To accommodate for the inevitable growth in population, Tampere, Finland’s second largest city has shortlisted five teams to reimagine its largest railway station. With of vision of the Tampere Railway Station becoming a lively multi-functional city area by 2030, competitors have been asked to design an overall masterplan that will guide future development for the travel and service center area. The following architect-led teams have each received €80,000 to participate:
After starting the year with a “modest uptick” that disrupted a three month cycle of decline, the Architecture Billings Index (ABI) for Feburary has revealed that design services in the United States are continuing to (slowly) improve. As reported by the American Institute of Architects (AIA), last month’s ABI score was 50.7, up slightly from a mark of 50.4 in January. In contrast, the new projects inquiry index continued to fall, dwindling from 58.5 to 56.8 in February. This however, as AIA Chief Economist Kermit Baker believes, could be due to harsh weather conditions that stalled construction activity throughout many parts of the country over the past few months .
More information and regional highlights, after the break…
Parliament, “the place where the power of the people has found its home,” will be the focus of Austria’s contribution to the 2014 Venice Architecture Biennale. With over 200 national parliament buildings from around the world modeled at a scale of 1:500, the exhibition, “Plenum. Places of Power.” will explore how the architecture of parliament connects to the public, influences national identify, and more.
“The idea of democratic legitimation of power is so widespread today that no nation can do without building such a place, at least in name, for a representative popular assembly,” described commissioner Dr. Christian Kühn. “What do these places look like? And how are they connected to a public whose trust in democratic formation of will seems to be dwindling around the globe?”
TED2014 commenced yesterday at the Vancouver Convention Center within a temporary 1200-seat auditorium designed by David Rockwell. Built from 600 wood components, and assembled in just 4.5 days, the pop-up theater was designed to be easily disassembled and reused by TED for years to come. Viewers are presented with sixteen seating options, from beanbags to lounge seating and traditional theater chairs, to ensure they are provided with the optimal listening, and sharing, experience. More images and a time-lapse video of construction, after the break.
UPDATE: Three teams have been selected to move forward in the competition: Allied Works Architecture (Portland/New York), Tod Williams Billie Tsien Architects (New York), and the team of Patkau Architects (Vancouver, B.C.) and Fong & Chan Architects (San Francisco). The finalists will present their proposals April 3 and a winner will be announced shortly after.
Seven high-profile teams have been shortlisted to design a new research, museum and performing arts center for the University of California, Santa Cruz (UCSC). Planned for a stunning site overlooking the Pacific Ocean, the $32 million project is intended to be “an innovative educational experiment” that will “blur the lines between disciplines to beautiful effect.” The shortlist ranges from Steven Holl to Tod Williams Billies Tsien. The complete list of competitors, after the break.
Jersey City’s Journal Square will soon reach new heights, as Hollwich Kushner (HWKN) and Handel Architects have broken ground on what will be the tallest building in New Jersey: Journal Squared. The transit-oriented urban renewal project will be completed in three phases; the first, which will add 540 residential units to the area, is planned for completion in mid-2016. Once the 2.3 million square foot project is complete, three metal panel clad towers will dominated the skyline, ultimately totaling in 1,840 units and reaching up to 70 stories.
Hans Ulrich Obrist, co-director of London’s Serpentine Gallery, has been chosen as curator for the Swiss pavilion at the 2014 Venice Architecture Biennale. Inspired by director Rem Koolhaas’ theme, “Fundamentals,” Obrist recalled the first architects he ever met, Jacques Herzog and Pierre de Meuron, and invited them to collaborate on the exhibition.
“When I was invited to do the pavilion, I thought working with [Herzog and de Meuron] fit in with the whole idea of the biennale this year – looking to the past, and using the past as a toolbox to create the future,” Obrist told ARTINFO UK.
As part of an initiative to raise money for the Transbay Transit Center, the City of San Francisco has sold a $72 million, city-owned parcel to developer Related of California that will pave the way for a 550-foot, OMA New York-designed residential tower. Located on Folsom Street, between First and Fremont streets, the new tower will be a mix of condominiums and rental apartments, of which 27 percent must be affordable to residents making 60 percent of the area’s median income ($58,250 for a family of four, according to SFGate). We will keep you posted as more details become available.
Placing fifth in the international competition to design the Austrian Pavilion for the 2015 Milan Expo, Paolo Venturella’s concept is designed as an extruded version of the Austrian mountain house that connects two major programs: an exhibition space and “big green-house.” To the north, the elevated exhibition space is shielded by a fabric sheathing which diminishes as it moves towards the greenhouse, south, where visitors are presented with a fresh vegetable garden, bar and restaurant that serves traditional cuisine.
