Steven Holl Architects has shared with us an impressive gallery of images of their recent project, Nanjing’s Sifang Art Museum. Rising above the lush landscape of the Pearl Spring, the new museum was designed as a physical manifestation of the parallel perspective, a technique prevalent in early Chinese paintings. From a subtly distorted courtyard with no vanishing points to an upper level gallery with calculated views and pristine light, the experience through the Sifang Art Museum is unlike any other.
See for yourself, after the break…
The Chicago Architectural Club has named Christopher Marcinkoski and Andrew Moddrell of PORT Architecture + Urbanism and Grant Gibson of CAMES/gibson winners of this year’s Emerging Visions. Since its inauguration in 1998, the portfolio competition has sought to recognize significant endeavors by young architects, designers and new practices in Chicago. Works designed by the recipients will be on display at the 2014 AIA National Convention in Chicago. More information, here.
The results are in: Dallas has selected Stoss + SHoP’s “Hyper Density Hyper Landscape” (HDHL) over finalists Ricardo Bofill and OMA+AMO to reunite its downtown with the neighboring Trinity River. The winning team’s pragmatic approach aims to activates the region’s “full potential” by introducing an alternating “grid-green” development that will transform 176 acres into three new “dynamic, mixed-used” neighborhoods.
“The idea is very clear and compelling,” stated the jury. “There’s much left to be resolved in details but the diagram of the green coming into the city and the city going into the Trinity is a very powerful diagram that should become a strategy for managing change as the community moves forward.”
New York-based Selldorf Architects has been summoned to the West Coast to design an expansion that will triple the size of the Museum of Contemporary Art San Diego’s (MCASD) campus in La Jolla. Chosen after a competitive country-wide search, Selldorf is expected to add an addition 20,000 square feet of exhibition space, which will provide opportunities for temporary exhibitions and large scale installations, as well as house the museum’s 4,571-piece permanent collection.
According to the museum, Selldorf was ultimately chosen due to her reputation of designing spaces that enhance, rather than upstage, the subject it serves.
Curators FAT Architecture and Crimson Architectural Historians have released more details on this year’s British Pavilion for the 14th Venice Architecture Biennale. Responding to Rem Koolhaas’ theme, “Absorbing Modernity: 1914-2014,” A Clockwork Jerusalem will “explore the diverse cultural influences that shaped and were shaped by British Modernism in the post war era and over the last 100 years.”
“A Clockwork Jerusalem will offer the opportunity to explore and rethink fundamental aspects of British modernity, beyond architecture,” described Vicky Richardson, Director of Architecture, Design and Fashion at the British Council. “As the Venice Biennale evolves into a global research project, we are keen to make a significant contribution to the cultural debate around the past, present and future of UK and global architecture.”
More from the curators, after the break…
The International Interior Design Association (IIDA) has named winners of its 41st Interior Design competition, celebrating “outstanding and innovative” interior design “that encourages new ideas and techniques.” In addition to this, the IIDA announced the 22nd winner of its annual Will Ching competition, which recognizes “originality and excellence in commercial design from firms with five or fewer employees.” Preview all the winners, after the break.
The İstanbul Foundation for Culture and Art (İKSV) has announced Turkey’s first-ever participation in the Venice Architecture Biennale: “Places of Memory.” Comprised of the work of five contemporary Turkish artists, and curated by architect Murat Tabanlıoğlu, the pavilion will aim to illustrate how a variety of 20th century architectural styles eventually evolved into a singe style throughout most of the contemporary world.
Silvio d’Ascia Architecture, Omar Kobité Architecture and Eric Giudice Architects have been announced as winner of an international competition to design the new TGV high-speed railway station in Kénitra. The winning design aims to unite the northern and southern parts of the city by providing two entryways joined by one geometrical volume whose triangular framework recalls traditional shapes found in vernacular Moroccan architecture.
The Royal Architectural Institute of Canada has named Peter Busby the 2014 recipient of the RAIC Gold Medal, the highest honor awarded by the organization. Since founding his Vancouver practice in 1984, Busby has built a reputation for being a “powerful catalyst in the growth of the green architecture movement,” a pioneer in sustainability. In 2004, Busby merged his firm with Perkins+Will. He now serves as the Managing Director of Perkins+Will’s San Francisco office. More information on Busby and the award, here.
