The Guggenheim Helsinki Design Competition, first open international competition organized by the Solomon R. Guggenheim Foundation, was officially launched today. Submission deadline for stage one is September 10. A jury that includes Mark Wigley, Jeanne Gang, Juan Herreros, and Yoshiharu Tsukamoto will announce the shortlist during Fall 2014.
Following a detailed Concept and Development Study by the Guggenheim Foundation, the City of Helsinki has reserved a prominent waterfront site for the architectural competition of the proposed museum. The site is located in the Eteläsatama, or South Harbor area, an urban space of great national and cultural significance, close to the historic city center and immediately visible to visitors arriving by sea.
It is envisaged that the Guggenheim Helsinki would organize and present internationally significant exhibitions of artworks from the twentieth and twenty-first centuries while also specializing in Nordic art and architecture. Within the Guggenheim Foundation’s international constellation of museums, including the Solomon R. Guggenheim Museum in New York, the Peggy Guggenheim Collection in Venice, the Guggenheim Museum Bilbao, and the future Guggenheim Abu Dhabi, the Guggenheim Helsinki would be distinctive in its active inclusion of design and architecture in its programming.
Warehouse 623 Gallery is pleased to announce “Five Proposals for the Future of the Atlantic Yards“, an exhibition of alternative architectural schemes for the Atlantic Yards site. “Abstracts of New York”, a selection of photographs by Jean-Marc Bellaiche, will be shown concurrently.
In response to growing concerns about the direction that development of the Atlantic Yards might take and the potential impact on the surrounding communities, a group of architects exploring alternatives from a design perspective will present their work. The exhibition has been organized by architect Thomas Barry, principal of the Brooklyn-based design firm OPerA Studio, with contributed exhibits from five firms, including Joshua Zinder Architecture + Design (JZA+D); Amoia Cody Architecture; David Cunningham Architecture Planning; Matthias Altwicker and Farzana Gandhi; and OPerA Studio.
For more information please visit the exhibition’s official website.
Title: Exhibition: Five Proposals for the Future of the Atlantic Yards
From: Thu, 05 Jun 2014
Until: Sun, 22 Jun 2014
Venue: Warehouse 623 Gallery
Address: 623 Bergen Street, Brooklyn, NY 11238, USA
The annual theme Money and its questions posed by the Think Space 2013 | 2014 guest curators Ethel Baraona Pohl & Cesar Reyes Najera will undoubtedly trigge
Along with its unique approach in which new forums for thought are created via new design objects, in this cycle Think Space Programme is again leaning on historical discourse that normally takes the form of reflection through writing. As part of the 2013/2014 cycle of competitions, Think Space was calling for Money Papers in the following fields of inquiry: Territories, Culture & Society and Environment.
Another asset to the Unconference Programme will be The Money Exhibition, presenting the awarded entries at Lauba, House for People and Art, continuing to be on display after the Unconference event. More information can be found here.
Title: 3rd Think Space Unconference / Money
From: Wed, 11 Jun 2014
Until: Fri, 13 Jun 2014
Venue: Lauba, People and Art House
Address: Prilaz baruna Filipovića 23, 10000, Zagreb, Croatia
House Housing: An Untimely History of Architecture and Real Estate in Nineteen Episodes is the first public presentation of a multi-year research project conducted by the Temple Hoyne Buell Center for the Study of American Architecture at Columbia University. Installed in the second-floor apartment of Columbia’s Casa Muraro in Venice and staged as an open house, the exhibition responds unsolicited to the proposal by Rem Koolhaas, curator of the 14th International Architecture exhibition, that architecture focus on its “fundamentals.” House Housing replies by considering architecture’s economic fundamentals, which locate housing at the center of the current economic regime, with the United States as an influential node in a transnational network.
In architecture, economic fundamentals are built from the ground up. The laws of real estate—relating to the acquisition of land, the financing of construction, the cost of building maintenance and services, profit from rent or resale, the value of equity, or the price of credit—inexorably shape any building component (like a window) and any building type (like a house). They are visible even in the residential work of such singular figures as Frank Lloyd Wright, not least because the Greek oikos, or household, forms the root of the word “economy” itself. But look closely and you will see that what seems fundamental, basic, or natural is, like any other law, a historical artifact permanently under construction and subject to change.