Tadao Ando, Elizabeth Diller, Rem Koolhaas and Thom Mayne are among the many signing a petition to urge Russian president Vladimir V. Putin to reconsider the fate of the neglected Shabolovka Radio Tower (Shukhov Tower), “a structure of dazzling brilliance and great historical importance,” as Norman Foster once described. Designed by Vladimir Shukhov and completed in 1922, the 160-meter hyperboloid structure is a 20th-century engineering feat that has served as a landmark of modernist architecture.
Toyo Ito has been selected to join a distinguished roster of laureates, including Mies van der Rohe, I.M. Pei, Jane Jacobs and Maya Lin, as the 2014 Thomas Jefferson Medalist in Architecture. Presented by the University of Virginia, in collaboration with the Thomas Jefferson Foundation at Monticello, the award recognizes significant “achievements of those who embrace endeavors in which Jefferson, author of the Declaration of Independence and third U.S. president, excelled and held in high regard.”
Shigeru Ban was pulled from a selection of 238 competitors as the “best person” to design the new Mount Fuji World Heritage Center in the Shizuoka Prefecture of Japan. The 4,300 square meter structure is expected to cost up to ¥2.4 billion and complete in the year 2016. We will keep you posted as more details become available.
The Hague government officials have named KAAN Architecten’s design for the Facilicom Consortium PPS B30 as winner of the PPP contract for the Bezuidenhoutseweg 30 project. Originally built in 1917 for the Department of Agriculture, Nature Management and Fisheries, KAAN is expected to transform the existing National Heritage Site facilities into a vibrant and open “modern day think tank” for the Dutch government.
Steven Holl Architects has shared with us an impressive gallery of images of their recent project, Nanjing’s Sifang Art Museum. Rising above the lush landscape of the Pearl Spring, the new museum was designed as a physical manifestation of the parallel perspective, a technique prevalent in early Chinese paintings. From a subtly distorted courtyard with no vanishing points to an upper level gallery with calculated views and pristine light, the experience through the Sifang Art Museum is unlike any other.
See for yourself, after the break…
The Chicago Architectural Club has named Christopher Marcinkoski and Andrew Moddrell of PORT Architecture + Urbanism and Grant Gibson of CAMES/gibson winners of this year’s Emerging Visions. Since its inauguration in 1998, the portfolio competition has sought to recognize significant endeavors by young architects, designers and new practices in Chicago. Works designed by the recipients will be on display at the 2014 AIA National Convention in Chicago. More information, here.
The results are in: Dallas has selected Stoss + SHoP’s “Hyper Density Hyper Landscape” (HDHL) over finalists Ricardo Bofill and OMA+AMO to reunite its downtown with the neighboring Trinity River. The winning team’s pragmatic approach aims to activates the region’s “full potential” by introducing an alternating “grid-green” development that will transform 176 acres into three new “dynamic, mixed-used” neighborhoods.
“The idea is very clear and compelling,” stated the jury. “There’s much left to be resolved in details but the diagram of the green coming into the city and the city going into the Trinity is a very powerful diagram that should become a strategy for managing change as the community moves forward.”
New York-based Selldorf Architects has been summoned to the West Coast to design an expansion that will triple the size of the Museum of Contemporary Art San Diego’s (MCASD) campus in La Jolla. Chosen after a competitive country-wide search, Selldorf is expected to add an addition 20,000 square feet of exhibition space, which will provide opportunities for temporary exhibitions and large scale installations, as well as house the museum’s 4,571-piece permanent collection.
According to the museum, Selldorf was ultimately chosen due to her reputation of designing spaces that enhance, rather than upstage, the subject it serves.
Curators FAT Architecture and Crimson Architectural Historians have released more details on this year’s British Pavilion for the 14th Venice Architecture Biennale. Responding to Rem Koolhaas’ theme, “Absorbing Modernity: 1914-2014,” A Clockwork Jerusalem will “explore the diverse cultural influences that shaped and were shaped by British Modernism in the post war era and over the last 100 years.”
“A Clockwork Jerusalem will offer the opportunity to explore and rethink fundamental aspects of British modernity, beyond architecture,” described Vicky Richardson, Director of Architecture, Design and Fashion at the British Council. “As the Venice Biennale evolves into a global research project, we are keen to make a significant contribution to the cultural debate around the past, present and future of UK and global architecture.”
More from the curators, after the break…