Architects: Steven Holl Architects
Location: 218th Street, New York
Architect In Charge: Steven Holl, Chris McVoy
Design Team: Marcus Carter, Christiane Deptolla, Peter Englaender, Runar Halldorsson, Jackie Luk, Filipe Taboada, Dimitra Tsachrelia, Ebbie Wisecarver
Associate In Charge: Olaf Schmidt
Area: 4,459 sqm
Photographs: Chris McVoy, Andy Ryan
Shaped by the Ottoman Empire, known for historical Byzantine structures and its famed Grand Bazaar, Istanbul has always been a melting pot of influences and culture. In recent years, due to thriving economies, emerging cities such as Istanbul have begun cultivating a design landscape. Rapid progress often compromises preservation of heritage and promotion of the arts. On the 5th of November 2012, Taksim Square, one of the few remaining green areas of the city was closed off until late 2013, without the knowledge or consent of its citizens. Here we speak to Özlem Yalim Özkaraoglu, Director of the Design Biennial, and designer, Koray Malhan, about dictatorial urban planning and the future of Turkey’s most notable city.
British designer Faye Toogood takes a highly dynamic approach to her work. After eight years at Conde Nast as a stylist, and then editor, at The World of Interiors she went on to open a multi-disiplinary design practice Studio Toogood in 2008 and furniture design company Faye Toogood shortly after. Her client-base is impressive and ranges from Opening Ceremony to Vivienne Westwood, Selfridges, Christie’s and Pernod Ricard. Toogood invites us into her world as we visit her canal-side studio in north London and join her on a tour of her latest work for Opening Ceremony.
The international development and disaster relief charity Article 25, named after the 25th article of the Universal Declaration of Human Rights, asked 100 of London’s artists and architects to take part in ‘10×10 Drawing the City‘. Zaha Hadid, Will Alsop, Eric Parry and Tim Makower have all created artwork inspired by an individually allocated 10×10 squared section of London’s urban landscape. The one-off pieces, which together are an impressive showcase of British architectural heritage, will be exhibited at the newly revamped West Wing of Somerset House on 14 November before all work is auctioned to the public.
Last weekend, in the heart of Beijing, the unveiling of the amorphous globes of Zaha Hadid’s Galaxy SOHO stunned visitors with the office and retail complex’s radical aesthetic. Beijing’s rapid economic growth has thrust the cityscape into a continuous battle between ever-climbing modern high rises, and the traditional, winding alleyways, unique to the capital city. Crane.tv meets Hadid to hear about her newest structural feat, and collect the thoughts of the building’s wide-eyed neighbours.
Marc Newson is one of the most accomplished industrial designers of our time. A self-confessed control freak, Newson’s innovative perspective has been applied to everything from cutlery to spaceships. He regularly lends his skills to brands such as Nike, Ford and Qantas. His numerous international accolades include receiving a CBE for services to design and being appointed “Royal Designer for Industry” in the UK. Examples of his work are housed in most major permanent museum collections, including the Museum of Modern Art in New York and one of his earliest pieces, The Lockheed Lounge, holds the record for the world’s highest price paid for a piece of furniture. A complete catalogue of his works to date has also recently been released by Taschen books. Married to the prominent fashion editor and stylist, Charlotte Stockdale, Newson’s family life has had a profound influence on his attitude to design. Though he compares our current design climate to the industrial revolution he also seems nostalgic, lamenting both his daughter’s affinity for the iPad and the fact that the future is simply not as optimistic as he imagined.
Architects: Burgos & Garrido arquitectos
Location: Camino de Sanchinarro, Madrid, Spain
Architect In Charge: Francisco Burgos, Ginés Garrido
Design Team: María José Arquero, Almudena Carro, Javier García Germán, Myriam López
Collaborators: Agustín Martín, Raquel Marugán, Emilio Ontiveros, Pilar Recio
Project Year: 2006
Photographs: Roland Halbe, Ángel Baltanás, Elena Almagro
Last week, thanks to the courtesy of ACME Studios, we gave you the chance to win a pen and card case based on Le Corbusier’s 1947 Modulor theory.
All you had to do to participate was become a registered user (if you’re not one already) and answer the following question in our comments:
Le Corbusier used his Modulor in many buildings. Name three.
After more than 200 comments, we now have the winner: Danielle Jones. Congratulations to the winner, you will be contacted through your email. Thanks everyone for participating and stay alert… more giveaways to come!
Ellen Van Loon is an architect at the forefront of her field. Alongside six partners, including Rem Koolhaas and Reinier de Graaf, her work at the Dutch architecture practice, OMA, has encompassed some of the most iconic modern buildings in the world, including the award-winning Casa da Musica in Portugal. Two of her projects, The Rothschild Bank headquarters and Maggie’s Centre near Glasgow, were recently nominated for the RIBA Stirling Prize. She joined the practice in 1998 to lead the design for the headquarters of Universal Studios in Los Angeles. Her specific expertise lie in the balance of business acumen and an in-depth understanding of all technical and operational aspects. Here we profile Ellen, with The Rothschild Bank as a backdrop, learning about the strong bond that forms between architect and building.
Architects: Wiel Arets Architects
Location: Lengweg 3192 BM, Rotterdam , The Netherlands
Design Team: Wiel Arets, Bettina Kraus, Joris van den Hoogen, Jos Beekhuijzen
Collaborators: Mai Henriksen, Jochem Homminga, Joost Korver, Marie Morin, Julius Klatte, Sjoerd Wilbers, Benine Dekker, Anne-Marie Diederich
Consultants: ABT BV, Wetering Raadgevende Ingenieurs BV
Area: 41100 sqm
Photographs: Jan Bitter, Courtesy of Wiel Arets Architects