House Housing narrates nineteen brief episodes from across the last one hundred years in a mixture of domestic media, from phonograph to television, answering machine to iPad, converting the apartment into a whispering, humming history machine. Though they mainly focus on the continental United States, the discrete episodes are excerpts from global processes. Their artifacts range from houses designed by figures as well-known as Frank O. Gehry to seemingly ordinary gated communities in Florida. Their untimeliness is twofold. First, these episodes return us to financial matters widely discussed in the immediate aftermath of the 2008 foreclosure crisis but now largely abandoned by mainstream discourse. Second, the historical episodes disclose surprising repetitions of themes, tendencies, and actions. This reminds us that the economic infrastructures on which architecture rests are the outcome of such repetitions, rather than an a priori, natural ground.
Title: House Housing: An Untimely History of Architecture and Real Estate in Nineteen Episodes
Organizers: GSAPP Columbia Univeristy
From: Thu, 05 Jun 2014
Until: Fri, 06 Jun 2014
Venue: Casa Muraro
Address: Dorsoduro, Sestiere di Dorsoduro, 30100 Venice, Italy
China’s accelerated urbanization juxtaposes many local and global urban models in the contemporary urban space of the mega-city/metacity region. Since 1945 the global and local discourse on urban design and development has been dominated by four conceptual models. These four models, the metropolis, the megalopolis, the fragmented metropolis and the megacity/metacity have appeared in Asia with local characteristics and with special, hybrid characteristics. China’s rapid urbanization has been based on an equally rapid industrialization that has telescoped the historical development pattern of western nations into 60 years.
David Grahame Shane, Adjunct Professor at GSAPP, Columbia University will give a public lecture at Studio-X Beijing. A panel discussion will accompany this lecture, in which Wang Hui from URBANUS will introduce and discuss the Urban Models in China’s Accelerated Urbanization and public space.
Title: Lecture / Four Urban Models in China’s Accelerated Urbanization: Local Public Space Implications
From: Tue, 03 Jun 2014 19:00
Until: Wed, 28 May 2014 21:00
Venue: Studio-X Beijing, GSAPP, Columbia University
Address: Andingmen Inner Street & Fangjia Hutong, Dongcheng, Beijing, China, 100009
Ubu Gallery is pleased to present Knud Lonberg-Holm: The Invisible Architect, a debut exhibition devoted to this overlooked, yet highly influential, 20th Century modernist. Never-before-seen photographs, architectural drawings, letters, graphic design, and ephemera from Lonberg-Holm’s remarkably diverse career will be on view through August 1, 2014. The exhibition, which consists of selections from the extensive archive assembled by architectural historian Marc Dessauce, will solidify the importance of this emblematic figure in early 20th Century cultural and architectural history. Metropolis Magazine, the national publication of architecture and design, will publish an article on Knud Lonberg-Holm to coincide with this groundbreaking exhibition.
Born in Denmark, Knud Lonberg-Holm (January 15, 1895–January 2, 1972), was an architect, photographer, author, designer, researcher, and teacher. Lonberg-Holm’s early work in Denmark and Germany initially associated him with the Berlin Constructivist and Dutch De Stijl groups. An émigré to America in 1923, Lonberg-Holm was a fundamental correspondent with prominent European architects and their modernist counterparts in the U.S. The exhibition will feature a selection of letters to Lonberg-Holm from a pantheon of the European avant-garde including László Moholy-Nagy, Walter Gropius, Theo Van Doesburg, Buckminster Fuller, Hannes Meyer, J.J.P. Oud, El Lissitzky, and Richard Neutra.
Title: Exhibition / Knud Lonberg-Holm: The Invisible Architect
From: Tue, 06 May 2014
Until: Fri, 01 Aug 2014
Venue: Ubu Gallery
Address: 416 East 59th Street, New York, NY 10022, USA
This summer, the American Institute of Architects New York Chapter (AIANY) and the Center for Architecture Foundation will present Open to the Public: Civic Space Now, an exhibition exploring why people gravitate to (or avoid) civic spaces – the places between buildings where people can assemble. Curated by Thomas Mellins and designed by Athletics, the exhibition opens Thursday, June 12, 6:00 PM and runs through Saturday, September 6 in the main galleries at the Center for Architecture, 536 LaGuardia Place.
Open to the Public: Civic Space Now will be complemented by an international, day-long symposium on Saturday, May 14 that will also develop the ideas of other concurrent exhibitions at the Center for Architecture. For more information, please click here.
