Benoy has released its latest designs for the China International Travel Service (CITS) Sanya Enot development scheme, which will be located on the reclaimed Hexin Island in Hainan, and is the second phase of a large-scale plan. Connected to the first phase of development by a pedestrian bridge, the project will be surrounded by the area’s luxury international hotels and natural attractions.
The 32,000-square-meter mixed-use, retail-led space features a “porous and multi-layered environment,” with clusters of small-scale buildings that will create a series of indoor and outdoor spaces for entertainment and retail programming. Buildings will be connected by a succession of elevated walkways and bridges.
According to the paper, antimicrobial building products “marketed as healthy or beneficial to human health contain ingredients that may have adverse environmental or human health impacts, and alternative products should be considered whenever possible.” Citing a lack of evidence that antimicrobial products prevent the spread of communicable diseases, the report highlights potential impacts like “super bugs,” contamination of aquatic ecosystems, and carcinogens.
Ten top highlights from the paper, concerning antimicrobial products, are:
His RAIC Gold Medal, recognizing a significant and lasting contribution to Canadian Architecture, will be accepted by his widow Sheila du Toit and two sons at the RAIC/OAA Festival of Architecture in Ottawa in May.
Quebec-based practice Lemay has won the global bid to redesign Morocco’sCasablanca Coast, which will include the new seaside promenade of the Hassan II Mosque and the Ain Diab corniche.
With modernity, sustainability, and innovation in mind, the urban and landscape design will promote mobility along the length of the corniche (a coastal, cliffside road) and aims to reinforce the appeal of the coast.
Launched in December, the project will feature an urban park and corniche along the El Hank embankment that will include rest areas, walkways, outdoor sports, and more. As an extension of the Hassan II Mosque, the promenade is expected to become a new Moroccan landmark.
Despite the rush of new technologies available to architects to express their designs, the humble art of hand-drawing is still alive and well. And when sketching are drafting are done well enough, they can become their own artifacts for inspiring architectural thought.
The work of architecture student Adelina Gareeva is one such example. Studying at Kazan State University of Architecture and Engineering (KSUAE) in Russia, Gareeva produces incredibly detailed architectural drawings, from carefully constructed perspective drawings of St. Basil’s Cathedral, to travel sketches to more abstract architectural compositions that draw similarities to Zaha Hadid’s Suprematist paintings or the Cubist works of Georges Braques. Check out some of her best sketches below.
The Architectural Review and The Architects’ Journal have announced two Mexican architects as winners of their 2017 “Women in Architecture” Awards. This year’s Architect of the Year is awarded to Gabriela Carrillo of Taller Mauricio Rocha + Gabriela Carrillo, while Rozana Montiel Estudio de Arquitectura’s Rozana Montiel was named the winner of the Moira Gemmill Prize for Emerging Architecture. Both women were selecting for demonstrating “excellence in design and a commitment to working both sustainably and democratically with local communities.”
London-based architecture collective Assemble is set to transform an outdoor courtyard at A/D/O in Brooklyn into a ‘model factory’ to explore utopian ideals of work. The Turner Prize-winning architects will use their first site-specific installation in the U.S. entitled ‘A Factory As It Might Be’ to depict a vision of how society should build and function using abundant, malleable materials.
Earlier this month, Hong Kong-owned developer Knight Dragonrevealed plans for an billion-dollar urban-development scheme that will completely transform London’s Greenwich Peninsula. In this edition of Section D, Monocle 24's weekly review of design, architecture and craft, the team speak to Santiago Calatrava—who will be designing the core of this grand new project—about this and his public-spirited design philosophy. Why, they ask, has he’s always wanted to leave a mark on the "Big Smoke?"
http://www.archdaily.com/806495/santiago-calatrava-ground-zero-design-philosophy-greenwich-peninsula-project-monocleAD Editorial Team
Construction on Herzog & de Meuron’s 160 Leroy condominium tower in New York’s West Village has nearly topped out, with 12 of its planned 15 floors now complete. The design, inspired by the great Brazilian architect Oscar Niemeyer, features a curved concrete and glass facade and contains 57 luxury condos ranging in price from $3.1 to $48.5 million.
The new mixed-use development will consist of four high-rise towers ascending from a multi-story plinth in the heart of the city. The project includes space for retail, restaurants and hotels, as well as a full range of residential accommodation. The four towers, rising up to 228 meters (748 feet) high, will serve as a new landmark on the Frankfurt skyline.
