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  7. Sale house / Johnston Marklee & Associates

Sale house / Johnston Marklee & Associates

  • 01:00 - 12 November, 2008
Sale house / Johnston Marklee & Associates
Sale house / Johnston Marklee & Associates

Sale house / Johnston Marklee & Associates Sale house / Johnston Marklee & Associates Sale house / Johnston Marklee & Associates Sale house / Johnston Marklee & Associates +50

  • Location

    Venice, Los Angeles, CA, United States
  • Architects

    Johnston Marklee & Associates
  • Project Architects

    Mark Lee, Sharon Johnston AIA, Lars Holt, Mark Rea Baker
  • Project Team

    Jeff Adams, Diego Arraigada, Michelle Cintron, Daveed Kapoor, Anne Rosenberg, Anton Schneider
  • Structural Engineer

    William Koh & Associates
  • Planning And Apertures

  • Contractor

    Alonzo Construction
  • Owner

    Josh Sale, Peggy Curran
  • Project Year


From the architect. The modestly scaled 2-4-6-8 House characterizes the type of early commissions that launched a generation of Los Angeles architects. With four incrementally scaled windows from which the structure acquired its name, 2-4-6-8 confronts architectural issues prevalent in the 1970s and 80s, from typology and materiality to kit-of-parts building methods and the use of solar power.

The massing concept of the Sale House originated from a Morphosis drawing that multiplied 2-4-6-8 as identical quadruplets. Repeating and transforming the original volume of 2-4-6-8, a ‘condensed mass' for the master bedroom mirrors the Morphosis pavilion across ‘excavated void' of the courtyard. 

The original element and these two serialized variations are anchored to a rectangular base that contains the main living areas and joins the new and existing structures. By redistributing the outdoor spaces typically devoted to driveways, front and side yards to the internal courtyard, the overall design turns the typical single-family house inside out.

The platonic geometry and primary colors of 2-4-6-8 are further transformed and spatialized in the new design. Private rooms in bright pink, turquoise, and yellow-orange are conceived as shaped volumes - serial deviations from the red, blue, and yellow of the studio windows. The white walls of the main living spaces reflect these vibrant colors. 

The exterior contrasts this vivid palette with the most neutral color available - that of the photographic grey card - to simultaneously contrast and amplify the interior volumes. While light and color dynamically animate the shaped private spaces, shared living spaces are continuous and transparent to the exterior.

2'x2', 4'x4', 6'x6', and 8'x8' apertures in the new house, sized to match those of 2-4-6-8, contrast the inward orientation and compositional stability of the existing structure. Shifted to the volume edges to accommodate circulation and services, these openings reinforce the outward orientation and rotational quality of the new intervention. Within, centralized space is replaced by poché niches at the periphery. A wall of sliding glass doors renders the shared living space continuous with the glass box of the interior courtyard, and the glazed lower-level street façade visually links both spaces with the pedestrian street beyond. Taken together, the courtyard and apertures comprise an ideal passive cooling configuration: the courtyard draws fresh air into the base of the house, while the upper windows, puncturing each face of the new volume, expel warm air and promote cross ventilation. Radiant floors provide efficient winter heating.

Situated on a pedestrian street with vehicular access limited to the rear alley, the design responds to the evolving nature of the Venice walk-streets. With land values in the area far exceeding the value of the original structures, many of these turn-of-the-century bungalows are nearing the end of their life spans. The Sale House offers a unique, well-scaled alternative appropriate to the neighborhood and the climate.

Cite: "Sale house / Johnston Marklee & Associates" 12 Nov 2008. ArchDaily. Accessed . <>
Read comments


Alonzo Construction · March 19, 2011
Rafa · April 08, 2009

I wish I could have asked them about this project at Postopolis LA when the topic of existing site conditions was discussed, but I forgot . This project is more relevant to that topic, than the Hillside House because of the conceptual and perhaps historical context of the site.

I believe that if it weren't for the existence of 2-4-6-8, the Sale House couldn't really stand on it's own from an aesthetic nor from a conceptual standpoint no matter what in-depth description the Architects gave it. The description is basically archi-jargon to say that the new house is there to pay homage to the existing by referring to it's original colors (or some shade there of), probably used multiples of 2,4,6 & 8 for fenestration proportions. They should've just left the interiors white as the colors seem like a futile attempt to give the project more depth than is there.

Mark Rea Baker, AIA · March 26, 2009

This is a fantastically in-depth article about this project. You have done a great job clearly presenting the ideas that generated the Sale House. It was an engaging and fun project on which to work - we had a blast - except for having to win approval for some setback variations due to the old Morphosis project. Johnston Marklee is on their way to becoming one of the most important design firms in L.A.

Mark Rea Baker, Project Architect
Baker A+D
Albuquerque, NM

Antonio · November 14, 2008

Cuántos metros cuadrados tiene esta casa?

Maria-Louiza Laopodi · November 14, 2008

I really admire the way interior colors are used. Very warm outcome.

roadkill · November 13, 2008

wow... i read about this years ago and it is very nice to see it built.


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