Title: Exhibition / Open to the Public: Civic Space Now
From: Thu, 12 Jun 2014
Until: Sat, 06 Sep 2014
Venue: Center For Architecture
Address: 536 LaGuardia Place, New York, NY 10012, USA
The Mapo Oil Depot is a valuable industrial legacy of Seoul but has been forgotten for quite some time since its original purpose was terminated. In an era of economic growth in Korea, a fresh approach is needed regarding this industrial legacy, which, ironically can survive in having been forgotten.
Deviating from conventional attitude, demolishing the old city and constructing the new, it is time to try to keep the memory and history of this old structure and to revive its uniqueness. As an attempt to get back not only the old structure but also the territory having been closed for decades to the people of Seoul, this project will be a meaningful beginning. The competition expects proposals that recover the existing facilities and territory, not only grant a series of programs onto the old structure. In this sense, the organization hopes that the International Competition for Culture Depot Park by Rehabilitating Mapo Oil Depot can show the direction to where architecture in Seoul should go.
The jury includes Toyo Ito, and the winning entry will be awarded with a design contract. Entries can be submitted until August 12. For more information please go to the competition’s official website.
Studio Magazine has released their latest issue: POWER. The relationship between architecture and power has been the main character in the urban transformation with no space-time boundaries. In which way nowadays the pair Power-Architecture consciously or unconsciously transforms our cities and the spaces we inhabit?
More on the latest issue here.
Sokolniki Park of Culture and Rest and the ArchPolis Centre for Territorial Initiatives, with support from the City of Moscow Department of Culture and the City of Moscow Agency for Parks and Recreation (Mosgorpark), announce a competition to generate a conceptual framework for the development of Sokolniki Park.
Developing green space and parks has been an important aspect of Moscow government policy in recent years. Among the most prominent examples are the comprehensive renovation of Gorky Park and its connected river embankments, current reconstruction of the historic VDNKh exhibition centre and a completed design competition for the new Zaryadye Park next to the Kremlin. Reconstruction of Sokolniki Park is the most recent step toward widespread transformation of public space in the capital.
For more information please visit the competition’s official website.
Social Housing in Spain is intended to be the first of a series of international programs by the AIANY Housing Committee, highlighting exemplary housing design around the world. For the first program of the series, AIANY have invited three leading architects from Spain who are currently teaching in the tri-state area: Carmen Espegel, Iñaqui Carnicero, and María Hurtado de Mendoza. The panelists will present and comment upon innovative projects that follow the country’s strong social commitment to housing.
The first decade of the XXI century was a landmark of quality and diversity in social housing in Spain.During those years, Spain built more collective housing than the production of England, France, and Germany combined. Approximately 4 million of units were built between 2000 and 2008. The municipal housing companies promoted, by means of open design competitions, a large number of significant works that championed research to new ways of living, hybrid typologies, construction systems linked to prefabrication and industrialization methods, and towards finding new explorations of shared space for new communities. The right to housing is guaranteed by the Spanish Constitution. Publicly protected housing in Spain represents a peculiarity compared to social housing models in other EU countries, in that it is housing provided almost entirely for owner-occupation.
Title: Conference: Social Housing in Spain
Organizers: AIANY Housing Committee
From: Thu, 29 May 2014 18:00
Until: Thu, 29 May 2014 20:00
Venue: Center For Architecture
Address: 536 LaGuardia Place, New York, NY 10012, USA
In celebration of the 50-year anniversary of the 1964 New York World’s Fair, Onishi Project and Kipton Cronkite are pleased to present World’s Fairs: Lost Utopias, the debut exhibition of Jade Doskow’s groundbreaking 7-year photography project. The exhibition will also include a 1968 triptych by Robert Rauschenberg and a dynamic group show—featuring Alexandra Posen, Greg Haberny, Naomi Reis, and Mark Freedman— inspired by the cultural zeitgeist that surrounded this event.
Jade Doskow’s large-scale color photographs illustrate utopian iconic architecture and art remaining after the close of 1960’s world’s fairs, and the arbitrary nature of what has been preserved, discarded, or repurposed on these sites. In the cities represented here, New York dominates, in celebration of the 50-year anniversary. The crowning glory that still remains is the New York State Pavilion, an unusual, dynamic carousel-like structure designed by Philip Johnson.
