Lina Bo Bardi (December 4, 1914 – March 20, 1992) was one of the most important and expressive architects of 20th century Brazilian architecture. Born in Italy as Lina Achillina Bo, she studied architecture at the University of Rome, moving to Milan after graduation. In Milan, Bo Bardi collaborated with Gio Ponti, and later become editor of the magazine Quiaderni di Domus. With her office destroyed in World War II Bo Bardi, along with Bruno Zevi, founded the publication A Cultura della Vita. As a member of the Italian Communist Party, she met the critic and art historian Pietro Maria Bardi, with whom she would move permanently to Brazil.
Ricardo Bofill (b. 1939), a graduate of the Barcelona University School of Architecture and the School of Geneva, and the founder of interdisciplinary firm Taller de Arquitectura, is renowned for his extensive body of work and ever-changing design aesthetic. His career has spanned over 50 years, encompassing more than 1000 buildings in cities ranging from Lisbon and Boston to Tokyo and St. Petersburg. His architectural approach has evolved across decades and has permeated dozens of countries worldwide.
The Noguchi Museum has selected Tadao Ando, alongside artist Elyn Zimmerman, as recipient of the third annual Isamu Noguchi Award, "given to recognize individuals who share Noguchi’s spirit of innovation, global consciousness, and East-West exchange." Complimenting Ando's "minimalist approach, sensitivity to light, and incorporation of natural elements," the judges believe the self-taught Japanese architect's "unparalleled work with concrete" embodies many of the principles embraced by Noguchi.
"Like Noguchi’s sculpture, which gave equal importance to the object and the space it inhabited, Ando’s work harmoniously integrates edifice and environment, while interior and exterior are intimately connected through his incorporation of water, light, wind, sky, and landscape into his building designs," the museum described in a press release.
Alongside the release of this year's Gold Medal and firm award winners, the American Institute of Architects has named recipients of three other national awards: Edward C. Kemper Award, Topaz Medallion, and Whitney M. Young Jr. Award.
Honored for being a "tireless advocate for social justice and diversity within architecture," R. Steven Lewis, AIA, has been selected to receive the 2016 Whitney M. Young Jr. Award. "Steve enlightened a generation of architects on the importance of knowing the history of those who came before them. He built bridges that they crossed," Purnell wrote in support of Lewis's nomination for the Whitney M. Young Jr. Award. "He has mentored minority architects through his brilliant leadership by example.”
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The Royal Institute of British Architects (RIBA) announced the President’s Medals Student Awards at a special event yesterday in London. The awards, recognised as the world’s most prestigious in architectural education, were inaugurated in 1836 (making them, including the RIBA Gold Medal, the institute's oldest award). Three medals in particular – the Bronze for a Part I student (Bachelor level), the Silver for a Part II student (Master level), and the Dissertation Medal – are awarded to “promote excellence in the study of architecture [and] to reward talent and to encourage architectural debate worldwide.” In addition to these, the winners of the Serjeant Award for Excellence in Drawing and the inaugural RIBA Research Medal alongside a rostra of commendations have also been announced.
See the winning projects and a full list of commendations after the break.
The Royal Institute of British Architects (RIBA) has named Skene Catling De La Pena's Flint House the winner of its annual "House of the Year" award. A "marvel of geological evolution and construction," the home was formed within the "flint-layered fields" of Rothschild’s estate at Waddesdon Manor in Buckinghamshire. As the judges say, the home's clever use of a locally prevalent materials and intelligent layering of space "delivers a stunning piece of livable, provoking, modern architecture that marries into the earthly yet beautiful countryside."
The Nordic Pavilion, representing Finland, Norway and Sweden, has selected David Basulto as curator for their exhibition at the 2016 Venice Biennale. Responding to Biennale director Alejandro Aravena's theme for the 2016 event, Reporting from the Front, the exhibition organized by Basulto and the Swedish Centre for Architecture and Design (ArkDes) will use Nordic architecture, urbanism and landscape architecture as "a springboard" to understand the future challenges which architecture and the built environment will face. The announcement is accompanied by an open call for completed projects that address these challenges. Selected projects will be displayed in the Sverre Fehn-designed pavilion at the Venice Biennale from May 28th to November 27th 2016.
“LMN Architects exemplify the best in architecture firm culture,” said 2015 AIA President Elizabeth Chu Richter, FAIA. “Not only is their work proof of this, but the amazing talent they are cultivating will have a reverberating impact on the profession for years to come.”