The American Institute of Architects (AIA) and the American Institute of Architecture Students (AIAS) have committed themselves to pushing a bill that would provide U.S. architecture graduates student loan relief in exchange for community service, an offer already granted to lawyers and doctors. The bipartisan legislation, known as the National Design Services Act (NDSA), was introduced today in an effort to free young professionals from the crushing cost of education (architecture being one of the disciplines with the highest loan balances) and aspire them to contribute their design service to the betterment of their communities. Learn more, here, and sign the petition in support of NDSA.
Architects von Gerkan, Marg and Partners (gmp), with partners JB Ferrari, have won first prize in an international competition to design a new children’s emergency unit at the Lausanne University Hospital in Switzerland. The 85-bed hospital will feature a terraced inner courtyard with conservatory, which will serve as a protected outside play area, that offers ample natural light and space for plant-life.
The National Museum in Norway has been chosen to curate the Nordic Pavilion for the 2014 Venice Architecture Biennale, in collaboration with the Museum of Finnish Architecture, the Swedish Centre for Architecture and Design in Stockholm, and architectural firm Space Group. The exhibition, “FORMS OF FREEDOM: African Independence and Nordic Models” will study modern Nordic architecture’s role in the liberation of East Africa during the 1960s and 70s.
Steven Holl has, again, teamed up with Spirit of Space to produce two short films on the recently completed Sifang Art Museum. In the first video (above) Holl explains the project’s inspiration – the mysteries of parallel perspective seen in early Chinese paintings – and how the design subtly distorts any concept of a vanishing point at the ground level yet contrasts this notion in the upper galleries by framing the distant view of Nanjing. In the second video (after the break), Spirit of Space allows you to experience this space by revealing it from all perspectives and scales.
See the second video, after the break…
The Municipal Art Society (MAS) of New York has announced New York Times architecture critic Michael Kimmelman as winner of the 2014 Brendan Gill Prize, a cash award presented annually to the creator of a specific work that “best captures the spirit and energy of New York City.” Kimmelman is being recognized, as President Vin Cipolla described, for his “insightful candor and continuous scrutiny of New York’s architectural environment” that is “journalism at its finest.” See why they singled out his coverage on the challenges of Penn Station, here.
Commissioned after winning an international competition in 2010, Portuguese architect Álvaro Siza Viera and Granada-based Juan Domingo Santos have unveiled designs for a new entrance and visitors center at the Alhambra World Heritage site. A result of “superimposing a regular geometry over a territory of topography,” the new gate rearranges visitor access into the more than 1000-year-old monument through a series of enclosed, shaded courtyards and open, sunlit terraces.
Following to his experience at the Alhambra in 2009, Siza journaled about his envision for the new gate, stating: “…from bright sun to shadows, from warmth to coolness, from wide to intimate focus, I like to dream about my project before I set it down in any detail.”
The City of Denver has launched “Imagine 2020,” a pro-arts cultural plan that will pave the way for more city-wide “art opportunities” over the next seven years. According to the Denver Post, this initiative will include the revision of “plans, permits and codes” to allow for more installations, offer small micro-art grants for residents and neighborhoods, and establish large public gathering places throughout the city. You can learn more, here.
Portuguese Architect Ines Lobo has won the second edition of the arcVision Prize – Women and Architecture, an international social architecture award instituted by the Italcementi Group. Commended by the jury for being a “versatile architect,” Lobo has built a reputation for “creatively attacking complex architectural problems” at a variety of scales “within the existing urban fabric.”
The City of Rotterdam has unveiled MVRDV’s competition winning design for a new public art depot in Rotterdam’s Museumpark. Clad in a highly reflective glass, the cylindrical BREEAM Excellent-planned “Collection Building” will store the “precious art collection of Rotterdam” as well as offer commercial interior storage for private collectors. It is designed to expose the inter workings of a museum, winding visitors up a public route, past storage rooms and restoration workshops, to a rooftop exhibition space, sculpture garden and restaurant.