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Bring New York's Never-Built Projects to Life With This Kickstarter

10:30 - 22 May, 2017
Bring New York's Never-Built Projects to Life With This Kickstarter, Buckminster Fuller Dome 1961. Image Courtesy of Metropolis Books
Buckminster Fuller Dome 1961. Image Courtesy of Metropolis Books

The “Never Built” world so far includes Never Built Los Angeles, a book and exhibit, and the book, Never Built New York. Now, the Queens Museum hopes to continue the exploration into the New York that might have been with a Never Built New York exhibition and has launched a Kickstarter campaign with a goal of $35,000 to make it happen. The exhibition, curated by Sam Lubell and Greg Goldin and designed by Christian Wassmann, will explore 200 years of wild schemes and unbuilt projects that had the potential to vastly alter the New York we know today.

Howe and Lescaze MoMA. Image Courtesy of Metropolis Books Rufus Gilbert Gilbert's Pneumatic Railway. Image Courtesy of Metropolis Books Frank Gehry Guggenheim Museum 2000. Image Courtesy of Metropolis Books SHoP Flushing Stadium 2013. Image Courtesy of Metropolis Books +7

"Don't Blame Me!": 6 Projects That Were Disowned by High-Profile Architects

09:30 - 22 May, 2017
"Don't Blame Me!": 6 Projects That Were Disowned by High-Profile Architects, © <a href=''>Flickr user tseedmund</a> licensed under <a href=''>CC BY 2.0</a>
© Flickr user tseedmund licensed under CC BY 2.0

Construction is an exercise in frugality and compromise. To see their work realized, architects have to juggle the demands of developers, contractors, clients, engineers—sometimes even governments. The resulting concessions often leave designers with a bruised ego and a dissatisfying architectural result. While these architects always do their best to rectify any problems, some disputes get so heated that the architect feels they have no choice but to walk away from their own work. Here are 6 of the most notable examples:

Courtesy of Renzo Piano Building Workshop, Studio Pali Fekete architects, AMPAS © Oskar Da Riz Fotografie © Danica O. Kus © <a href=''>Flickr user James Cridland</a> licensed under <a href=''>CC BY 2.0</a> +7

Advice For Procrastinator Architects

08:00 - 22 May, 2017
Advice For Procrastinator Architects, Collage: "The Storm" by Pierre-Auguste (87.15.134). The Metropolitan Museum of Art, 2000-. [1] (January, 2007), under public domain + Emoji One [Wikipedia], under license CC BY-SA 4.0. Image © Nicolás Valencia
Collage: "The Storm" by Pierre-Auguste (87.15.134). The Metropolitan Museum of Art, 2000-. [1] (January, 2007), under public domain + Emoji One [Wikipedia], under license CC BY-SA 4.0. Image © Nicolás Valencia

Scrolling through memes of cats in disguise. Checking if food has magically appeared in your refrigerator every ten minutes. Obsessively arranging books on your shelf by color. Renaming your computer's folders. In short, we seem to thrive on any irrelevant activity to avoid starting a reading, essay, model, or project. Procrastinate now, work later. Your future self can take care of business, after all.

As we suffer through long and strenuous projects, it is likely that we have all slipped into procrastination in order to avoid our next task. Not only do we avoid confronting work at the office or university studio, but also those personal errands which, if we dedicated ourselves, would enhance our daily lives. Below, based on our own experiences and expert opinion, and in order to avoid a host of other jobs around the ArchDaily office, we present 10 tips for architecture procrastinators, helping you to focus on the site analysis diagrams you should probably be doing right now!

This Hand-Laid Brick Feature Wall Was Inspired by Soundwaves in Water

12:30 - 21 May, 2017
This Hand-Laid Brick Feature Wall Was Inspired by Soundwaves in Water, © 22quadrat gmbh
© 22quadrat gmbh

German architecture firm 22quadrat was inspired by the visual effect created by soundwaves moving through water when designing “impulses,” a brick relief wall in the interior courtyard of the Pallotti Residential Complex in Freising, Germany. The architects derived the concept from a metaphor; a single brick is like a single particle, hardly noticeable on its own but capable of much greater impact when combined with others.

© 22quadrat gmbh © 22quadrat gmbh © 22quadrat gmbh © 22quadrat gmbh +19

Biking Through Denmark: Highlights of Copenhagen's Architecture Festival

12:00 - 20 May, 2017
Biking Through Denmark: Highlights of Copenhagen's Architecture Festival , © Kasper Nyobo
© Kasper Nyobo

This year's Copenhagen Architecture Festival (CAFx) offered a wide range of activities, from film screenings to exhibitions on the future of social housing. The festival's fourth edition took place over 11 days and featured more than 150 architectural events in Copenhagen, Aarhus, and Aalborg.

