Zayed National Museum / Foster + Partners

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Courtesy of

Featured here on ArchDaily are the recently unveiled designs by Foster + Partners for the Zayed National Museum.   The monument and memorial to the late Sheikh Zayed bin Sultan Al Nahyan, the founding president of the , is located  on Saadiyat Island, Abu Dhabi, UAE, and will be the first museum completed for the island.

Architecturally, the aim has been to combine a highly efficient, contemporary form with elements of traditional Arabic design and hospitality to create a museum that is sustainable, welcoming and culturally of its place. Celebrating Sheikh Zayed’s legacy and love of nature, the museum is set within a landscaped garden, based on a timeline of his life.

Architects: Foster + Partners
Location: Saadiyat Island, Abu Dhabi, UAE
Foster + Partners Project Team: Norman Foster, David Nelson, Gerard Evenden, Toby Blunt, Martin Castle, Ross Palmer, Dara Towhidi, Karsten Vollmer, Barrie Cheng, Ho Ling Cheung, Sidonie Immler, Joern Herrmann, Andrew King, Gemma Owen, Jillian Salter, Marilu Sicoli, Daniel Weiss, Bram Van Der Wal, Simon Wing
Engineers: WSP/BDSP AKT
Local Architect: Planar
Landscape Architects: Atelier Dreiseitl
Lighting Designers: Claude Engle
Cost Consultants: RLB
Facade Access: Lerch Bates
Specification Writers: Schumann Smith
Air Flow Consultants: RWDI
Environmental Engineers: Transsolar
Auditorium Consultants: Shen Milsom + Wilke
People Movement Consultants: Intelligent Space
Programme Managers: AECOM
District Master Planners: TDIC Master Planners
Museography: The British Museum
Client: Tourism Development + Investment Company
Project Area: 66,042 sqm
Renderings: Courtesy of Foster + Partners

Courtesy of Foster + Partners

The display spaces are housed within a man-made, landscaped mound. The galleries are placed at the bases of five solar thermal towers. The towers heat up and act as thermal chimneys to draw cooling air currents naturally through the museum. Fresh air is captured at low level and drawn through buried ground-cooling pipes and then released into the museum’s lobby. The heat at the top of the towers works to draw the air up vertically through the galleries due to the thermal stack effect. Air vents open at the top of the wing-shaped towers taking advantage of the negative pressure on the lee of the wing profile to draw the hot air out.

Courtesy of Foster + Partners

Here in the museum these towers are lightweight steel structures, sculpted aerodynamically to work like the feathers of a bird’s wing. The analogies with falcons and flight are deliberate and relate directly to Sheikh Zayed’s love of falconry. This theme is further celebrated by a gallery devoted to the subject as part of a wider focus on conservation. These inner spaces open up to an outdoor arena for live displays with hunting birds.

Courtesy of Foster + Partners

Balancing the lightweight steel structures with a more monumental interior experience, the galleries are anchored by a dramatic top-lit central lobby, which is dug into the earth to exploit its thermal properties and brings together shops, cafes, an auditorium and informal venues for performances of poetry and dance. Throughout, the treatment of light and shade draws on a tradition of discreet, carefully positioned openings, which capture and direct the region’s intense sunlight to illuminate and animate these interior spaces. Objects are displayed within niches and on stone plinths that rise seamlessly from the floor.
The museum contains a variety of performance spaces. A large auditorium, lined with Emirati textiles, provides an evocative setting for presentations and films. The lobby incorporates more informal venues for poetry readings, music and dance, where the audience can gather in a circle to enjoy the spectacle and atmosphere of traditional performances.

Courtesy of Foster + Partners

The interior concept for the restaurant draws on the opulence and hospitality of the Bedouin tent, with carefully selected furnishings. The majlis, or VIP spaces, open onto a central courtyard. This traditional space offers guests a unique perspective, as it is the only place in the museum where one can enjoy views of the wind towers.

Lord Foster said: “It has been a great privilege to work on the Zayed National Museum, to carry forward Sheikh Zayed’s vision and to communicate the dynamic character of a contemporary United Arab Emirates. We have sought to establish a building that will be an exemplar of sustainable design, resonating with Sheikh Zayed’s love of nature and his wider heritage.”

