In this series, architect and photographer Nipun Prabhakar captures the uniquely expressive doors of the city of Kathmandu, Nepal. More than just passageways between spaces, doorways in Kathmandu are used as social spaces where people regularly meet and as a physical representation of the building owner’s interests.
“The most versatile piece in a building, [the door] has been a mode of expression [for] ages. The door in apartments and modern societies is just a mode of a transition from outside to inside. In traditional cities and neighborhoods, like that of Kathmandu, it’s much more than that. It’s the place where people spend most of their time. Sitting at the Chaukhat, socializing and chatting. The door is not just a tangible unit, it’s the respect you give to your building.”
Six internationally-acclaimed teams have been selected as finalists in a competition to design a new home for London Symphony Orchestra and Guildhall School of Music & Drama to be known as the Centre for Music London.
Planned to contain a world-class concert hall, education, training and digital spaces, top-grade facilities for audiences and performers, and a number of supporting commercial areas, the Centre for Music building will become a new landmark within the heart of London, aimed at becoming “a place of welcome, participation, discovery and learning fit for the digital age.”
In this episode of GSAPP Conversations, Kersten Geers—co-founder of OFFICE KGDVS—and Amale Andraos discuss their shared obsession with books, and the integral role that book-making plays in their professional offices and teaching. In this podcast, Geers echoes Aldo Rossi’s call to evaluate architecture within a cultural context, positioning books as the best tool to create a place in which architectural work acquires value and meaning; a device to establish a context of ideas.
http://www.archdaily.com/875464/kersten-geers-office-kgdvs-on-the-role-of-book-making-in-architectural-practice-amale-andraos-gsapp-conversationsAD Editorial Team
Currently under construction, new renderings of SkyRise Miami have been released, showcasing the 1,000-foot tower’s numerous mixed-use entertainment facilities from its prime location at the heart of Miami’s downtown core. Designed by local heavyweight Arquitectonica, the city’s tallest tower is being developed by Berkowitz Development Group, since the project’s inception in 2013.
As a firm believer in the importance of making good design accessible to the public, Michael Graves (July 9, 1934 – March 12, 2015) produced an enormous body of work that included product design alongside his architecture. Graves brought Postmodernism to the public eye through his emphasis on ornament and aesthetics, and stood firmly behind his design philosophy even as it went out of vogue.
As one of the most prominent examples of the De Stijl movement, the 1925 Rietveld Schroder House represents a radical moment in modern architecture. Categorized by refining components to their geometric forms and primary paint hues, characteristics of the movement are evident in the architect Gerrit Rietveld's approach to residential design. Located in Utrecht, the house experiments with modular elements such as collapsible walls that provide a transformable way of living that still influences design to this day.
Because of its significance, the Schroder House has been the subject of study for many architects, artists, and historians. Inspired by its revolutionary design, aspiring architect and visual artist Yun Frank Zhang created a series of analytical diagrams and an accompanying video in order to understand the functionality, dimensions, and programmatic elements of the house. Below is a sample of Zhang’s exploration.
Picking up on the debate surrounding digitization in fabrication and its impact on traditional crafts, Copenhagen-based SPACE10, the future-living laboratory created by IKEA, recently invited three architects—Yuan Chieh Yang, Benas Burdulis, and Emil Froege—to explore the potentials of CNC milling for traditional craft techniques. The architects came up with three divergent yet equally innovative solutions to address the fundamental issue that plagues digital production: an apparent lack of a "human touch." In a Post-Fordist world increasingly dominated by customization, this investigation holds obvious importance for a company which deals primarily in mass-produced ready-to-assemble products; however, with its advocation for the infusion of dying classical craft techniques into the digital manufacturing process, the experiment could be meaningful for many other reasons.
Architecture, as both a profession and the built environment, currently finds itself at a crossroads in trying to adapt to a world in constant flux. Cities and its people face continuous socio-economic, political and environmental change on a daily basis, prompting a necessary rethink in the evolution of sustainableurbanization. With a focus on housing, society and cultural heritage, RIBA’s International Conference, Change in the City, aims to offer insight into the “New Urban Agenda” and how architects can play an interdisciplinary role in future urban development.
