B+U’s Housing Tower Rethinks Window DNA

  • 26 Jan 2013
  • by
  • Skyscrapers Sustainability
Courtesy of

Los Angeles based B+U Architects, a design office recognized internationally for its digital techniques and use of new technologies and material resources, is once again pushing the boundaries of architecture and urban design with its Housing Tower project in Lima, Peru. The conceptual framework for the design arose from a “clear interest in emphasizing an architecture that can exist between nature and technology,” inspired by natural patterns, movements and colors with the overarching goal of creating an “interactive and intelligent building organism”. According to the architects, its design aesthetic embraces incongruence, disruption and deformation rather than homogeneity and parametric smoothness – a common solution in many digital designs that the firm wished to avoid.

More after the break…

Courtesy of B+U

What makes Animated Apertures so unique is its attempt to rethink and redesign the DNA of the window in terms of function, components, appearance and materiality and then its application to a 20-story tall housing typology. The apertures function as inhabitable spaces or thresholds between interior and exterior that respond to environmental forces such as sun and wind and exploit potential energetic exchanges between the natural and built environments. The exterior of the building is a direct result of the interior spaces and their relationships to specific points in the city, with linear extensions along the window frames that create a soft, blurred building edge that is always in flux rather than a traditionally sharp and rigid one.

Courtesy of B+U

The building consists of underground parking for 90 cars, a ground floor entry with a cafe and L-shaped living units stacked on top of each other with a North-South orientation. Each unit occupies three levels, giving it a double height living room that is oriented to the San Isidro Golf Club with access to two gardens. Both living room and dining room areas have large foldable glass walls that can be opened to create a continuous indoor-outdoor living experience with plenty of cross-ventilation. The Housing Tower also has a penthouse unit and a rooftop with large pool and garden.

Plan 02; Courtesy of B+U

The overall structure is a cast in place concrete slab and core structure with most of the exterior enclosure made of cast in place concrete. The rough textured concrete shell contrasts sharply with the highly articulated fiberglass composite apertures that are translucent and illuminated with LED’s from within, giving the tower a distinguished colorful glow at night. These apertures will be made out of advanced silicon composites that mix material properties on a molecular level, are able to move without mechanical parts and ultimately mimic systems found in nature. In addition, the new window frames will be coated with thin solar film that produce significant solar energy for the building. B+U’s hope is that with these special technological components, Animated Apertures will help revolutionize and redefine the built environment so that buildings become less invasive and instead become closer to functioning as adaptable organisms.

Courtesy of B+U

Architect:B+U – Herwig Baumgartner, Scott Uriu
Location: Lima, Peru
Design Principals: Herwig Baumgartner, Scott Uriu 
Project Team: Nema Ashjaee (lead), Aaron Ryan, Jack Gaumer, Ricardo Lledo, Anthony Morey  
Type: Housing tower 
Size: 5,000 sqm 
Material: Advanced silicon composites, ETFE, concrete, glass 
Photo credits: B+U, LLP – Herwig Baumgartner, Scott Uriu

Cite: Porada, Barbara. "B+U’s Housing Tower Rethinks Window DNA" 26 Jan 2013. ArchDaily. Accessed 22 May 2015. <http://www.archdaily.com/?p=324366>
  • Miguel Salvador

    Like the originality, kind of extremely ugly though

  • Alain Farivar

    I prefer to live in an intestine or fester in a pile of dung with mushrooms than live in this abomination.

    Etienne Louis Boullée said that just as in music there are compositions of sounds that the ear cannot tolerate, so it is with the eyes.

    The result of the search for originality is most often monstrosity
    (Eduardo Souto de moura said something to this effect).

  • Alain Farivar

    Etienne Louis Boullée said that just as there are compositions of sounds in music that the ear cannot tolerate (that damages their ability to operate), so too it is with the eyes in architecture.
    Souto de Moura said (and i don´t remember the exact words) that the result of the pursuit of originality is, more often than not, monstrosity.
    I prefer to live in an intestine or a pile of dung along with the mushrooms rather than this abomination!

  • Giulio Brugnaro

    Are you serious?

  • Amir Imani

    Hi it nice look like idea i want do my final paper biologic and architectur in italy (Rome) if possible i like to have collaboration whith you

  • erg

    so you learned parametrics. now get back to work and design something.

  • Pingback: Prédio projetado por norte-americanos imita formas da natureza | Jornal Joseense News

  • Allegro Mattisse

    oh look a giant seaweed.

  • liixuu

    God….this is the most disgusting building I’ve ever seen….

    • mimy


  • dylan

    thats horrific