Saadiyat Island is located 500 metres off the coast of Abu Dhabi and is the largest single mixed-use development in the Arabian Gulf. Arranged as seven districts, the Saadiyat Island Cultural District will also include the Guggenheim Abu Dhabi Museum, the Louvre Abu Dhabi, as well as a Performing Arts Center and Maritime Museum. The Zayed National Museum is already under construction and will be the first of the museums proposed for the island.

* Location to be used only as a reference. It could indicate city/country but not exact address.
 
 
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Jazzy says:

sydney opera house?

 
# November 30, 2010 at 08:50
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ISLA says:

well, this is so renzo piano..

 
# November 30, 2010 at 08:54
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    CAVP says:

    That was my first thought… Renzo Piano with a little mix of the Sydney Opera House. Where are the floor plans and sections? Renders are always a great way to sell a project but when they (the renders) makeup the only resource of communication in a project, there’s definitely something wrong. It’s like an insult… who are you trying to fool?

     
    # November 30, 2010 at 10:25
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      Steph says:

      Hey CAVP!
      As you might couldn t see, half of your so called “Renderings” are modelphotos. And models are the best way to communicate a building. And you have propably seen no sections, because it is a draft, not a completly designed building!
      But I am sure you can do it better…

       
      # February 1, 2011 at 08:29
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Tex says:

Didn’t Renzo Piano already design this building? Is Foster and Partners turning into a bunch of knock-off artists?

 
# November 30, 2010 at 08:58
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RL says:

Despite all their effort and bravado, Foster’s work always leave me quite indifferent.

 
# November 30, 2010 at 09:19
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Leonardo Ximenes says:

It does remind me of Piano’s cultural centre in New Caledonia…without the elegance

 
# November 30, 2010 at 09:26
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Mohsen says:

Nice but not new kind of project… in addition it is PERSIAN GULF NOT ARABIAN GULF please correct it.

 
# November 30, 2010 at 09:39
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Elver Gun says:

Really?

 
# November 30, 2010 at 09:42
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guest says:

to be more precise, the official reference is “Gulf of Iran”

 
# November 30, 2010 at 09:55
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javedani says:

also it resembles the sydney opera but a little bit fluid and round shaped.

 
# November 30, 2010 at 10:14
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Robb says:

Jorn Utzon and Renzo Piano called, they want their designs back. Norman Foster is the Bill Gates of architecture, in a negative term.

 
# November 30, 2010 at 10:20
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pouria&yashar says:

the most important point is, the golf that is mentioned is the persian gulf , please correct it.
but the design is look like iranian air hole.

 
# November 30, 2010 at 10:21
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@ says:

Fingernails from some hand desperately trying to claw its way out of the sand. Which, oddly is much like what I imagine the design process for this was, only it wasn’t sand that the design was coming out of.

 
# November 30, 2010 at 10:36
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wanghong says:

just like a fingernail. i dont like it. but i like forster+ partner

 
# November 30, 2010 at 12:27
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Yes, it looks awfully similar to Renzo Piano’s project in New Caledonia, but it isn’t a terrible design. I like the big things sticking out of the planted roof. It also looks like interesting spaces to walk through… I agree they need to show more drawings so we can get a better idea of the building. Also, why no interior shots?

This would still be an excellent submission for the Holcim Awards for Sustainable Construction: http://on.fb.me/holcim-awards

 
# November 30, 2010 at 14:33
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daily fed says:

I doubt that Norman Foster himself was on the Project team, but I believe, without any doubt, that he was on the invoice…

After seeing beautiful designs by Jean Nouvel, Tadao Ando and others for this region, it is kind of disappointing to see this design bringing it all down to the Disneyland factor again…

 
# November 30, 2010 at 16:13
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Alexis says:

What’s going on with this almighty architects? Have they lost the north of their work? This is such a pretty sad and unfortunate architectural remake.

 
# November 30, 2010 at 19:58
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Tafmak says:

This is a Renzo rip off. Has the “kind Sir” run out of ideas?!