Speaking in an interview ahead of the conference, Norman Foster is a strong advocate for a careful consideration of what aspects of urban life need to be prioritized when designing cities of the future. For an increasingly global society, Foster stresses the need for architecture to surpass buildings and tackle its greatest obstacle – global warming, honing in on its roots and factors involved to create viable urban solutions.
When he was awarded the first ever Pritzker Architecture Prize in 1979, the jury described Philip Johnson (July 8, 1906 – January 25, 2005) as someone who “produced consistent and significant contributions to humanity and the environment," adding that "as a critic and historian, he championed the cause of modern architecture and then went on to design some of his greatest buildings.” However, even after winning the Pritzker Prize at age 73, Johnson still had so much more of his legacy to build: in the years after 1979, Johnson almost completely redefined his style, adding another chapter to his influence over the architecture world.
The Royal Institute of British Architects (RIBA) has released an official statement on design for fire safety following the tragic Grenfell Tower fire on June 14. The causes and aftermath of the catastrophic fire, which ravaged 27 storeys of the council estate in the London borough of North Kensington are currently under investigation, with a team of 250+ working on operations including recovering and identifying victims (the death toll has risen to 80+) according to recent reports from the BBC and the Met Police. The aluminium-composite cladding Reynobond PE - identified as one of the main reasons for the fire’s spread up the building’s façade has sparked outrage over failed safety regulations and debate over the lack of responsibility behind the building’s (and many others) construction overall. Further fire safety tests revealed the cladding to be present in up to 60 similar council estates with more being urged to submit samples for testing.
For a quick summary, we’ve covered some key points from each of the 3 sections addressed RIBA's statement below:
Coined by Robert Venturi and Denise Scott Brown in Learning from Las Vegas, “Ducks” are buildings that project their meaning in a literal way . No architectural metaphors here - they are exactly what they look like. Many emerged alongside interstate highways, a lone doughnut or dinosaur punctuating the road trip across America. Places like Las Vegas and Macau have built their identity in the kitsch and literal language of architecture – with the duck a strong contributor. Though they get relegated to one of the weird forays of the postmodern era, ducks still make current-day appearances (like the Chicago Apple Store’s recent Macbook roof). Are they fun, kitschy, or just plain ugly? Love them or hate them, ducks have a light-hearted presence in our architectural history. Below are 9 weird and wonderful examples of buildings that make no apologies for being exactly what they are:
London’s Royal Academy of Arts has announced plans for a new permanent architecture-specific gallery and the creation of two new international architecture awards as part of the RA’s mission to “garner a wider appreciation and understanding of architecture, bringing to the fore its vital relationship to culture and society.”
The new architecture space, along with a cafe, will be housed within the Dorfman Senate Rooms in Burlington Gardens, allowing the academy to show architectural exhibition year-round. The architecture rooms join wider renovation plans led by David Chipperfield Architects that will also include a new naturally-lit theater.
Facebook has announced plans for a new mixed-use neighborhood adjoining their existing headquarters in Menlo Park, California to be led by the New York office of OMA and Partner Shohei Shigematsu. Known as Willow Campus, the campus masterplan seeks to further invest in Facebook’s home community, joining the original campus designed by Frank Gehry.
“It’s exciting to collaborate with Facebook, whose innovation in networking and social media extends to urban ambitions for connectivity in the Bay Area,” commented Shigematsu. “The Willow Campus masterplan creates a sense of place with diverse programming that responds to the needs of the Menlo Park community. The site has the potential to impact the future of regional transportation, housing, and environment.”
Architectural research initiative Arch Out Loud has released the winners of the Tenancingo Square Mediascape international open-ideas competition aimed to engage architects with the topic of human trafficking. The competition challenged participants to reimagine the town square of Tenancingo, Mexico in response to the prevalent issues of sex trafficking existing in the area. “With proposals from both regional designers and designers from other parts of the world, the competition brought forth a large variety of approaches to an extremely sensitive, but immediate, societal problem” Arch Out Loud said in a statement. “Being the first architectural competition to address human and sex trafficking, Arch Out Loud hopes that the culmination of this exploration is only the beginning of the field’s examination of its’ role in the matter.”