Compare that with, for example, IKEA’s proposal for a temporary refugee shelter that can house 5, costing just $1000, and one can see the absurdity of spending gargantuan sums on buildings that will perhaps be sold to be used later as a clubhouse, or to a museum as another temporary cultural center. Where is the architectural action behind an architectural event that boasts “Energy for Life” or “Better City, Better Life” - the slogan of the Shanghai 2010 Expo - yet spends extraordinary amounts of resources on structures that provide little sustainable development to parts of the world that are actually in dire need of it?
A year since the passing of David Bowie, one of music and pop culture’s greatest icons, fans have launched a fundraising campaign to support the erection of a permanent memorial statue in London, in honor of the late musician.
“We’re taking the lightning flash from the cover of Aladdin Sane, and turning it into a three-storey tall sculpture,” explains Charlie Waterhouse of This Ain’t Rock ‘n’ Roll, one of the organizations behind the campaign, working in conjunction with David Bowie’s team.
It's common knowledge that China has "at least 10 White Houses, four Arcs de Triomphe, a couple of Great Sphinxes and at least one Eiffel Tower," report the New York Times. But now photographs of a copy of London’s famous Tower Bridge (a Victorian riparian gateway to the city) in the Chinese city of Suzhou have emerged – and it's been adapted to suit a five-lane highway. Almost identical—from a distance, at least—to its British counterpart the new structure, which was completed in 2012, has been doubled – a feat which has also required some spectacular architectural additions.
http://www.archdaily.com/806431/twice-as-nice-suzhou-china-architectural-homage-copies-copy-london-tower-bridgeAD Editorial Team
Today, Rafael Aranda, Carme Pigem and Ramon Vilalta were named the laureates of the 2017 Pritzker Prize, becoming the first trio of architects to be bestowed the profession’s highest accolade. Working together since 1988 as RCR Arquitectes, the team has tackled a wide range of project types, from libraries to wineries to park designs – many of which are located in their home region of Catalonia, Spain. Continue to see 20 images from their work that exemplify the firm’s outstanding attention to detail and considered use of materiality.
New images of BIG and Heatherwick Studio’s proposed Google campus in Mountain View California have been revealed in planning documents presented to the city last month. Initially announced in 2015, the project has seen several revisions after first running into difficulty with the city planning board, and then after swapping sites with fellow tech giant LinkedIn. The latest iteration, the 18.6-acre Charleston East campus, features a 2-story, 595,000-square-foot building topped with a flowing, tent-like canopy.
All planned for completion no later than 2022, the new buildings would target international businessmen and researchers, especially those displaced following the United Kingdom’s exit from the European Union.
Two days ago ArchDaily had the distinct honor to interview Ramon Vilalta, one of the three architects named as 2017 Pritzker Laureates. Vilalta gave us an exclusive insight into history behind his collaboration with Rafael Aranda and Carme Pigem and how their connection to their small hometown of Olot, Spain has influenced a career that has produced exceptional projects by their firm, RCR Arquitectes.
ArchDaily: How did your studio/practice begin? Why did you start quickly after graduating?
Ramon Vilalta: In that sense we were very disciplined people. We finished our degrees quickly and once we were finished we decided to share a studio; we chose to confront architecture by sharing it, and by really sharing it. We each have different personalities – each one has his or her own style but what comes from the chemistry between the three of us makes us special, I think. This was, I feel, a big decision that wasn’t easy at the time.
Rafael Aranda, Carme Pigem and Ramon Vilalta have been named as the laureates of the 2017 Pritzker Prize. Their projects emphasize materiality and craft – considered use of color, transparency (and thereby light) define an oeuvre which ranges from public buildings to houses, a kindergarten and a winery.
The three architects—all of whom are Spanish Catalan and originate from Olot, Girona (where they are all presently based)—have worked collaboratively together as RCR Arquitectes since 1988; they simultaneously graduated in Architecture from ETSAV, the School of Architecture in Valles (Escola Tècnica Superior d’Arquitectura del Vallès) a year prior. This 39th incarnation of the Prize represents the first instance in which three architects have been recognized at once, and only the second time—following Rafael Moneo in 1996—that Spanish practitioners have been honored.
The Denver Art Museum (DAM) has announced that a $12 million gift from Anna and John J. Sie will support the construction of a new welcome center at the museum’s Gio Ponti-designed North Building.
Paying homage to the shapes and volumes of the existing building, the new construction—by Machado Silvetti and Fentress Architects—aims to enhance the museum campus’ connection to the Golden Triangle neighborhood, as well as to improve visitor navigation and amenities.
While large-scale 3D printing for architecture continues to be a busy area of research, France-based company XtreeE has been using 3D printed concrete in projects since 2015. Their latest creation is an organic truss-style support structure for a preschool playground in Aix-en-Provence.