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Henning Larsen has just won an international competition to design the New Arts Center in Bergen, Norway. Situated in western Norway, the Grieg Quarter aims to blend urbanity, culture, and natural beauty in Bergen. The winning entry proposes to expand the city’s creative and natural landscapes with the new performing arts and exhibition center.

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This article was originally published on Common Edge.

I am by no means an expert on public-private partnerships. But for about 10 years, as the University of California Berkeley’s campus planner and then campus architect, I watched these developments play out in higher education—sometimes from a front-row seat, sometimes as a participant. During that time, this strategy, promoted with great enthusiasm and optimism, was touted as the answer to whatever problem arose. And yet the definition of a public-private partnership was slippery. The concept itself seemed to be all things for all people, depending on what was needed, who was recommending it, and what equivalents (if any) existed outside the university. The bandwagon continues to play today, making it ever more important to nail down the pros and cons of this development strategy, not only for colleges and universities, but for all public decision-making.

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Simone Farresin from the Italian studio Formafantasma talks about his practice, together with his partner Andrea Trimarchi, their work, and the different approaches to projects. He also tackles their participation in the Milan Design Week, and the political role of creatives in the world.

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New York-based architecture office ODA has unveiled their design for Lorimer House and Copper Lofts, a development comprised of two residential buildings located in East Williamsburg in New York City. The design takes advantage of the triangular shape of the plot, employing rounded corners throughout the building to soften its image and create contextual references to its urban surroundings. Containing a total of 336 residential units, in addition to various amenities, the project is slanted to begin construction in 2024.

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In January 2021, “The Vessel,” designed by Heatherwick Studio, was temporarily closed to visitors after many suicide incidents in the Public Landmark. The 150-foot-monumental staircase in Hudson Yards, New York, is now set to reopen this year to the public with revamped safety measures. The beehive-shaped sculpture boasts approximately 2,500 steps and 80 landmarks and is on track to install “floor-to-ceiling mesh” on various staircases to safeguard visitors.