Living on the Edge / Arjen Reas

© Kees Hageman

Architects: Arjen Reas
Location: , The Netherlands
Project Area: 744 sqm
Project Year: 2009-2010
Photographs: Kees Hageman

ground floor plan
second floor plan

This project is a private assignment for an entrepreneur from the city center, and the question was posed, how could the family find peace on the edge of that same city. The site located where the city and open planes meet, and therefore has an obvious recognition that cannot be ignored.

In the earlier times people here used to work with shapes for houses that were pure and plain, haystacks were used as a cover for the roofs and the walls where made out of stones and a clay plaster.

© Kees Hageman

The architect was challenged to fuse together traditional ideals with a contemporary house design, a cubistic shape placed in a desolate landscape, where all urban feeling is gone when you look at the surroundings.

Contemporary rural living was chosen as a project to mix the two in pure form.

New Dutch Design

When working with pure forms it’s also important to look at simplicity, durability and expression.

section 01

The mix of two very different but recognizable materials in the Dutch landscape results in a both a modern and traditional structure. The fine texture of the haystacks in combination with the smooth white plaster surfaces a house is formed that is very modern and traditional at the same time. The compactness of the haystacks gives optimal protection against the elements.

© Kees Hageman

The interior successfully combines natural materials creating something unique. By designing a natural interior certain tranquility arises throughout each room and now there is also room left for the residents to restyle their space continuously.

One of the priorities while designing this house was to provide the residents with a magnificent view of the scenic landscape. This was successfully done within each room in the house. Daylight falls deep into the house and lights up the space within and gives it a dynamic character during the day, while by night the house radiates its light to its surroundings and thereby marking its position in the landscape.

© Kees Hageman

Lay-out

Via the slope residents can park their car in the basement, where there are also two extra storage rooms and an entrance to go up by stairs and enter the main living space with a beautiful open kitchen where all the modern comforts are integrated in.

When walking through this open space towards the large transparent slide doors, you immediately get pulled to go into the garden. Here you can sit and relax or walk on the plateau to oversee the whole landscape.

© Kees Hageman

The main entrance is surprisingly spacious and with its transparent separation with the kitchen a lot of light is coming in. Here you can enter the scullery, toilet, wardrobe or walk straight up the stairs to the second level.

On this level you can go to the main bedroom, the second bathroom and three other bedrooms. In the master bedroom the residents can choose to go and have a spacious shower or to go and take a bath before or after going to bed. When sitting in bath or lying in bed, you still have a great open view at the landscape.

* Location to be used only as a reference. It could indicate city/country but not exact address.
Cite: "Living on the Edge / Arjen Reas" 20 Oct 2010. ArchDaily. Accessed 23 May 2013. <http://www.archdaily.com/82455>

12 comments

  1. Thumb up Thumb down 0

    Hey hello,

    The material is called reed, and its a type of tall stiff grass-like plant, growing together in groups near water.
    This is a traditional roofingmaterial in Holland and a few other europian country’s, but now used in another way.

    gr

  2. Thumb up Thumb down 0

    nice work,

    contemporary craftsmanship.
    i love the way you blend tradition with modern architecture, without losing the feeling of the home.

    grtz Martijn

  3. Thumb up Thumb down 0

    Pretty good project.

    I wonder if the architect was influenced by an early Robert Venturi, both the main elevation picture and the floor plan layout is in line with Venturi’s Vanna House ideas (at least that’s my impression).

    Does someone know how is the hay holding together?, what’s the building process?

    Beautiful project!

  4. Thumb up Thumb down 0

    Thank you very much,

    Although I love the work of Venturi, I did not use it as an comparison.
    On our website , http://www.arjenreas.nl, you see a few more photos taken in the construction proces. The thatch (or hay) is screwed on the insulation with thin wiring. A method where there is no airpocket between the thatch and the insulation, what minimizes a firespread.

  5. Thumb up Thumb down 0

    A nice combination of modern and traditional. I live close to this house in the small neighbor village Benthuizen and pass the street at least twice a day.
    It took a wile to build and finish the house, but the final result deserves a big applause.

    By the way, it’s build in Zoetermeer (not Zoermeer, as mentioned on this website).

  6. Thumb up Thumb down 0

    what kind of maintenance the reed or haystacks need? Does the rain consume it? How much does it cost? Thanks, very interesting project, really nice and integrated.

    • Thumb up Thumb down 0

      Thanx for your kind words Albi.
      No, the rain has no influence in the quality of the thatch. When put on in a correct way, this material can last more then 20 years, even longer with correct maintenance when needed.
      The costs are a bit higher than contemperary materials, I think about 1,2 to 1,5 times higher. But this is off cours due to a lot off handwork.

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