Location: 235 Bowery, New York, NY 10002
Client: New Museum of Contemporary Art, New York City; Zubatkin Owner Representation
Project Leadership: Saul Dennison, Chairman, Board of Trustees, New Museum; Lisa Phillips, Toby Devan Lewis Director, New Museum; Lisa Roumell, Deputy Director, New Museum
Architect of record: Gensler Architects
Project Management: Plaza Construction Corporation, New York City
Structural engineers: Guy Nordenson Associates, Simpson Gumperts & Heger Inc., New York City
Lights and illumination: Arup
Constructed area: 58,700 sq ft
Year of enchargement: 2002
Year of completion: 2007
Photographs: Iwan Baan, Dean Kaufman, Benoit Pailley
Recently Pritzker laureate SANAA offers to architects, critics and customers very sharp architectures, outstanding and internationally recognized. Most of the times, the reason of this is the simplicity and clearness of the concept, and its clean translation into construction. The New Contemporary Art Museum in New York is a precious building with clear concept and strong impact.
The location context, Lower Manhattan, with its squared blocks and buildings, can be considered as starting point for the Museum image: it replies the boxes surrounding, and stacks them one on top of the other in various sizes and heights, as the plot was a playground for a composition of cubes. By small but significant shifting of the cubes, the building gets dynamicity and an attracting shape, being different but similar to the near constructions.
The program of the Museum consists of four public galleries at the first four floors, which have free and flexible spaces for exhibitions; a “white box” auditorium in the basement, Education Center at the 5th floor, offices at 6th, a multi-purpose room at the 7th. By shifting the boxes, all galleries get natural illumination, combined with artificial, and the offices and the private locals on the top floors get terraces and opening views to the cityscape.
It is in that way that the project shows its concept: by simple repeated shifting, the intention of the building is clearly readable from outside, and combines a convincing language with the need of natural light from top: all at once, with one operation, the project shows its force.
Wanting to be a light and clean object in the massive Manhattan cityscape, the materials and the façade appearance play a relevant role. The choice of a layer of anodized aluminium mesh on top of the white walls is not new and unknown to most of architects. But in the Museum it is used as a wrapped skin on all vertical surfaces, as a continuous blurring layer, that gives different light reflections and hides the offices windows, doors and balustrades of the terraces. The result is an elegant, light and white succession of surfaces, without any interruption or contamination by other elements: a semi-transparent dress for the shifting body of the building.
Evidently, at night the Museum shows life from the inside with the artificial lights through the hidden openings, enhancing the gaps between the volumes and giving more lightness to the massive building.
Inside, the Museum keeps its lightness by the white surfaces and ceilings. The steel structure of the perimeter walls supports the floors and sets them free from any column. The plan, with an off- centred core and free space all around, efficient and flexible, confirms the clearness of the concept.
- Andrea Giannotti
Products in this project
- Toilets by Toto
- Urinals by Toto
- Faucets by Vola
Construction materials, Semi-finished materials: Viracon, Marino Ware, Henry Company, PPG, USG, Georgia-Pacific, Starphire
- Glass by Viracon
- Stud framing by Marino Ware
- Waterproofing: Henry Air-Block by Henry Company
- Skylight glass: Solarban by PPG
- Gypsum board by USG
- Gypsum sheathing: DensGlass Gold by Georgia-Pacific
- Glass by Starphire
- Stainless steel mesh clips (custom) by James & Taylor
- Aluminum curtainwall mullion by US Aluminum
- Extruded aluminum liner panel (custom) by McGrath Inc.
- Expanded aluminum mesh with anodized finish (custom) by Expanded Metal Company
- Epoxy floor by Tennant Flooring
Joinery: Michbi Doors Inc., Competition Architectural Metals Inc., Rixson, Wausau Windows, JC Ryan EBCO, C.R. Laurence Co., Supersky
- Doors by Michbi Doors Inc.
- Loading dock doors (custom) by Competition Architectural Metals Inc.
- Glass door pivot hardware by Rixson
- Aluminum frame windows by Wausau Windows
- Doors by JC Ryan EBCO
- Glass door handles by C.R. Laurence Co.
- Skylight system by Supersky
- Gallery busway lighting by LSI
- Downlight by Lucifer Lighting Co.
- Fluorescent lighting by Bartco Lighting
- Acoustical plaster ceiling: Star-Silent by Pyrok
- Elevator by Fujitech
- Bathroom glass tiles by Bisazza
- Structural steel stud framing by Marino Ware
- Paint by Sherwin Williams