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	<title>Comments on: Museum of Luz / Pedro Pacheco + Marie Clément</title>
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	<link>http://www.archdaily.com/23656/museum-of-luz-pedro-pacheco-marie-clement/</link>
	<description>Architecture News: The latest buildings, projects and competitions every day.</description>
	<lastBuildDate>Mon, 23 Nov 2009 02:01:54 -0500</lastBuildDate>
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		<title>By: marie Clément</title>
		<link>http://www.archdaily.com/23656/museum-of-luz-pedro-pacheco-marie-clement/#comment-43925</link>
		<dc:creator>marie Clément</dc:creator>
		<pubDate>Wed, 22 Jul 2009 15:26:53 +0000</pubDate>
		<guid isPermaLink="false">http://www.archdaily.com/?p=23656#comment-43925</guid>
		<description>Portugal!</description>
		<content:encoded><![CDATA[<p>Portugal!</p>
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		<title>By: Emanuel Sancho</title>
		<link>http://www.archdaily.com/23656/museum-of-luz-pedro-pacheco-marie-clement/#comment-36258</link>
		<dc:creator>Emanuel Sancho</dc:creator>
		<pubDate>Sun, 07 Jun 2009 09:37:51 +0000</pubDate>
		<guid isPermaLink="false">http://www.archdaily.com/?p=23656#comment-36258</guid>
		<description>&quot;relationship between building and landscape... &quot;
&quot;photographer certainly earned his money...&quot;
&quot;beautiful building which manages to combine the past and the present in harmony.&quot;
&quot;Poignient, beautiful, meaningful and well detailed... &quot;
&quot;the way in which the landscape and building interact/meet are... &quot;
etc, etc, etc...

I enterely agree. I love the piece of art. I love the spaces.
I certainelly will visit it as soon as I can.

As a museologist I ask about the people of Luz. Do they USE their museum often? Does the museum fullfils their needs? Do they like it? Does the museum play un important roll in their daily life?  