The American Institute of Architects (AIA) has announced Denise Scott Brown, hon. FAIA and Robert Venturi, FAIA, as joint winners of the 2016 AIA Gold Medal. The AIA cited the duo for their "built projects as well as literature that set the stage for Postmodernism and nearly every other formal evolution in architecture." Scott Brown and Venturi are the first ever pair to receive the Gold Medal, after the AIA approved a change to its bylaws in 2013 that allowed the award to be presented to up to two individuals working together.
The six concept designs for the Tintagel Castle footbridge, the practices behind which were announced earlier this year, have now been revealed. With a shortlist featuring design consortiums led, among others, by WilkinsonEyre and Niall McLaughlin Architects, the proposals all respond to English Heritage's ambition for "a bridge that is of its place, [...] that, with its structural elegance and beauty, is in harmony with its extraordinary setting and landscape."
Established in 1974 by the AIA Dallas Chapter, the Ken Roberts Memorial Delineation Competition (KRob) is “the world’s longest running architectural drawing competition of its kind”. Named after architect Ken Roberts, famous for his ink perspective drawings, the competition recognizes innovations in both hand-drawn and digital architectural drawing. The winners and shortlist each year serve as an inspiring reference for architects, and showcase the intersection between technology, design and culture.
In 2015, the new award for “Excellence in Architectural 3D Printing” was added, and with a total of 424 entries from 28 countries, this year’s competition was the largest to date. The 2015 jury consisted of Michel Rojkind, Paul Stevenson Oles and John P. Maruszcak. The competition culminated in an awards ceremony and panel discussion at Alto 211 in Dallas. See the winners after the break.
Populous, in collaboration with Feilden Clegg Bradley Architects and BuroHappold Engineering, have submitted their design proposal for the new 12,000-person Bristol Arena to the Bristol City Council for planning approval. Following the consultation with the city and with the public, “plans have been developed further to show how event spaces in front of the arena can be used for performances, outdoor cinema, festivals, and markets.”
Farshid Moussavi and HAT Projects are among five shortlisted to redesign the entrance of London's Science Museum. The project, slated to complete in 2019, calls for a "new, generous and contemporary entrance" as part of an overall masterplan that seeks to transform a third of the museum over the next five years.
“The profile and breadth of the shortlisted practices reflect the level of interest generated for this appointment and the ambition of the Science Museum’s masterplan,” said a museum spokesperson.
The full shortlist includes:
One of the most popular tropes of Modernist architecture was the goal of dissolving the external boundaries of the home, connecting residents to nature through the use of large glass walls in order to "bring the outside in." Nowhere was this project more thoroughly realized than in Mies van der Rohe's 1930 Villa Tugendhat, where an entire side of the glass-walled living space could, if the user wished, be dropped through the floor and the house become open to the elements. Elegant though it was (especially in 1930), Mies' solution didn't catch on, limited by the fact that it required an electric motor and a basement below in which to store the disappeared facade.
These days, while countless houses incorporate glass walls that fold, slide, or swing open, few offer the bravura of Mies' design, choosing to move the glass off to the side rather than making it disappear entirely. This year though, window and door manufacturer Vitrocsa may have turned a corner in the provision of vanishing glass walls with its "Turnable" system.
Architects for Urbanity has been awarded first prize in a competition for a new regional library in Varna, Bulgaria. What will be known as the "Pencho Slaveykov," the proposed 17,500-square-meter building was lauded by the jury for its ability to fit into the context "unobtrusively." It's design features a transparent "open space of knowledge" that divides the building's mass into two volumes and encourages the public to enter.
MoMA P.S.1 has announced five finalists to compete in the 2016 Young Architects Program (YAP). Now in it’s 16th edition, the competition will challenge a group of emerging architects to design a temporary installation within the walls of the P.S.1 courtyard for MoMA’s annual summer “Warm-Up” series.
The 2016 shortlist includes First Office / Andrew Atwood + Anna Neimark (Los Angeles, CA); ESCOBEDO + SOLIZ / Lazbent Pavel Escobedo Amaral + Andres Soliz Paz (Mexico City, Mexico); ULTRAMODERNE / Yasmin Vobis + Aaron Forrest (Providence, RI); COBALT OFFICE / Andrew Colopy and Robert Booth (Houston, TX); and Frida Escobedo (Anzures, Mexico). The winners will be announced in early 2016.
Following the announcement earlier this year that Herzog & de Meuron were developing designs for a new £500million stadium for Chelsea Football Club, the Swiss practice have released a series of official images which narrate the project's design intentions and contextual implications. The new stadium, which will be built in place of the football club's existing stadium at Stamford Bridge, will contain a "three-tier, four-stand, bowl with a capacity of 60,000 supporters" (compared to the current 41,837 capacity) and have around 60,000sqm of facilities housed within its ribbed shell.