OMA (NY), along with local collaborators Gomez + Castro Arquitectos, has been selected to masterplan the Bogotá Centro Administrativo Nacional (CAN) in Colombia, a mixed-use civic center roughly the size of Washington DC’s National Mall. Located at the midpoint of Calle 26 Avenue, the city’s main axis that has symbolically charted its growth from the historic downtown to the airport and the international gateway of Colombia, CAN will serve as a new city center and government headquarters with additional programs of residential, educational, retail and cultural developments.
Shohei Shigematsu, director-in-charge of OMA New York, commented, “Our proposal enables CAN to be a lively node, providing a continuous public domain that curves through the site to connect the park, the university and Calle 26. With a single gesture, the arc achieves a clear urban identity while accommodating programmatic diversity.”
Zaha Hadid Architects, Coop Himmelb(l)au, UNStudio, and Snøhetta are some of the 45 shortlisted practices competing to design the International Specialized Exposition (Expo 2017) in Astana, Kazakhstan. Each practice, selected from more than a 100 proposals worldwide, has submitted their own interpretation of the expo’s theme: “Future Energy”. Come September, the jury will announce which vision best represents what will be the country’s first world fair.
“The theme of our exhibition is closely related to ‘green economy’, which takes into account the possibility of using alternative energy sources and the autonomous water and heat provision in each of the constructions,” said Kazakhstan president Nursultan Nazarbayev.
Responding to rising sea level predictions and elevated threats of coasting flooding, Perkins + Will design principle Brian Healy has proposed a replicable, floating residential community for Boston’s harbor: Floatyard. In this TEDx, Healy argues that not only would this radical proposal protect coastal housing investments, it could reengage Charlestown’s industrial harbor. In addition to this, Floatyard’s architecture would incorporate solar energy and rainwater harvesting on its roof, as well as capitalize tidal energy from the mooring columns which anchor it.
New York-based, Serbian-born performance artist Marina Abramović has successfully secured funding via Kickstarter for phase one of an interdisciplinary performance and education center in Hudson, New York. The project, known as the Marina Abramovic Institute for the Preservation of Performance Art (MAI), aims to be the first crowdfunded cultural institution ever to be built as well as the only international arts center dedicated to presentation and preservation of long-durational work. With the help of Abramović’s “global community of collaborators,” OMA will now move forward with the project’s design development process. More information on the MAI’s design can be found here.
The Buckminster Fuller Institute (BFI) has shortlisted nineteen, innovative proposals for the 2013 Buckminster Fuller Challenge. The annual international design challenge, who crowned The Living Building Challenge as winner last year, awards $100,000 to support the development and implementation of a strategy that has significant potential to solve humanity’s most pressing problems.
The 2013 Buckminster Fuller Challenge Semi-Finalists are:
What was once a symbol of Caracas’ bright financial future is now the world’s tallest slum: Venezuela’s Tower of David. Squatters took over this unfinished 45-story skyscraper in the early 1990s, after its construction was stopped due to a banking crisis and the sudden death of the tower’s namesake, David Brillembourg.
Now, as the government is grappling with a citywide housing shortage, many residents have spent most of their life within the walls of David. And despite the tower’s reputation as being a hotbed of crime, residents have managed to build a self-sustaining community complete with a communal electrical grid and aqueduct water system.
Few cameras have been allowed into the depths of the tower, so watch as Vocativ captures a rare in-depth access to residents’ daily lives.
Shigeru Ban’s Cardboard Cathedral is officially open to the public, just over two years after the crippling 6.3 magnitude earthquake ravished the New Zealand town of Christchurch. With an expected lifespan of 50 years, the temporary cathedral will serve as a replacement for the city’s iconic 1864 Anglican cathedral – one of Christchurch’s most prized landmarks – until a more permanent structure is built.
UPDATE: All three shortlisted teams have been announced. Check out there proposals here.
BIG, WHR and Arup have been shortlisted alongside two other design teams to participate in the second phase of the design competition for what will be Denmark’s largest hospital. The 124,000 square meter facility, known as the Nyt Hospital Nordsjælland, is planned to be built north of Copenhagen.
According to the jury, “BIG’s ideas, together with the large green spaces and green surfaces, mean that we really can talk about a healing hospital in the best possible interpretation of the concept.”
We will keep you updated as details of the other shortlisted teams emerge.
Ten of Los Angeles’ Case Study Houses have been deemed historically significant and worthy of being included on US’s National Register of Historic Places. Despite the Los Angeles Conservancy’s belief that all of them deserve “equal preservation protections,” the 11th home was not included due to “owner objection.”
The Case Study Houses spawned from a post-WWII residential experiment, presented by the Arts & Architecture magazine in 1945, which introduced modern movement ideas for affordable and efficient housing. Designs by the likes of Richard Neutra, Charles and Ray Eames, Pierre Koenig, Eero Saarinen and others, redefined the modern home and, with the help of Julius Shulman, placed Los Angeles as an epicenter for mid-century modernism.
