Since first achieving international fame in 1978 with the Centre George Pompidou in Paris, Renzo Piano has become known as a prolific, Italian architect capable of achieving a masterful balance between art, architecture and engineering. His intellectual curiosity and problem-solving techniques have led him to develop a wide-ranging portfolio that successfully merges high technology with humane and comfortable environments. Sophisticated, refined and elegant, the presence of Renzo Piano’s work is internationally celebrated. Originally born into a family of Italian builders, the Pritzker Prize-winning architect now leads a staff of 150 at his practice, Renzo Piano Building Workshop, from three locations – Genoa, Paris and New York. Architecture critic Nicolai Ouroussoff of The New York Times described Piano’s work the best when he stated: “The serenity of his best buildings can almost make you believe that we live in a civilized world.” The next part of the interview will air on Monday Sept, 17th. Renzo Piano completed works featured on ArchDaily:
- AD Classics: Centre Georges Pompidou / Renzo Piano + Richard Rogers
- The Shard’s Opening Celebration
- California Academy of Sciences / Renzo Piano
- Isabella Stewart Gardner Museum Opens New Wing Today / Renzo Piano Building Workshop
- AD Classics: Menil Collection / Renzo Piano
- AD Classics: Rothko Chapel / Philip Johnson, Howard Barnstone, Eugene Aubry and Mark Rothko
- Central St. Giles Court / Renzo Piano & Fletcher Priest Architects
- Volcano Buono / RPBW
In Progress:
- MUSE Museum of Science / Renzo Piano
- Botín Center / Renzo Piano
- The Stavros Niarchos Foundation Cultural Center / Renzo Piano
- Satellite Whitney Museum / Renzo Piano
You can also read our editorials Piano’s Progress and The Shard: A Skyscraper for our Post 9/11 World?.

Any particular reasons why RPBW doesn’t work in China?
This has been a question that I’ve had for a while!
He hinted this at 5:23, toward Kolhaas maybe. Because China is the new Dubai, the bubble effect that megalomaniac architects like to exploit, and the political climate that allows that. That’s why Renzo is leaning toward humanistic architecture,as he calls his work.
How to get to part II?