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Musée Hergé / Christian de Portzamparc

By Karen Cilento — Filed under: Museums and Libraries , News , , , ,
 

After two years of construction, the Musée Hergé designed by Christian de Portzamparc is complete.  Situated in a forest and connected by a footbridge to Louvain-la-Neuve, Belgium, the museum is dedicated to Belgian artist and Tintin author Hergé.  The museum highlights Hergé’s life and works through cultural facilities, permanent and temporary exhibition areas, and a video projection room.

Images and more about the museum after the break.

“It was at the close of the exhibition, organized by the Pompidou Centre about me in 1996, that I met Fanny and Nick Rodwell. They had seen the exhibition, liked it, and wanted to talk to me about their project for the Hergé Museum…Hergé had not only cradled and enchanted my own childhood, but he was also cradling and enchanting the childhood of my children,” explained de Portzamparc.

When finding inspiration for the museum, Portzamparc immediately looked to the ideas and figures present in Hergé’s writings.  Although it took almost a decade for those images to transfer into an architectural language, the result is a space that richly commemorates the famed author.  ”What is clear to me, now that the museum exists, is that there were infinite sources of inspiration for the project,” explained de Portzamparc.

The museum is separated from the town, a location Portzamparc found to be advantageous in allowing the visitor to experience and focus on the “four landscape objects”.  These four objects are different exhibition areas that illustrate various “kinds of character” through experimenting with form, color and design derived from Hergé’s drawing style.   Meandering footbridges link the exhibition spaces while large, comic-strip-like bay windows allow natural light to fill the spaces.

As seen on Dezeen.  Photographs are copyright Nicolas Borel and Hergé/Croix de l’Aigle.

SCENOGRAPHY: Joost Swarte

LANDSCAPE DESIGNER: Jacques Wirtz

SURFACE: 3 600 m_ SHON

CLIENT: « La Croix de l’Aigle » S.A. : Fanny et Nick Rodwell, Studios Hergé. Client representatives: INCA

ATELIER CHRISTIAN DE PORTZAMPARC TEAM : Céline Barda, Bruno Durbecq, Odile Pornin, Yannick Bouchet, Konrad Kuznicki

 

14 comments »

Sofie says:

I Love Hergé,
I Love Kuifje (TinTin),
I’m not so sure about the building…

 
# July 1, 2009 at 11:27
PanamArq says:

I don’t like that it is so literal with the artwork and signature on the facade. More abstract is better I think

 
# July 1, 2009 at 16:40
Opium says:

portzamparc is just so…this is so…again so…oh god i think i’m going to throw up…remember this guy won a pritzker…it just goes to show how much ponderation goes into this decisions.

 
# July 1, 2009 at 16:51
SD says:

Portzamparc…….Overrated second rate architect!

Disgusting….

 
# July 1, 2009 at 21:18
    docksi says:

    Hum…
    This guy won a pritzker, and also many other french and internationnal prizes, have a 80 peoples strong office, he’d build in NYC, Almere(NL), Belgium, Luxembourg, Fukuoka (JP), Berlin, Brazil,Paris and many other place all around the world, won his last competition in Casablanca versus OMA, Hadid, Gehry and Mecanoo! And he has also re-invented the parisian urbanism in the 70’s with the “hautes formes” (words of F. Rambert, president of french institute of urbanism…).

    SD, Do you still thinking he is an overrated second rate architect? Seriously…I don’t really like this building, but I think you just can’t say that.

     
    # September 16, 2009 at 18:52
qiugeqiuge says:

archdaily每日跟踪群9069952,欢迎加入!

 
# July 1, 2009 at 22:19

I guess this guy never even read TinTin, this building should be called Nasty Excess of Ill-Chromatic finished Gypsum Board Museum.

Like Capitaine Haddock would have said: Pontzamparc est un bougre de sauvage d’aérolithe de tonnerre de Brest! Cherchez donc le chateau de Moulinsart, achetez le chateau de Cheverny et voila votre musée!

To build a museum for cartoons does not mean to build a cartoon.

 
# July 1, 2009 at 23:28
中国人 says:

我觉得不错

 
# July 2, 2009 at 02:37
alifencer says:

我挺喜欢这个建筑,有强烈的个人风格
像上面说的一样,鲍赞巴克使用了一种单纯的漫画式的建筑语言,不像主流建筑那样,陷于技术制造的眩目涡流中不可自拔
看那几个超尺度的大窗户
充满了夸张的肆意和孩童的天真
完全没有成人的拘谨和世故

 
# July 2, 2009 at 04:24
Case says:

That front shot is pretty cool, but I give more credit to the photographer for the composition. The rest of the building just feels very contrived.

 
# July 2, 2009 at 08:55
LCLEE says:

我觉得非常不错,哈哈哈

 
# July 2, 2009 at 09:45
Lasse says:

I like the artwork on this building, I just dont like that is put on a canvas and added to the building.. Integration is the way to go:) and perhaps smaller scale..

I don’t think they took “the infinite amount of inspiration” very far, the colors are too cold and weak to really give the spaces any of the pleasant atmosphere I remember from the comic books.

A full scale model of the rocket would have been cool, yes obvious I know, but imagine standing next to it…..

 
# July 3, 2009 at 18:35

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