The 11 homes included on the register are:
Norman Foster has walked away from a $670 million expansion project for Moscow’s largest museum of European art: The Pushkin Museum of Fine Arts. According to The Art Newspaper, the prized British architect resigned from the project back in June after Moscow’s chief architect, Sergei Kuznetsov issued an ultimatum that demanded Foster either work and defend the project himself or turn it down.
Colorado’s Biennial of the Americas has invited artists and architects from across the Americas to participate in the second edition of Draft Urbanism: a citywide exhibition that examines the evolving relationship we have with our cities. This year, four architects – plan:b arquitectos (Colombia), Pezo von Ellrichshausen (Chile), June14 Meyer-Grohbrügge&Chermayeff (New York/Berlin), and Alex Schweder (New York) – were commissioned to each design and build a large-scale installation that address site-specific urban challenges and key planning issues presently facing downtown Denver.
With urban challenges ranging from Denver’s over abundance of surface parking lots to the effects of an 8-lane thoroughfare that splits the downtown core, these four installations aim to portray a deep understanding of the city’s history while proposing innovative ways in which art can address our urban future.
Read on to learn about the installations and view a short film for each by Cristobal Palma.
One of the United States’ most polluted bodies of water is about to receive a much needed make-over: In early 2014, construction will begin on a pollution-preventing greenscape that will run alongside Brooklyn’s Gowanus Canal. The proposal, dubbed Sponge Park, was envisioned more than five years ago by Susannah Drake of dlandstudio and has just now “soaked up” enough funds to move forward.
Since Mayor Bloomberg took office in 2001, the fabric of New York City has been in constant flux. In just 12 years, Bloomberg has lead an effort to rezone 37 percent of the city to create opportunities for high-density growth, as well as aided the construction 40,000 new buildings and 450 miles of bike lanes. Putting these efforts in perspective, the New York Times has released the interactive feature “Reshaping New York” that compares statistics with drastic ‘before and after’ comparisons. Check it out and read our report on Bloomberg’s lasting affect on the Empire State here.
This article was written by Seattle-based designer and critic Evan Chakroff.
Lexington Kentucky’s Miller House is a built manifesto: an ambitious proposal for the future of suburbia in an age of unprecedented urbanization. Despite its pedigree – designed and built by Le Corbusier protégé José Oubrerie – and despite its (appropriate) selection as a “masterwork” by Kenneth Frampton, the project remains somewhat unknown and the architect underappreciated.
The house should absolutely occupy a place in the canon of great residential architecture. The complex composition alone should inspire myriad formal readings, but more importantly the house represents a model for communal life amid continuously-shifting family structures. It’s a radical rejection of a suburban lifestyle that has become socially, economically, and culturally unsustainable.
Kyoto-based architects Kentaro Takeguchi and Asako Yamamoto of Alphaville Architects have completed a small guest house for tourists visiting the sacred Koyasan (Mt. Koya) in Wakayama Prefecture, Japan. The 96 m2 (1,033 ft2) building contains bedrooms, capsule-style dormitory rooms, a bar, and lounge. Between the bar, hallway, and lounge, 2 x 4 and 2 x 6 timber frames are exposed inside at varying intervals to act as partitions
This video was provided by JA+U.
Team UOW from the University of Wollongong in Australia has been awarded first place at the 2013 Solar Decathlon China, taking top honors for its net-zero, water-conserving design. Selected from 22 teams and 35 universities, Team UOW’s winning entry – the Illawarra Flame House – was the first retrofitted house ever to be submitted in decathlon history.
Spirit of Space has shared with us their most recent collaboration with Phil Enquist of Skidmore, Owings & Merrill: Art in the City. Pairing powerful quotes with imagery from the Chicago’s most prominent works, the film “expresses the vitality and vibrance that public art can bring to the urban environment by experientially including the viewer in the making of place.” As Spirit of Space describes, “The art is a reflection of the City, the art becomes a part of the City, the art is instrumental in making the City.”
Featured works include Picasso’s sculpture for Daley Plaza, along with Anish Kapoor’s Cloud Gate and Jaume Plensa’s Crown Fountain in Millennium Park.
Why is it that the Bay Area can suffer a 6.9 earthquake and lose just 63 people, while Haiti suffers a slightly stronger quake and loses about 100,000? The answer: shoddy construction. As Bryan Walsh of TIME points out, “We tend to focus on the size of an earthquake, but death toll has more to do with the quality of buildings. [...] Poverty — and even more, poor governance and corruption — is the multiplier of natural disasters. [...] That’s why one of the most vulnerable places in the world is south-central Asia.” Learn more about the dangers of poorly constructed buildings here and see what the “true value” of architecture is here.