Festival Director Josephine Michau explained that since its first edition, the intention behind CAFx was to bring many local agents together in order to build new dialogues around architecture. As a society, how do we identify with architecture? What values do we ascribe to it? These questions were part of this edition's overarching theme: "Architecture as identity."

Barcelona's Meteorology Center by Álvaro Siza, Through the Lens of Fernando Guerra

15:58 - 19 May, 2017

In this photoset by Fernando Guerra, the photographer turns his lenses to a little-known project by Portuguese architect Álvaro Siza Vieira, Meteorology Center in Barcelona. 

How Developers Turned Graffiti Into a Trojan Horse For Gentrification

09:30 - 19 May, 2017
How Developers Turned Graffiti Into a Trojan Horse For Gentrification, 5 Pointz. Image © <a href=''>Flickr user iamNigelMorris</a> licensed under <a href=''>CC BY 2.0</a>
5 Pointz. Image © Flickr user iamNigelMorris licensed under CC BY 2.0

It happened in the middle of the night: the stealth whitewashing of 5Pointz, Long Island City's unofficial graffiti museum. In 2013 owner Jerry Wolkoff, of G&M Realty, wanted the building razed in order to erect new luxury condominiums, and the artists sued to preserve their work. A judge denied the artists' request and Wolkoff had the murals destroyed under cover of darkness, ostensibly to prevent them from attaining landmark status. Though graffiti was born as a subversive act, these artists had painted with Wolkoff's permission since 1993 and had turned the warehouse into “the world's premiere graffiti mecca” and the largest legal aerosol art space in the United States. This was a serious betrayal.

See Barcelona Through an Architect's Eyes

06:00 - 19 May, 2017

Barcelona is an amazing city.  With its vast amount of cultural offerings, the number of places to visit is almost infinite. If there is one thing that really sets Barcelona apart from other big cities is its architecture. Like in so many other cities, the best way to intimately get know a new place is to simply take a walk through its streets. This is what Barcelona Architecture Walks is all about, a specialized route hitting all the architectural must-see spots of Barcelona.

This is a series of urban walking tours organized by architects which allow you to discover the city through the buildings and lessons of their great masters. They are a must for every tourist who wants to do something different in Barcelona, while still getting the real Barcelona experience. Of course, if you're an architect, you have no excuse. Through six differently themed walks, you can experience firsthand these examples of architecture that often get lost in the tangle of tourists taking selfies. 

Cortesía de Barcelona Architecture Walks Cortesía de Barcelona Architecture Walks Cortesía de Barcelona Architecture Walks Cortesía de Barcelona Architecture Walks +5

Important Lessons Learned in 25 Years of Architecture Practice

09:30 - 18 May, 2017
Important Lessons Learned in 25 Years of Architecture Practice

This article was originally published by Archipreneur as "The 10 Most Important Lessons Learned in 25 Years of Architecture Practice."

The article is an expansion on one part of Archipreneur's interview with Craig Applegath, Founding Principal of DIALOG’s Toronto Studio. The architect spoke from his experience of running a 150-person practice and listed 10 tips for archipreneurs interested in starting their own business. Archipreneur shares that list here.

When I first started my own practice I thought everyone wanted to run their own practice. It turns out not. Most people just want to work in a great practice run by someone else. But for those who are real archipreneurs – and you know who you are – there is nothing so thrilling and fun as starting your own business; and nothing so scary and anxiety producing as starting your own business! They are the flip side of the same coin. But in terms of general advice for people starting their own practice or business here are ten key lessons I have learned over the past twenty-five years of practice:

10 Years On, How the Recession Has Proven Architecture's Value (And Shown Us Architects' Folly)

09:30 - 17 May, 2017
10 Years On, How the Recession Has Proven Architecture's Value (And Shown Us Architects' Folly), © <a href=''>Flickr user backkratze</a> licensed under <a href=''>CC BY 2.0</a>
© Flickr user backkratze licensed under CC BY 2.0

This article was originally published by Common Edge as "Building Madness: How the Boom and Bust Mentality Distorts Architecture."

Architects are economically bipolar; for us it is either the best or the worst of times. And it’s not just architects. The entire construction industry is tuned to these extremes, but only architects are psychologically validated by booms and crushed by busts. All professions have a larger source of dependency—medicine needs insurance, law needs the justice system—but the construction industry has a starker equation: building requires capital.

