their communities. I had many questions: are there rules of construction? What are the common characteristics of each house? Do they follow the same typology? How are the interiors of the homes? What construction techniques and what materials are used?

Why 'Confluence' Isn't The Way Forward for Architecture Education in France

On February 19th, 2014, Odile Decq, the world-renowned French architect, announced the launch of a new private university - the Confluence Institute for Innovation and Creative Strategies in Architecture - to be built in Lyon this year. Decq has promised that the school will break from France’s “strict institutional system of education ill-adapted to change” and thus offer an architecture education fit for the 21st century.

In France, however, public opinion on the new school has been far from unanimous. The Union of Architecture (Le Syndicat de l’Architecture) even went so far as to respond with an open letter to the Minister of Culture and Communication, expressing concern over the project’s “openly mercantile and elitist purpose.”

France possesses a free and public educational model that sets it apart from the rest of the world. Out of twenty-two schools of architecture, only one is private: l’Ecole Spéciale d’Architecture in Paris (where Decq was once Director). And, while certainly not perfect, the quality of architecture education is, across the board, of a particularly high standard — the Agency of the Evaluation of Research & Higher Education (AERES) has given a rating of ‘A’ to twenty of the schools and ‘B’ to the other two. This means that regardless of a student’s economic background, he or she has the opportunity to receive an excellent architectural education. 

So, no matter how radical or forward-thinking Confluence may be, is it really a good idea for France to start emulating the model of expensive, private architecture schools we see across the rest of the world?