 
# December 1, 2010 at 03:43
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alan says:

reminds me of the Tjibaou center in New Caledonia by Renzo Piano :)

 
# December 3, 2010 at 00:52
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TeeOcho88 says:

In all honesty, my first impression of this concept was similar to those already stated: “Renzo Piano knockoff”. However, it’s not like this is the first time one architect has successfuly borrowed a design concept. Take the glass boxes by van der Rohe and Johnson. Both were incredibly similar, and both met critical, lasting acclaim. The sail shape Piano created for the New Caledonia project took great advantage of the thermal properties of that site to allow for natural cooling. Foster + Partners are clearly utilizing this innovation for this project which is located in an incredibly hot, arid climate. Instead of criticizing him for the similarities that are present, why not acknowledge his smart choice of building shape and praise the differences that are successful in differentiating this project from Utzon’s and Piano’s.

 
# December 8, 2010 at 19:32
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pi A says:

like cozze?? XD

 
# March 24, 2011 at 19:32
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Thanks for every other great article. Where else could anybody get that type of info in such an ideal approach of writing? I’ve a presentation subsequent week, and I’m at the look for such information.

 
# November 14, 2011 at 12:26
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1:47 PM Nov 30th

Check out Foster's Zayed National Museum http://t.co/OaFsbfL

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2:05 PM Nov 30th

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2:06 PM Nov 30th

Wow RT @ArchDaily Zayed National Museum / Foster + Partners http://archdai.ly/fz3pQY #architecture @RWDI

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2:15 PM Nov 30th

http://archdai.ly/fz3pQY Foi só impressão mesmo ou esse projeto lembra mesmo o Centro Cultural Jean Marie Tjibaou?

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2:17 PM Nov 30th

RT @ArchDaily: Zayed National Museum / Foster + Partners http://archdai.ly/fz3pQY #architecture

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2:20 PM Nov 30th

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2:21 PM Nov 30th

http://archdai.ly/fz3pQY de boa, pega o Jean Marie Tjibaou, troca a madeira por brises metálicos e dá uma inclinadinha: não tá igual???

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2:26 PM Nov 30th

RT @ArchDaily: Zayed National Museum / Foster + Partners http://archdai.ly/fz3pQY #architecture

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2:47 PM Nov 30th

@enana_ “Foster + Partners http://archdai.ly/fz3pQY #architecture” // uuu Sir Foster le anda copiando a Renzo – Con poco éxito…

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3:13 PM Nov 30th

RT @hollebrad: Wow RT @ArchDaily Zayed National Museum / Foster + Partners http://archdai.ly/fz3pQY #architecture @RWDI

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3:13 PM Nov 30th

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3:27 PM Nov 30th

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6:20 PM Nov 30th

Look!!
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7:59 PM Nov 30th

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8:12 PM Nov 30th

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6:10 AM Dec 1st

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6:28 AM Dec 1st

it looks awesome – hope it will b realized /// #architecture /// Zayed National Museum / Foster + Partners http://www.archdaily.com/?p=92372

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7:05 AM Dec 1st

If they make a live action Voltes V movie, the future Zayed National Museum would be the perfect Camp Big Falcon. http://bit.ly/ggaUtN

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10:58 AM Dec 1st

Nice architecture http://t.co/LZpiTKI

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3:00 PM Dec 1st

Zayed National Museum / Foster + Partners http://j.mp/dSP0As looks like wings, good #architecture

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4:01 PM Dec 1st

Foster's release more stunning visualisations of their new Zayed National Museum http://t.co/MxjLdGG #visualisations #architecture #render

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5:20 PM Dec 1st

El museo alado de Abu Dabi http://bit.ly/ggaUtN #arquitectura

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6:08 PM Dec 1st

RT @elfalconiano El museo alado de Abu Dabi http://bit.ly/ggaUtN #arquitectura: El museo alado de Abu Dabi http:… http://bit.ly/hKzflN

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9:30 PM Dec 1st

Wow: Zayed National Museum by Foster + Partners. http://bit.ly/hPJb0J #architecture #design #AbuDhabi #UAE #art

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6:45 AM Dec 2nd

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10:01 AM Dec 2nd

Abu Dhabi. Concilia modernità e tradizione il nuovo Museo Nazionale, bellissimo e sostenibile http://bit.ly/dX0SsH

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4:24 PM Jan 31st

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