Contractors tend to react to market flows in purely transactional ways. Booms mean more work, more workers, more estimates, business expansion. For architects, a boom means life validation. Every architect wants to make a difference, and many want to offer salvation, like the architect Richard Rogers, who once said, “My passion and great enjoyment for architecture, and the reason the older I get the more I enjoy it is because I believe we—architects—can affect the quality of life of the people.” But salvation can only be earned if buildings are created.

How Air Conditioning Helped Shape Architectural History (For Better or Worse)

09:30 - 16 May, 2017
How Air Conditioning Helped Shape Architectural History (For Better or Worse), © <a href=''>CWCS Managed Hosting</a> via <a href=''>Flickr</a> licenesed under <a href=''>CC BY 2.0</a>
© CWCS Managed Hosting via Flickr licenesed under CC BY 2.0

This article originally appeared on Curbed as "How air conditioning shaped modern architecture—and changed our climate."

During a conversation with the New Yorkera window washer who worked on the Empire State Building says that some of his toughest moments have been cleaning the trash that tenants toss out the windows. In his many years working on the Depression-era skyscraper, he’s wiped numerous half-empty coffee cups off window panes, and even scraped 20 gallons of strawberry preserves from the building’s facade. Tossed out in the winter, it stubbornly clung to the outside of the skyscraper.

Cracking a window open in a skyscraper seems like a quirk, especially today, when hermetically sealed steel-and-glass giants offer the promise of climate-controlled comfort. But ever since Chicago’s Home Insurance Building, considered one of the first skyscrapers, opened in 1884, the challenge of airflow, ventilation, and keeping tenants cool has been an important engineering consideration shaping modern architecture.

The great commercial buildings of the modern era owe their existence, in many ways, to air conditioning, an invention with a decidedly mixed legacy.

The 13 Most Important Non-Architecture Skills You Learn in Architecture School

09:30 - 15 May, 2017
The 13 Most Important Non-Architecture Skills You Learn in Architecture School, © Megan Fowler
© Megan Fowler

Architecture school is a long haul and we all know it. Whether you get a 5-year professional degree or choose to take on a few years of graduate school (or both), it’s a grueling process. However, most would hopefully agree, it’s worth it for the knowledge you gain throughout those years (not to mention the friendships you form in the close quarters of the studio). Architectural education is about more than learning to design great spaces and whether or not you realize it at the time, architecture school is also a great teacher of other life lessons. All the skills below are those you’ll likely attain incidentally during your tenure in architecture school, but which will be an asset outside of academia as well.

Why Instagram Should Be a Part of Every Architect's Design Process

09:30 - 14 May, 2017


A post shared by Office Of Adrian Phiffer (@officeofadrianphiffer) on

Instagram is an app. Instagram shows images. Instagram is a verb. Instagram it! Instagram has 600 million users. Numbers are very important. These days, they are an exact expression of what one is, or isn’t; by the way, how many followers do you have? Instagram is the great equalizer.

I don’t think Instagram is about news. Instagram is about influence. It is that very moment when the old order is changed; the moment when the recent graduate changes the established practice. Instagram is space. Have you seen @archiveofaffinities? It is better than any school library. It is the space to spend your most important time. It is a spa.

Students Construct Timber Structures in the Argentinian Countryside at Hello Wood Argentina

09:30 - 12 May, 2017
Students Construct Timber Structures in the Argentinian Countryside at Hello Wood Argentina, Sombra Pampa / Marantz Arquitectura. Image © Fernando Schapochnik
Sombra Pampa / Marantz Arquitectura. Image © Fernando Schapochnik

For the past seven years, Hungary-based Hello Wood has been gathering participants from across the globe for its summer camps to engage in a week-long curriculum about creating spaces, networks, and knowledge. However, this year the event has expanded its borders even further; organized with partners MANDARINA and TACADI, Hello Wood Argentina was the first local Hello Wood summer camp, drawing a group of 150 students, architects, and designers. Hello Wood focuses on socially-engaged concepts and turning architectural theory into practice with collaborative week-long design-build projects. As a complement to traditional university education, students get the chance to work and learn alongside famous international architects to bring their concepts to life.

The theme of Hello Wood Argentina’s first summer camp was "Con-Tacto" (Contact), located in Ceibas, Entre Ríos. Curator Jaime Grinberg selected applicants with strong concepts to generate spaces that encouraged connection, whether traditional, functional, utopian, or idealized. Concepts also needed to be simple, natural, and feasible for a team of students to produce in a week. Hello Wood’s educational platform focuses on achieving social benefits and improving the quality of life through architecture and design. See below for photos of the projects built at Hello Wood Argentina.

