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Holy Rosary Church Complex / Trahan Architects

By Nico Saieh — Filed under: Featured , Religious Architecture , Selected , , ,
 

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Architects: Trahan Architects, APAC
Location: Lousiana, USA
Project Architect: Victor F. “Trey” Trahan III, FAIA
Design team: Brad David, Kirk Edwards
Structural Engineer: Schrenk & Peterson Consulting Engineers
Mechanical, Electrical, Plumbing Engineer: Apex Engineering Corporation
BUILDER: Quality Design and Construction, Inc.
Project Area: 1,586 sqm
Project year: 2004
Photographer: Tim Hursley / The Arkansas Office

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The design of the Holy Rosary Complex-comprised of an oratory, administrative building, and religious education building-for a rural Catholic Parish in South Louisiana, is an honest exploration of form, function, light and materials that results in an engaging and profound study in sacred space. Neither opulent nor austere, Holy Rosary Chapel presents a thoughtful meditation on sacred spaces and the spatial embodiment of spiritual experience.

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The masterplan for the rural campus creates a strong sense of place and draws a distinction between the program’s sacred and secular components. Secular components of the campus take form as linear or “edge” buildings-an administrative block, two linear classroom bars, a religious education building-which form the courtyard in which the oratory is located. The oratory, or chapel, is the focus of the otherwise orthogonal composition, but is itself skewed to further underscore its importance and to create a sense of expectation.

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Working with a limited palette of poured-in-place concrete, plate glass and cast glass, the architects created a meditative environment that places a high importance on spatial characteristics and the play of light on these humble materials.

Design of the oratory stems from the concept of the womb-a universal, pure and sacred space. All six sides of the oratory cube sides are equal in size, color and texture. The result is an interior space that feels encompassing, protective and mysterious.

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Light enters through a variety of openings carved from the wall thickness without revealing context or light source beyond. In addition to giving occupants a sense of orientation, the obscured presence of light is symbolic of the paschal mystery of Christ.

 

25 comments »

tchouah says:

Marvelus interpretation of a “cloitre”
Amen

 
# July 27, 2009 at 08:24

A masterful lesson in the use of concrete and glass.

 
# July 27, 2009 at 10:00
JK says:

My favorite sinks of all time.

 
# July 27, 2009 at 14:53
Wargo says:

Peace of mind

 
# July 27, 2009 at 16:54

The drains used for the sinks are genius!

 
# July 27, 2009 at 20:34
public eye says:

I thought of writing something. But it would not matter. But then I couldn’t help it cause I really like it.

 
# July 27, 2009 at 23:40
Lucas Gray says:

This is amazing. A true lesson in how simplicity can be so powerful.

 
# July 28, 2009 at 04:34
rk says:

beautiful! the concrete reads like smooth travertine.

 
# July 28, 2009 at 11:05
sullka says:

Beautiful project, I thought it was posted already here, maybe I was wrong.

Hard to believe is American, looks more like Spain minimalism, something Campo Baeza would do.

Lovely work.

 
# July 28, 2009 at 12:17

Unlike Trahan’s Louisiana Sports Hall of Fame design, this design is magnificent – particularly the use of a lighter, cream-colored and rammed-earth-appearing concrete form, which softens the sun light and adds textural depth. The plan has much clarity, without being boring in the least, as well.

 
# July 29, 2009 at 12:49

this makes me belive in God

 
# July 30, 2009 at 13:28
    Frank Phelps says:

    :) me too. makes me want to go to church

     
    # August 4, 2009 at 22:57
Tuf-Pak says:

Really great. It’s so hard to do good projects like this in the US… we need more of these.

 
# July 30, 2009 at 18:52
chris mccauley says:

IT’S SUBLIME. BUT THEN, I ALWAYS LOVE TADAO ANDO’S WORK.

 
# August 7, 2009 at 10:46

great play with form and function

 
# September 30, 2009 at 20:07

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