Emanuel Sancho</description>
		<content:encoded><![CDATA[<p>&#8220;relationship between building and landscape&#8230; &#8221;<br />
&#8220;photographer certainly earned his money&#8230;&#8221;<br />
&#8220;beautiful building which manages to combine the past and the present in harmony.&#8221;<br />
&#8220;Poignient, beautiful, meaningful and well detailed&#8230; &#8221;<br />
&#8220;the way in which the landscape and building interact/meet are&#8230; &#8221;<br />
etc, etc, etc&#8230;</p>
<p>I enterely agree. I love the piece of art. I love the spaces.<br />
I certainelly will visit it as soon as I can.</p>
<p>As a museologist I ask about the people of Luz. Do they USE their museum often? Does the museum fullfils their needs? Do they like it? Does the museum play un important roll in their daily life?  </p>
<p>Emanuel Sancho</p>
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		<title>By: roadkill</title>
		<link>http://www.archdaily.com/23656/museum-of-luz-pedro-pacheco-marie-clement/#comment-36174</link>
		<dc:creator>roadkill</dc:creator>
		<pubDate>Sat, 06 Jun 2009 17:06:42 +0000</pubDate>
		<guid isPermaLink="false">http://www.archdaily.com/?p=23656#comment-36174</guid>
		<description>Well Robert... this is in the south of the country; far enough from the Algarve and the larger cities but you will need some wheels or else the most hidden gems will be out of reach. Don&#039;t go in the peak of summer or you will cook [temperatures exceed 40 degrees c] but accommodation although not easy to find is very reasonably priced but you may prefer stay in the Evora and make the drive there... or even stay in the neighbouring Spanish cities - it&#039;s just across the border</description>
		<content:encoded><![CDATA[<p>Well Robert&#8230; this is in the south of the country; far enough from the Algarve and the larger cities but you will need some wheels or else the most hidden gems will be out of reach. Don&#8217;t go in the peak of summer or you will cook [temperatures exceed 40 degrees c] but accommodation although not easy to find is very reasonably priced but you may prefer stay in the Evora and make the drive there&#8230; or even stay in the neighbouring Spanish cities &#8211; it&#8217;s just across the border</p>
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		<title>By: Robert</title>
		<link>http://www.archdaily.com/23656/museum-of-luz-pedro-pacheco-marie-clement/#comment-36150</link>
		<dc:creator>Robert</dc:creator>
		<pubDate>Sat, 06 Jun 2009 12:12:34 +0000</pubDate>
		<guid isPermaLink="false">http://www.archdaily.com/?p=23656#comment-36150</guid>
		<description>Yes I agree with Roadkill. A photo is just a still representation of a much more lively scene. I am now very tempted to see this building. What are your tips for visiting this area?</description>
		<content:encoded><![CDATA[<p>Yes I agree with Roadkill. A photo is just a still representation of a much more lively scene. I am now very tempted to see this building. What are your tips for visiting this area?</p>
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		<title>By: roadkill</title>
		<link>http://www.archdaily.com/23656/museum-of-luz-pedro-pacheco-marie-clement/#comment-36103</link>
		<dc:creator>roadkill</dc:creator>
		<pubDate>Fri, 05 Jun 2009 21:24:27 +0000</pubDate>
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		<description>Durban, I agree the photography is exquisite but let me reassure you that this part of Portugal is stunning and experiencing it in the flesh is 1000x more powerful than you can experience with a photo and the landscape surrounding it makes this project look stand out even more - as it was said before its a complementary relationship between building and landscape</description>
		<content:encoded><![CDATA[<p>Durban, I agree the photography is exquisite but let me reassure you that this part of Portugal is stunning and experiencing it in the flesh is 1000x more powerful than you can experience with a photo and the landscape surrounding it makes this project look stand out even more &#8211; as it was said before its a complementary relationship between building and landscape</p>
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		<title>By: Durban</title>
		<link>http://www.archdaily.com/23656/museum-of-luz-pedro-pacheco-marie-clement/#comment-36062</link>
		<dc:creator>Durban</dc:creator>
		<pubDate>Fri, 05 Jun 2009 15:16:53 +0000</pubDate>
		<guid isPermaLink="false">http://www.archdaily.com/?p=23656#comment-36062</guid>
		<description>The photographer certainly earned his money. I wonder if the real experience of the space would be as vivid and elegant as the images.</description>
		<content:encoded><![CDATA[<p>The photographer certainly earned his money. I wonder if the real experience of the space would be as vivid and elegant as the images.</p>
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		<title>By: Lianne</title>
		<link>http://www.archdaily.com/23656/museum-of-luz-pedro-pacheco-marie-clement/#comment-36050</link>
		<dc:creator>Lianne</dc:creator>
		<pubDate>Fri, 05 Jun 2009 13:19:48 +0000</pubDate>
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		<description>It is a beautiful building which manages to combine the past and the present in harmony.</description>
		<content:encoded><![CDATA[<p>It is a beautiful building which manages to combine the past and the present in harmony.</p>
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		<title>By: roadkill</title>
		<link>http://www.archdaily.com/23656/museum-of-luz-pedro-pacheco-marie-clement/#comment-36047</link>
		<dc:creator>roadkill</dc:creator>
		<pubDate>Fri, 05 Jun 2009 12:13:07 +0000</pubDate>
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		<description>Poignient, beautiful, meaningful and well detailed... the rest of us should take note and learn a thing or two with projects like this instead of being critical over precedents and what inspires them....</description>
		<content:encoded><![CDATA[<p>Poignient, beautiful, meaningful and well detailed&#8230; the rest of us should take note and learn a thing or two with projects like this instead of being critical over precedents and what inspires them&#8230;.</p>
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		<title>By: Opium</title>
		<link>http://www.archdaily.com/23656/museum-of-luz-pedro-pacheco-marie-clement/#comment-35689</link>
		<dc:creator>Opium</dc:creator>
		<pubDate>Thu, 04 Jun 2009 21:31:11 +0000</pubDate>
		<guid isPermaLink="false">http://www.archdaily.com/?p=23656#comment-35689</guid>
		<description>As for the first question yes...it&#039;s norm in portugal. We take enormous respect for the landscape we&#039;re operating in. It&#039;s something that has grown with years and that different architects express in different ways but yes i would clearly say that&#039;s the portuguese trademark the same way the dutch show that almost child like optimism...i guess we&#039;re a bit more sceptikal and more low key.</description>
		<content:encoded><![CDATA[<p>As for the first question yes&#8230;it&#8217;s norm in portugal. We take enormous respect for the landscape we&#8217;re operating in. It&#8217;s something that has grown with years and that different architects express in different ways but yes i would clearly say that&#8217;s the portuguese trademark the same way the dutch show that almost child like optimism&#8230;i guess we&#8217;re a bit more sceptikal and more low key.</p>
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		<title>By: Opium</title>
		<link>http://www.archdaily.com/23656/museum-of-luz-pedro-pacheco-marie-clement/#comment-35679</link>
		<dc:creator>Opium</dc:creator>
		<pubDate>Thu, 04 Jun 2009 21:25:40 +0000</pubDate>
		<guid isPermaLink="false">http://www.archdaily.com/?p=23656#comment-35679</guid>
		<description>The situation here is paradoxal Robert. On one side as i said earlier we have probably the best architectural schools(speacially in Porto)and on top of that we have world class act like Siza.On the other side we have had a long time debater over a law that permits non architects(civil engeneers for example)to sign architectural projects. The consequences of that are that lots of the construction in portugal,namely housing,iludes architects.But i must say this has gradually changed and now promoters see that bringing a good architect into their speculative projects can earn them more respect and money. If was to say what the real problem for young architects here in portugal i would say that is their excessive number making their wages very low or even non existing. The older allready estabilished architects take advantage of this cheap labour and they use the portuguese architectural syndicate to promote this policy.</description>
		<content:encoded><![CDATA[<p>The situation here is paradoxal Robert. On one side as i said earlier we have probably the best architectural schools(speacially in Porto)and on top of that we have world class act like Siza.On the other side we have had a long time debater over a law that permits non architects(civil engeneers for example)to sign architectural projects. The consequences of that are that lots of the construction in portugal,namely housing,iludes architects.But i must say this has gradually changed and now promoters see that bringing a good architect into their speculative projects can earn them more respect and money. If was to say what the real problem for young architects here in portugal i would say that is their excessive number making their wages very low or even non existing. The older allready estabilished architects take advantage of this cheap labour and they use the portuguese architectural syndicate to promote this policy.</p>
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