Location: Ponta Delgada, Portugal
Partners: Fernando Monteiro, Marco Resendes, Miguel Sousa
Architect In Charge: Fernando Monteiro
Project Team: Marco Resendes, Miguel Sousa, Pedro Furtado, Diana Policarpo, Maria Melo Bento
Project Area: 240 sqm
Project Year: 2014
Photographs: Paulo Goulart
Location: Penafiel, Portugal
Principal Architects: Henrique Marques & Rui Dinis
Collaborating Architects: Rui Rodrigues, Sérgio Rocha, Rui Miguel, Vasco Giesta, Pedro Silva
Engineering: Lino Correia Engenharia
Finance Director: Carla Duarte – cfo
Project Area: 1177 sqm
Project Year: 2014
Photographs: Fernando Guerra | FG+SG
Architects: Alejandro Aravena | ELEMENTAL
Location: Vicuña Mackenna 4860, Macul, Santiago Metropolitan Region, Chile
Project Team: Alejandro Aravena, Juan Cerda
Collaborators: Samuel Gonçalves, Cristián Irarrázaval, Álvaro Ascoz, Natalie Ramirez, Christian Lavista, Suyin Chia, Pedro Hoffmann
Area: 8176.0 sqm
Photographs: Nico Saieh, ELEMENTAL | Nina Vidic
Architects: Álvaro Siza, Carlos Castanheira
Location: Huai’an, Jiangsu, China
Architects In Charge: Álvaro Siza e Carlos Castanheira
Local Partner: United Architects & Engineers Co., Ltda
Project Management: Stephen Want & Richard Wang
Client: Por-Shih, Diretor da Shihlien Chemical Industrial Jiangsu Co., Ltd.
Project Area: 11000 sqm
Project Year: 2014
Photographs: Fernando Guerra | FG + SG
The 20th Century was a time of significant political unrest, seeing two World Wars and the 70-year rise and fall of a major superpower, the Soviet Union, among countless other conflicts. In some ways, “modernity” could be characterized by the rapid creation and crystallization of huge numbers of nation states since the outbreak of World War One a hundred years ago.
Reacting to the theme of “Absorbing Modernity“ set for the national pavilions at this year’s Venice Biennale, the curators of the Austrian pavilion chose to investigate the area where this political unrest most overlaps with architecture: the Parliament Buildings of countries around the world.
Read the curator’s take on the pavilion after the break
“We consider Bakema not so much an architect of buildings, but an architect of a new idea of what Holland could be–a new national identity, a new national landscape…with an architect in the center of this particular ambition.” – Guus Beumer, co-curator of the Dutch Pavilion at the 14th Venice Biennale
Guus Beumer and Drik van den Heuvel, curators of “Open: A Bakema Celebration,” sat down to speak with us about this year’s Dutch Pavilion at the Venice Biennale. With the help of graphic designers Experimental Jetset, Beumer and van den Heuvel created an emblematic, stripped-down, research-focused display of a particularly Dutch idea: the “Open Society.” This was all conveyed within and around a 1:1 model of architect Jaap Bakema’s Lijnbaan Shopping Centre (Rotterdam 1954), constructed within the Netherlands Pavilion.
The hope, as Dirk van den Heuvel explains, is that “the elements of Bakema…may be useful, inspiring for our own practices today. Elements that he developed in questions to housing, planning, modernizing… I think when you come here you will recognize that there’s lots of affinities, interesting things that we still work with and that we will work with in the future.”
After you watch the video, make sure to read the curator’s statement, and see images of the pavilion, after the break.
From the Curators. By making space the manifestation of content and content an insight of the space, space and content are correlated in the China Pavilion in that content provides an explicit timeline of China’s 100 years’ of architectural thinking (dual theme threads), while space presents an implicit theme of Yi Xiang (imagery-scape) through the history of Chinese architecture.
“Poi piovve dentro a l’alta fantasmi.” (“Then rained down within the high fantasy…”) Dante Alighieri (Purgatorio XVII.25)
From the Curators. Kosovo has never absorbed modernity. Modernity has been a synonym of destruction and foreign aesthetics.
“Forms of Freedom: African Independence and Nordic Models” – The Nordic Pavilion at the Venice Biennale 2014
From the Curators. The exhibition at the Nordic Pavilion has been titled FORMS OF FREEDOM: African Independence and Nordic Models. The exhibition explores and documents how modern Nordic architecture was an integral part of Nordic aid to East Africa in the 1960s and 1970s. The resulting architecture is of a scope and quality that has not previously been comprehensively studied or exhibited.