Fragata Natura / Carlos Campos l Silvana Ovsejevich. Image © Fernando Schapochnik Una Ola / Santiago Perez de Muro. Image © Fernando Schapochnik NOPASSANA / IR Arquitectura. Image © Fernando Schapochnik Edificio para Ceremonias Desoconocidas / Formosa. Image © Bernardo Ramirez +11

SEO for Architects: How to Get Your Website (and Projects) Noticed

09:30 - 11 May, 2017
SEO for Architects: How to Get Your Website (and Projects) Noticed

This article was originally published on Monograph's Blog as "Architect's Guide to SEO — Part 1."

More than likely you've heard the term SEO, but, for the uninitiated, SEO literally means Search Engine Optimization— technical jargon for a set of methods used to boost your website's rank in Google's search results.

Now, why should you care? Well, according to this article put out by the SEO gurus at MOZ, the top 3 positions in Google's search results account for a whopping 55% of organic clicks, with the number one spot alone netting over 30%.

Think about that, over one third of visitors click on the first result they see. Naturally, everyone wants to be number one, so we've outlined below 5 steps you can take to help boost your website's ranking.

86% of the Most Dangerous Cities are in This Part of the World

08:00 - 11 May, 2017
86% of the Most Dangerous Cities are in This Part of the World, © <a href=''>500px user Magdalena Roesler</a> licensed under <a href=''>CC BY 3.0</a>
© 500px user Magdalena Roesler licensed under CC BY 3.0

For the past fifteen years, global headlines have depicted, through harrowing imagery, the effects of war on cities across the Middle East. An inevitable fracturing of law and order leads to an explosion of crime which we imagine could not be tolerated in a region at peace. However, when cities in war zones are set aside, an overwhelming yet underreported narrative emerges – 86% of the world’s most dangerous cities are in Latin America and the Caribbean. 

A Virtual Look Into Richard Neutra's Case Study House #20, the Bailey House

09:30 - 10 May, 2017

The Bailey house—one of Richard Neutra’s four Case Study designs for Arts & Architecture—forms one of five Bluff houses, standing high above the ocean. The brief was to create a low-budget home for a young family, with just two bedrooms, but offering the possibility of expansion as time went by (which did in fact transpire; additional Neutra-designed wings were later built).

Neutra employed the same indoor-outdoor philosophy that can be seen at work in his unbuilt Alpha and Omega houses, using large sliding glass doors to create light and a visual sense of space, as well as ensuring that the house physically opened up to, as he put it, “borrow space from the outdoors.” With this sunny Californian ocean-view setting, it made perfect sense to use the back garden and terrace as living and dining room.

These Are the World’s 25 Tallest Buildings

08:00 - 10 May, 2017

Humanity has become obsessed with breaking its limits, creating new records only to break them again and again. In fact, our cities’ skylines have always been defined by those in power during every period in history. At one point churches left their mark, followed by public institutions and in the last few decades, it's commercial skyscrapers that continue to stretch taller and taller. 

But when it comes to defining which buildings are the tallest it can get complicated. Do antennas and other gadgets on top of the building count as extra meters? What happens if the last floor is uninhabitable? The Council on Tall Buildings and Urban Habitat (CTBUH) has developed their own system for classifying tall buildings, measuring from the “level of the lowest, significant, open-air, pedestrian entrance to the architectural top of the building, including spires, but not including antennae, signage, flag poles or other functional-technical equipment.” Using this system more than 3,400 buildings have been categorized as over 150 meters tall. 

Spotlight: Gordon Bunshaft

10:30 - 9 May, 2017
Lever House. Image © <a href=''>Flickr user gaf</a> licensed under <a href=''>CC BY-SA 2.0</a>
Lever House. Image © Flickr user gaf licensed under CC BY-SA 2.0

As lead designer of the Lever House and many of America’s most historically prominent buildings, Pritzker Prize-winning architect Gordon Bunshaft (9 May 1909 – 6 August 1990) is credited with ushering in a new era of Modernist skyscraper design and corporate architecture. A stern figure and a loyal advocate of the International Style, Bunshaft spent the majority of his career as partner and lead designer for SOM, who have referred to him as “a titan of industry, a decisive army general, an architectural John Wayne.”