Title: Exhibition: World’s Fairs / Lost Utopias
From: Wed, 28 May 2014
Until: Tue, 10 Jun 2014
Venue: Onishi Project
Address: 521 West 26th Street, New York, NY 10001, USA
The Dedalo Minosse International Prize for commissioning a building, which takes place in Vicenza, the city of Palladio, is promoted by ALA-Assoarchitetti, the association for professional architects, in collaboration with the Regione del Veneto.
The Prize comes from the idea that the framework for creating good architecture works is not only determined by the quality of the Architect’s project but also by the positive and stimulating role played by the client.
The enrollment is free and anyone involved in the building processing (private or public client, architects, building firms, companies supplying materials, etc.) is entitled to enter the competition. The works must have been completed between the 1st of January 2009 and the 31st of December 2013.
You have until June 10 to enroll. For more information regarding the Prize or how to submit, please click here.
Project Baltia magazine and Yarky Hostel & Space have just announced the Open International Competition for the Design of Summer Residential Unit. Five winning projects will be implemented on the territory of the Hostel by August 2, 2014. The units should enable temporary accommodation for one or two persons. Functions of these units are similar to those of a hotel room.
Architects and designers from Russia and abroad are invited to take part in the Competition. Project teams must not consist of more than 4 participants under the age of 35 years (inclusive).
You have until June 10 to submit your proposal. More information can be found on the competition’s official website.
The Design Trust for Public Space announces The Energetic City: Connectivity in the Public Realm, a new request for project proposals to redefine public space.
The Energetic City is an initiative to seed and develop new forms of connectivity among the diverse people, systems, and built, natural and digital environment of New York City. This public call invites proposals for research, design and planning projects to improve the experience of urban life by connecting people through ‘great’ design informed by the needs and aspirations of community users.
This year the Design Trust places a special emphasis of opening the project call to individuals, in addition to community groups and public agencies. We will offer seed funding so the projects can begin immediately. Projects may include the production of a clearly defined deliverable—a design prototype, pilot intervention, beta app, publication, video, or public artwork, among other possible formats—or be structured as the research, planning, or public outreach stage of a potentially larger project, where the process will inform the ultimate deliverable.
Since it was enacted by Congress, the Height of Buildings Act of 1910 has restricted how tall buildings can be designed in the District of Columbia.
TALL DC: New Monumentalism features student work from the Catholic University of America’s School of Architecture and Planning (CUA) that provocatively explores what Washington could look like in the absence of this law.
Working within CUA’s Emerging Technologies and Media graduate concentration, students analyzed two of Washington’s most recognizable structures, the U.S. Capitol and the Washington Monument, and questioned the definition of “monument” in the contemporary context of global commercial markets, residential migration, and iconic skylines.
Three distinct proposals for a mixed-use ‘skyscraper’ were created for the Department of Commerce site located near the National Mall. Using radically different design strategies, each concept offers a creative and controversial idea for building a TALL DC.
More information can be found here.
Title: Exhibition: TALL DC / New Monumentalism
Organizers: Catholic University of America School of Architecture and Planning
From: Thu, 22 May 2014
Until: Tue, 10 Jun 2014
Venue: District Architecture Center
Address: 421 7th Street Northwest, Washington, DC 20004, USA
Competing Utopias: An Experimental Installation of Cold War Modern Design from East and West in One Context
This installation is a ‘mash-up’ in the most provocative sense of that word. Its force comes from the collision of two design cultures that have been kept apart but have been visually connected in ways yet unexamined. What’s proposed is an experimental installation that presents Cold War modern design from East and West in one context.
Competing Utopias is organized by two Los Angeles institutions: the Neutra VDL Studio and Residences and the Wende Museum and Archive of the Cold War, each a different type of museum. The Neutra House is an iconic Los Angeles mid-century modern house museum, designed by Austrian born American architect Richard Neutra. The Wende Museum is the largest archive of Cold War artifacts in the world. Both ‘institutions’ originated in German speaking Europe, both subsequently landed in Los Angeles. Their collections embody two forks of a Cold War history.
Title: Competing Utopias: An Experimental Installation of Cold War Modern Design from East and West in One Context
From: Fri, 11 Jul 2014
Until: Sun, 14 Sep 2014
Venue: Neutra VDL Research House
Address: 2300 Silver Lake Boulevard, Los Angeles, CA 90039, USA