The World Architecture Festival has announced the shortlist for their 2017 awards slate, featuring 434 projects ranging from small family homes, to schools, stations, museums, large infrastructure and landscape projects. The world’s largest architectural award program, the WAF Awards year saw more participation this year than ever before, with a total of 924 entries received from projects located in 68 countries across the world.
http://www.archdaily.com/875217/shortlist-revealed-for-world-architecture-festival-awards-2017AD Editorial Team
Plans for Apple’s next flagship store, to be located within the historic Carnegie Library at Mount Vernon Square in Washington, D.C, have been approved by the District’s Historic Preservation Review Board (HPRB).
Architects, as well as painters and sculptors, think about and describe spaces differently from other people, a new study from UCL and Bangor University researchers has found. While the conclusion may sound a bit obvious on its face, the study offers evidence that a person’s chosen career may impact the way his/her brain operates.
The study, titled Sculptors, Architects, and Painters Conceive of Depicted Spaces Differently, invited 16 people from three professions (architect, sculptor and painter) with at least 8 years experience in their fields, to be compared with 16 control participants. Each subject was shown three images, a Google StreetView image of London, a painting of St. Peter's Basilica and a surreal computer-generated environment. They were then asked a series of questions:
More than 2000 years ago, the Roman Empire invented a unique marine concrete that allowed for the construction of enormous, durable structures – even underwater. Incredibly, the exact chemical properties of this concrete mixture have eluded scientists to this day – but now, researchers from the University of Utah believe they may have finally cracked the code.
According to the findings in the journal American Mineralogist, the secret lies in the chemical properties of two of the mixture’s components: lime and volcanic ash, which contained a rare mineral known as aluminium tobermorite. When exposed to sea water, the substance would crystallize in the lime while curing. Rather than be eroded by the water, its presence actually gave the material additional strength.
Foster + Partners have announced plans for the redevelopment of a major landfill site in Sharjah, UAE, belonging to Bee’ah – the foremost environmental energy and waste management company in the Middle East since 2007. Upon Sharjah reaching its “zero waste to landfill” target by 2020, the site is set for redundancy, sparking a proposed sustainable masterplan as an example of a circular economy and a reflection of Bee’ah’s vision of clean energy and sustainable innovation.
“We believe that this vision, as interpreted through our masterplan, represents a wonderful opportunity to demonstrate just what can be achieved at sites like this which feature in every industrialized nation on the planet,” expressed Giles Robinson, Senior Partner at Foster + Partners. “The project will also serve to further showcase Bee’ah’s waste management center as a place where innovation, environmental best practice, and good design take center stage.”
A 440 feet (134 meters) tall stack of twisting cubes, Nexus is an upcoming residential tower planned for the northern edge of downtown Seattle, as the city experiences a shortage of for-sale housing amidst a thriving rental market. Designed by local practice Weber Thompson and commissioned by Vancouver-based Burrard Development, the tower includes 367 residential units and 3200 square feet of retail, aiming to offer one of few residential opportunities in Seattle’s downtown core.
How satisfied are you with your city’s garbage service? Its parks? The way it handles pest control? What about homelessness? In the USA’s largest metropolis, which covers a total of 468.484 square miles (1,213.37 km2) and is home to over 8.5 million people, New Yorkers’ perception of their city and the services it provides reveals the “uneven distribution of New York’s opportunities,” according to a survey conducted by The New York Times.
The project also shows relative accord and satisfaction with fire and emergency medical services and agreement that use of tax dollars, public housing and traffic can be improved.
The ever-growing realm of “post-digital” drawing is currently at the forefront of a healthy dosage of discourse, appreciation and even criticism, as professionals and students alike continue to push the envelope of accepted architectural representation and exchange a waning hyperrealism for the quirks and character of alternative visual narratives. Central to this new wave of illustration is the inclusion and appropriation of specific icons and characters from famous pieces of modern art, selected in particular from the works of David Hockney, Edward Hopper and Henri Rousseau, whose work undoubtedly remains at the forefront of their individual crafts and styles.
In their winning competition entry, French architecture firm Ilimelgo reimagines the future of urban agriculture with a vertical farming complex in the Parisian suburb of Romainville. The project integrates production of produce into the city through a 1000 square meter greenhouse that maximizes sunlight and natural ventilation. Recognizing the developing world’s diminishing agricultural space, the project aims to meet the growing demands for crop cultivation in urban environments.