Hajj Terminal at King Abdulaziz Airport, Jeddah. Image © SOM - Jay Langlois | Owens-Corning Beinecke Rare Book Library. Image © <a href=''>Flickr user joevare</a> licensed under <a href=''>CC BY-ND 2.0</a> Solow Buliding. Image © <a href=''>Wikimedia user King of Hearts</a> licensed under <a href=''>CC BY-SA 3.0</a> W.R. Grace Building. Image © <a href=',_New_York,_NY_10018,_USA_-_Jan_2013.jpg'>Wikimedia user WestportWiki</a> licensed under <a href=''>CC BY-SA 3.0</a> +9

Trends in Architectural Representation: Understanding The Techniques

08:00 - 9 May, 2017
Trends in Architectural Representation: Understanding The Techniques, © OMA. ImageIl Fondaco dei Tedeschi / OMA
© OMA. ImageIl Fondaco dei Tedeschi / OMA

The representation of architecture is important in the absence of tangible space. Throughout a lifetime, even the most devoted, well-travelled design enthusiast will experience only a small percentage of architectural works with their own eyes. Consider that we exist in only one era of architectural history, and the percentage reduces even further. Many architectural works go unbuilt, and the buildings we experience in person amount to a grain of sand in a vast desert.

Then we consider the architecture of the future. For buildings not yet built, representation is not a luxury, but a necessity to test, communicate and sell an idea. Fortunately, today’s designers have unprecedented means to depict ideas, with an explosion in technology giving us computer-aided drafting, photo-realistic rendering, and virtual reality. Despite these vast strides, however, the tools of representation are a blend of old and new – from techniques which have existed for centuries, to the technology of our century alone. Below, we give five answers to the question of how architecture should be depicted before it is built.

Spotlight: Rafael Moneo

06:00 - 9 May, 2017
Spotlight: Rafael Moneo, National Museum of Roman Art. Image © <a href=''>Flickr user pictfactory</a> licensed under <a href=''>CC BY 2.0</a>
National Museum of Roman Art. Image © Flickr user pictfactory licensed under CC BY 2.0

As the first ever Spanish architect to receive the Pritzker Prize, Rafael Moneo (born 9 May 1937) is known for his highly contextual buildings which nonetheless remain committed to modernist stylings. His designs are regularly credited as achieving the elusive quality of "timelessness"; as critic Robert Campbell wrote in his essay about Moneo for the Pritzker Prize, "a Moneo building creates an awareness of time by remembering its antecedents. It then layers this memory against its mission in the contemporary world."

National Museum of Roman Art. Image © <a href=''>Flickr user pictfactory</a> licensed under <a href=''>CC BY 2.0</a> Columbia University Northwest Corner Building / Rafael Moneo, Davis Brody Bond, and Moneo Brock Studio. Image © Michael Moran Studio Puig Tower / Rafael Moneo + Antonio Puig, Josep Riu GCA Architects + Lucho Marcial. Image © Rafael Vargas Cathedral of Our Lady of the Angels, Los Angeles. Image © <a href=''>Flickr user cwsteeds</a> licensed under <a href=''>CC BY 2.0</a> +11

"See You in Court!": 9 of Architecture’s Nastiest Lawsuits

09:30 - 8 May, 2017
© <a href=‘'>Flickr user diversey</a> licensed under <a href=''>CC BY-2.0</a>
© Flickr user diversey licensed under CC BY-2.0

What did Pritzker Prize winner Frank Gehry get when he designed the Stata Center, an exuberantly whimsical academic complex for MIT? A very large check, plus a major lawsuit, alleging negligence and breach of contract due to rampant leaks, mold, cracks, drainage problems and sliding ice. Sometimes the most inspired designs can go awry. And when they do, some clients lawyer up. Here are 9 fascinating examples.

8 Models of Memorial Architecture from Different Cultures

09:30 - 5 May, 2017
8 Models of Memorial Architecture from Different Cultures

In most architecture projects, the input of the end user of the space is an important consideration; but what if those users are no longer living? Memorial architecture for the dead is a uniquely emotional type of design and often reveals much about a certain culture or group of people. Especially in the case of ancient tombs, archaeologists can learn about past societies’ customs and beliefs by examining their burial spaces. The personal nature of funerary spaces and monuments conveys a sense of importance and gravity to viewers and visitors, even centuries after the memorials were created.

The list of 3D models that follow, supplied by our friends at Sketchfab, explores memorial spaces and artifacts that span both space and time, representing a variety of cultures and civilizations.

'220 Mini Metros' Illustrates Metro and Train Networks from Around the World

08:00 - 5 May, 2017

American graphic designer Peter Dovak is passionate about urban transportation. He has creates colorful designs that represent transit systems in a much more instructive way so that people can interpret them more easily. 

One of his last projects, called 220 Mini Metros, was based on metro and light rail networks from 220 cities of the world.