“Forms of Freedom: African Independence and Nordic Models” – The Nordic Pavilion at the Venice Biennale 2014

© Nico Saieh

From the Curators. The exhibition at the Nordic Pavilion has been titled FORMS OF FREEDOM: African Independence and Nordic Models. The exhibition explores and documents how modern Nordic architecture was an integral part of Nordic aid to East Africa in the 1960s and 1970s. The resulting architecture is of a scope and quality that has not previously been comprehensively studied or exhibited.

Mutual belief in progress

The liberation of Tanzania, Kenya, and in the 1960s coincided with the founding of development aid in the Nordic countries, where there was widespread belief that the social democratic model could be exported, translated, and used for economic growth and welfare. The leaders of the new African states, for their part, wanted partners without a murky colonial past and looked to emulate the progressive results achieved by the Nordic welfare states after WWII. The Nordic social democracies and the new African states established solid bonds built on a mutual belief in progress.

© Nico Saieh

An unexplored field in architecture history

The Nordic architecture in East Africa has yet to be studied and documented by historians of Nordic and international architecture. The exhibition, which the National Museum in Norway is developing in collaboration with the architectural firm , revolves around two concepts. “Building Freedom” denotes the architectural nation-building where master plans were used to build cities and regions, prototypes and prefabricated systems were used to build education and health centres, and so on. “Finding Freedom”, conversely, denotes the experimental free area that emerged from this encounter between Nordic aid and African nation-building, where progressive ideas could be developed as architectural solutions on a par with the international avant-garde.

© Nico Saieh

Kenya: Karl Henrik Nøstvik

Karl Henrik Nøstvik, one of the few architects of the era whose archives remain intact, was among the first group of experts sent to Kenya in 1965 as part of the Norwegian aid package. Employed by the Kenyan government, Nøstvik was commissioned to design the country’s first government building. The Kenyatta International Conference Centre (1966–73), which adorns the Kenyan 100 shilling note, was East Africa’s tallest building until the 1990s and remains a national icon of independent, modern Kenya.

© Nico Saieh

The National Museum in Oslo is the Commissioner for the Nordic exhibition 2014, and Dr. Nina Berre, Director of Architecture at the National Museum, is the main curator. Gro Bonesmo, partner in the architectural firm Space Group, was appointed co-curator and exhibition architect.  Space Group has its headquarters in Oslo, with local offices in São Paulo and New York. The three partners Gro Bonesmo (NOR), Gary Bates (US), and Adam Kurdahl (DEN) worked for several years with Rem Koolhaas at OMA in Rotterdam, before the three of them teamed up to found their own firm in Oslo in 1999. Gro Bonesmos is a Professor at the Oslo School of Architecture and Design, and has also taught at Columbia University, Harvard, and the Royal Danish Academy of Fine Arts in Copenhagen.

Cite: Saieh, Nico. "“Forms of Freedom: African Independence and Nordic Models” – The Nordic Pavilion at the Venice Biennale 2014" 15 Jun 2014. ArchDaily. Accessed 16 Sep 2014. <http://www.archdaily.com/?p=516338>

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