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A month after the event, the various nominees of 2018's World Architecture Festival have returned to their home cities, leaving the fanfare of the year's event in Amsterdam as a memory. But that's not to say it's not left a lasting impact.

If asked about comfort, what is the first thing that comes to mind? Luxurious finishes, plush chairs and sleek interiors? Few would think of their office, and the likely culprit is a fundamental ignorance of an alternative definition of comfort. When defined as a state of physical well-being derived from the provisions that are necessary for occupants to perform space-specific tasks, it’s apparent that architects play a key role--and that comfort is not just about spaces that are comfortable for leisure activities.

Architects and designers are responsible for the visual, thermal and acoustic qualities of spaces, not to mention the indoor air quality of our offices and homes. This is fundamental considering that the typical 21st century urbanite spends an average of 90% of time indoors. We constantly experience physical, psychological and physiological consequences of the balance (or imbalance) of indoor environmental design .

With this in mind, thermal comfort seems obvious (and it is) but unfortunately comfort as a holistic goal of architecture has not been taken seriously enough. Beyond measuring the acoustic and visual aspects of a built space, architects must have a solid understanding of the underlying concepts that drive the best practices. A solid grasp on how material selections will affect qualitative assessments of conferences rooms, homes, theaters, etc. can improve basic tectonic decision making that can, in turn, create more comfortable spaces.  

In a year packed with headlines, you’d be forgiven for occasionally letting them pass you by. But even within the mass of project proposals, awards, competitions, and events, a few trends emerged in 2018 - trends that both tell us about the year past and suggest where things might be heading. These trends, below:

It's time to get into the Holiday Spirit! As we've done for the past few years, we're seeking holiday cards with an architectural spin to feature on ArchDaily. We expect abundant puns and festively decorated classic buildings. :)

“A drawing should be a key to the understanding of architecture – what is there to like or dislike, where do architects’ ideas come from, how do these ideas make it to paper, and what is important in this process.” - Sergei Tchoban

For the past month the Russian-German architect, artist, and collector Sergei Tchoban has been the focus of the exhibition, Sergei Tchoban: Drawing Buildings/Building Drawings, bringing together fifty of the architect’s large-scale urban fantasy drawings. These drawings, while intriguing for their technical and artistic value, also reflect Tchoban's deeply personal contemplations about the past, present, and future of his favorite cities - Saint Petersburg, Rome, Amsterdam, Venice, Berlin, New York – along with in-depth documentation of five realized projects (two museums, two exhibition pavilions, and a theater stage design.)

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Following an extensive day of presentations, panels, critiques, and talks The World Architecture Festival (WAF) has announced the Day 1 category winners in their 2018 programming. Winners are recognized in over 35 categories over the first two days of the conference, which culminates with the announcement of the World Building of the Year 2018 on the third and final day of the conference.

While still early days, the world’s largest architectural award program, the WAF Awards is poised for its biggest year yet, with a total of 535 shortlisted projects from 57 countries across the world.

Danish architecture firm ADEPT has been announced the winner of a competition to redevelop Berlin's Marinehaus as part of the city's Stadtmuseum group. This iteration of the competition was launched in 2018 (following a similar competition ten years ago) and will rehabilitate the Marinehaus for public use after nearly 20 years of closure.

At IE School of Architecture and Design, we know that the world of work is changing so fast that we cannot always keep up. Industry disruptors, such as emerging technologies, are unsettling the setup of the traditional office. Workforce demands, the ongoing talent war, and the threat of job replacement by AI all contribute to a workforce under tremendous pressure, creating new dynamics at work.

Alain de Botton’s Living Architecture project - a joyful, democratically-minded concept to share quality architecture in the UK - was borne out of personal crisis. The Swiss-born philosopher and author gained fame in both popular and architectural circles following the release of his book, "The Architecture of Happiness."

The book was immediately successful (movie buffs may recall its brief cameo in the 2009 film 500 Days of Summer), but the response unsettled Botton. “...However pleasing it is two write a book about an issue one feels passionately about," he explained to Assemble Papers, "the truth is that - a few exceptions aside - books don’t change anything. I realized that if I cared so much about architecture, writing was a coward’s way out; the real challenge was to build.”

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Erieta Attali has devoted two decades to exploring the relationship between architecture and the landscape at the edges of the world. Attali’s photography interrogates how extreme conditions and demanding terrains provoke humankind to re-orient and center itself through architectural responses. Her unrelenting and highly physical expedition has seen her traverse four continents, working in isolated and remote terrains from Iceland to the Indian Ocean.

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Manhattan is known for its iconic skyline, brimming with skyscrapers, high rises, and some of the most impressive architecture in the world. But it wasn’t always that way; it took hundreds of years for New York City to become the structurally diverse, world-famous city that it is today.

This was originally posted on October 17, 2017.

When it's time to dress up for Halloween, Carnival or theme parties, people often choose costumes that resonate with their interests. This is especially true for architects, who are particularly well-suited to designing and building head-turning outfits. For students and young architects, the yearning to construct (and destruct) stems from the will to create elaborate headpieces and ingenious appendages.